At other dancers they looked with a kind of airy scorn—they, the light brigade, the heroes of a hundred Kensington ‘hops’—from whom alone could the right manner and smile and step be hoped.

After this the stream came fast; chaperones silting up along the wall facing the entrance, the volatile element swelling the eddy in the larger room.

Men were scarce, and wallflowers wore their peculiar, pathetic expression, a patient, sourish smile which seemed to say: “Oh, no! don’t mistake me, I know you are not coming up to me. I can hardly expect that!” And Francie would plead with one of her lovers, or with some callow youth: “Now, to please me, do let me introduce you to Miss Pink; such a nice girl, really!” and she would bring him up, and say: “Miss Pink—Mr. Gathercole. Can you spare him a dance?” Then Miss Pink, smiling her forced smile, colouring a little, answered: “Oh! I think so!” and screening her empty card, wrote on it the name of Gathercole, spelling it passionately in the district that he proposed, about the second extra.

But when the youth had murmured that it was hot, and passed, she relapsed into her attitude of hopeless expectation, into her patient, sourish smile.

Mothers, slowly fanning their faces, watched their daughters, and in their eyes could be read all the story of those daughters’ fortunes. As for themselves, to sit hour after hour, dead tired, silent, or talking spasmodically—what did it matter, so long as the girls were having a good time! But to see them neglected and passed by! Ah! they smiled, but their eyes stabbed like the eyes of an offended swan; they longed to pluck young Gathercole by the slack of his dandified breeches, and drag him to their daughters—the jackanapes!

And all the cruelties and hardness of life, its pathos and unequal chances, its conceit, self-forgetfulness, and patience, were presented on the battle-field of this Kensington ball-room.

Here and there, too, lovers—not lovers like Francie’s, a peculiar breed, but simply lovers—trembling, blushing, silent, sought each other by flying glances, sought to meet and touch in the mazes of the dance, and now and again dancing together, struck some beholder by the light in their eyes.

Not a second before ten o’clock came the Jameses—Emily, Rachel, Winifred (Dartie had been left behind, having on a former occasion drunk too much of Roger’s champagne), and Cicely, the youngest, making her debut; behind them, following in a hansom from the paternal mansion where they had dined, Soames and Irene.

All these ladies had shoulder-straps and no tulle—thus showing at once, by a bolder exposure of flesh, that they came from the more fashionable side of the Park.

Soames, sidling back from the contact of the dancers, took up a position against the wall. Guarding himself with his pale smile, he stood watching. Waltz after waltz began and ended, couple after couple brushed by with smiling lips, laughter, and snatches of talk; or with set lips, and eyes searching the throng; or again, with silent, parted lips, and eyes on each other. And the scent of festivity, the odour of flowers, and hair, of essences that women love, rose suffocatingly in the heat of the summer night.

Silent, with something of scorn in his smile, Soames seemed to notice nothing; but now and again his eyes, finding that which they sought, would fix themselves on a point in the shifting throng, and the smile die off his lips.

He danced with no one. Some fellows danced with their wives; his sense of ‘form’ had never permitted him to dance with Irene since their marriage, and the God of the Forsytes alone can tell whether this was a relief to him or not.

She passed, dancing with other men, her dress, iris-coloured, floating away from her feet. She danced well; he was tired of hearing women say with an acid smile: “How beautifully your wife dances, Mr. Forsyte—it’s quite a pleasure to watch her!” Tired of answering them with his sidelong glance: “You think so?”

A young couple close by flirted a fan by turns, making an unpleasant draught. Francie and one of her lovers stood near. They were talking of love.

He heard Roger’s voice behind, giving an order about supper to a servant. Everything was very second-class! He wished that he had not come! He had asked Irene whether she wanted him; she had answered with that maddening smile of hers “Oh, no!”

Why had he come? For the last quarter of an hour he had not even seen her. Here was George advancing with his Quilpish face; it was too late to get out of his way.

“Have you seen ‘The Buccaneer’?” said this licensed wag; “he’s on the warpath—hair cut and everything!”

Soames said he had not, and crossing the room, half-empty in an interval of the dance, he went out on the balcony, and looked down into the street.

A carriage had driven up with late arrivals, and round the door hung some of those patient watchers of the London streets who spring up to the call of light or music; their faces, pale and upturned above their black and rusty figures, had an air of stolid watching that annoyed Soames. Why were they allowed to hang about; why didn’t the bobby move them on?

But the policeman took no notice of them; his feet were planted apart on the strip of crimson carpet stretched across the pavement; his face, under the helmet, wore the same stolid, watching look as theirs.

Across the road, through the railings, Soames could see the branches of trees shining, faintly stirring in the breeze, by the gleam of the street lamps; beyond, again, the upper lights of the houses on the other side, so many eyes looking down on the quiet blackness of the garden; and over all, the sky, that wonderful London sky, dusted with the innumerable reflection of countless lamps; a dome woven over between its stars with the refraction of human needs and human fancies—immense mirror of pomp and misery that night after night stretches its kindly mocking over miles of houses and gardens, mansions and squalor, over Forsytes, policemen, and patient watchers in the streets.

Soames turned away, and, hidden in the recess, gazed into the lighted room. It was cooler out there. He saw the new arrivals, June and her grandfather, enter. What had made them so late? They stood by the doorway. They looked fagged. Fancy Uncle Jolyon turning out at this time of night! Why hadn’t June come to Irene, as she usually did, and it occurred to him suddenly that he had seen nothing of June for a long time now.

Watching her face with idle malice, he saw it change, grow so pale that he thought she would drop, then flame out crimson. Turning to see at what she was looking, he saw his wife on Bosinney’s arm, coming from the conservatory at the end of the room. Her eyes were raised to his, as though answering some question he had asked, and he was gazing at her intently.

Soames looked again at June. Her hand rested on old Jolyon’s arm; she seemed to be making a request. He saw a surprised look on his uncle’s face; they turned and passed through the door out of his sight.

The music began again—a waltz—and, still as a statue in the recess of the window, his face unmoved, but no smile on his lips, Soames waited. Presently, within a yard of the dark balcony, his wife and Bosinney passed. He caught the perfume of the gardenias that she wore, saw the rise and fall of her bosom, the languor in her eyes, her parted lips, and a look on her face that he did not know. To the slow, swinging measure they danced by, and it seemed to him that they clung to each other; he saw her raise her eyes, soft and dark, to Bosinney’s, and drop them again.

Very white, he turned back to the balcony, and leaning on it, gazed down on the Square; the figures were still there looking up at the light with dull persistency, the policeman’s face, too, upturned, and staring, but he saw nothing of them. Below, a carriage drew up, two figures got in, and drove away…