“He used to thread the crinibobs through a string made out of fibre, and hang them in a row between two charm trees. As soon as the unicorns were nibbling, he would emerge from the bush where he would be hiding, and, making no noise with his bare feet, tie their tails together two by two.”

“But they would feel their tails being tied!”

“No, Sheila; white unicorns don’t feel with their tails. Then he would retire to the bush, and click his tongue against his teeth, and the unicorns would dash forward in wild confusion.”

“Did their tails ever come out?”

“Never. That was the great thing, because he was very fond of animals.”

“I expect the unicorns never came again?”

“Wrong, Ronny. Their love of crinibobs was too great.”

“Did he ever ride on them?”

“Yes; sometimes he would leap lightly on to two of their backs and ride off into the jungle with one foot on each back, laughing drily to himself. So under his charge, as you may imagine, the canoes were safe. It was not the wet season, so that the landsharks would not be so numerous, and the expedition was about to start when—”

“When what, Uncle Adrian? It’s only Mummy.”

“Go on, Adrian.”

But Adrian remained silent, with his eyes fixed on the advancing vision. Then, averting from it his eyes and fixing them on Sheila, he proceeded:

“I must now pause to tell you why the moon was so important. They could not start the expedition till the half-moon was seen advancing towards them through the charm trees.”

“Why not?”

“That is what I am going to tell you. In those days people, and especially this tribe of Phwatabhoys, paid a great deal of attention to what was beautiful—things like Mummy, or Christmas carols, or little new potatoes, had a great effect on them. And before they did anything they had to have an omen.”

“What is an omen?”

“You know what an amen is—it comes at the end: well, an omen comes at the beginning, to bring luck. And the omen had to be beautiful. Now the half-moon was considered to be the most beautiful thing in the dry season, so they had to wait till it came advancing to them through the charm trees, as you saw Mummy just now walking towards us through the door.”

“But the moon hasn’t got feet.”

“No; she floats. And one fine evening she came floating, like nothing else on earth, so lovely and so slim, and with such an expression in her eyes that they all knew their expedition was bound to be successful; and they abased themselves before her, saying: ‘Omen! if thou wilt be with us, then shall we pass over the wilderness of the waters and the sands with thee in our eyes, and be happy in the happiness that comes with thee for ever and ever. Amen!’ And when they had put it like that, they got into the canoes, Phwatabhoy by Phwatabhoy and Phwatanymph by Phwatanymph, till they were all in. And the half-moon stayed there at the edge of the charm trees and blessed them with her eyes. But one man stopped behind. He was an old Phwatabhoy who wished for the half-moon so much that he forgot everything, and started crawling towards her, hoping to touch her feet.”

“But she hadn’t feet!”

“He thought she had, for to him she was like a woman made of silver and ivory. And he crawled in and out of the charm trees, but never could he quite reach her, because she was the half-moon.”

Adrian paused, and there was for a moment no sound; then he said: “To be continued in our next,” and went out. Diana joined him in the hall.

“Adrian, you are corrupting the children. Don’t you know that fables and fairy-tales are no longer to be allowed to interfere with their interest in machines? After you’d gone Ronald said: ‘Does Uncle Adrian really believe you are the half-moon, Mummy?’”

“And you answered?”

“Diplomatically. But they’re as sharp as squirrels.”

“Well! Sing me ‘Waterboy’ before Dinny and her swain come.”

And while she sat and sang, Adrian gazed and worshipped. Her voice was good and she sang well that strange and haunting song. The last ‘Waterboy’ had barely died away when the maid announced:

“Miss Cherrell. Professor Hallorsen.”

Dinny came in with her head held high, and Adrian augured but poorly from the expression of her eyes. He had seen schoolboys look like that when they were going to ‘roast’ a new-comer. After her came Hallorsen, immensely tall in that small drawing-room, his eyes swimming with health. He bowed low when presented to Dinny. “Your daughter, I presume, Mr. Curator?”

“No, my niece; a sister of Captain Hubert Cherrell.”

“Is that so? I am honoured to make your acquaintance, Ma’am.”

Adrian, noting that their eyes, having crossed, seemed to find it difficult to disengage, said:

“How are you liking the Piedmont, Professor?”

“The cooking’s fine, but there are too many of us Americans.”

“Perching just now like the swallows?”

“Ah! In a fortnight we’ll all have flitted.”

Dinny had come brimful of Anglo-femininity, and the contrast between Hallorsen’s overpowering health and Hubert’s haggard looks had at once sharpened the edge of her temper. She sat down beside that embodiment of the conquering male with the full intention of planting every dart she could in his epidermis. He was, however, at once engaged in conversation by Diana, and she had not finished her soup (clear, with a prune in it) before, stealing a look round at him, she revised her plan. After all, he was a stranger and a guest, and she was supposed to be a lady; there were other ways of killing a cat beside hanging it. She would not plant darts, she would ‘charm him with smiles and soap’; that would be more considerate towards Diana and her uncle, and more effective warfare in the long run. With a cunning worthy of her cause, she waited till he was in deep water over British politics, which he seemed to regard as serious manifestations of human activity; then, turning on him the Botticellian eye, she said:

“We should treat American politics just as seriously, Professor. But surely they’re not serious, are they?”

“I believe you are right, Miss Cherrell. There’s just one rule for politicians all over the world: Don’t say in Power what you say in Opposition; if you do, you only have to carry out what the other fellows have found impossible. The only real difference, I judge, between Parties is that one Party sits in the National ‘Bus, and the other Party strap-hangs.”

“In Russia, what’s left of the other Party lies under the seat, doesn’t it?”

“So it does in Italy,” said Diana.

“And what about Spain?” added Adrian.

Hallorsen uttered his infectious laugh. “Dictatorships aren’t politics. They’re jokes.”

“NO jokes, Professor.”

“Bad jokes, Professor.”

“How do you MEAN—jokes, Professor?”

“Bluff. Just one long assumption that human nature’s on the mark the Dictator makes for it. The moment his bluff’s called—Why! Wump!”

“But,” said Diana, “suppose a majority of the people approve of their dictator, isn’t that democracy, or government by consent of the governed?”

“I would say no, Mrs. Ferse, unless he was confirmed by majority every year.”

“Dictators get things done,” said Adrian.

“At a price, Mr. Curator. But look at Diaz in Mexico. For twenty years he made it the Garden of Eden, but see what it’s been ever since he went. You can’t get out of a people for keeps what isn’t yet in them.”

“The fault,” replied Adrian, “in our political system and in yours, Professor, is that a whole lot of reforms latent in the common-sense of the people don’t get a chance of being carried out because our short-term politicians won’t give a lead, for fear of losing the power they haven’t got.”

“Aunt May,” Dinny murmured, “was saying: Why not cure Unemployment by a National Slum Clearance effort, and kill the two birds with one stone?”

“My! But that’s a mighty fine idea!” said Hallorsen, turning on her the full of his brimming face.