But something clearly had not worked out right. Meredith said, “So you didn’t talk to…well, to him? She didn’t say anything about what might have been going on at home? And you didn’t ring her there?”

Lexie shook her head. “Just reckoned she di’n’t want me,” the girl replied. “No one gen’rally does.”

SO, REALLY, SHE had to go to Jemima’s home. There was nothing else for it. Meredith didn’t actually like this idea because she felt it gave Jemima a sort of advantage over her in the conversation that was to come. But she knew that if she was going to be serious about making up with her friend, then she was going to have to do what it took.

Jemima lived with her partner between Sway and Mount Pleasant. There, she and Gordon Jossie had somehow lucked their way into the rights of a commoner, so there was land attached to the holding. True there was not a lot of it but, still, twelve acres were nothing to sniff at. There were buildings as well: an old cob cottage, a barn, and a shed. Part of the land comprised ancient paddocks to serve the needs of the holding’s ponies should they get out of condition during the winter. The rest of it was vacant land, characterised largely by a heath that, in the distance, gave way to woodland, which was not part of the holding.

The buildings on the property were shaded by sweet chestnut trees, all of them pollarded long ago so that now their branches grew above head height from the bulbous remains of those early amputations, which had saved the trees in their youth from the hungry mouths of animals. They were huge, those chestnuts. In summer, they lowered the temperature around the cottage and they scented the air with a heady fragrance.

As she pulled past the tall hawthorn hedge and into the drive that sketched a pebbled line between the cottage and the west paddock, Meredith saw that beneath one of the chestnut trees in front of the house, a rusty iron table, four chairs, and a wheeled tea trolley formed a picturesque summer dining area, complete with potted ferns, candles on the table, colourful cushions on the chairs, and three ornate torchères, all of it giving the place the look of a photo from a home living magazine. This was not like Jemima at all, Meredith thought. She wondered how else her friend had changed in the months that had passed since they’d last seen each other.

She pulled to a stop not far from the cottage, just behind the second sign of change. This constituted a late-model Mini Cooper, bright red with white striping, newly polished, its chrome agleam and its convertible top lowered. Meredith stirred a bit in her seat when she saw this vehicle. It brought home to her what she’d arrived in: an old Polo held together by duct tape and dreams, the passenger’s seat of which was currently beginning to accept an ooze of melted chocolate from the cake that sat upon it.

The cake seemed like a truly ridiculous offering now, Meredith thought. She should have listened to her mother. Not that she’d ever listened to her mother before. Which in itself was a thought that brought Jemima even more firmly into her mind, how she’d always said, “At least you have a mum,” whenever Meredith complained about the good woman. And that made her miss Jemima with a stab to the heart, so she gathered her courage and her lopsided cake, and she made her way to the cottage door. Not the front door, which she’d never used, but the door at the back, the one that led out from a lean-to laundry room into an open space edged by the cottage, the barn, the shed, a little farm lane, and the east paddock.

There was no answer to her knock; there was no reply to her call of, “Jem? Hey? Hullo? Birthday girl, where are you?” She was thinking of letting herself inside-no one locked doors in this part of the world-and leaving the cake along with a note when she heard someone call in return, “Hello? C’n I help you? I’m over here.”

It was not Jemima. Meredith knew that at once from the voice, without having to turn from the door. But turn she did, and it was to see a young blonde coming round the side of the barn, shaking off a straw sunhat, which she then put on her head as she drew near. She was saying, “Sorry. I was having a go with the horses. It’s the oddest thing. For some reason this hat seems to frighten them, so I take it off when I go near the paddock.”

Perhaps, Meredith thought, she was someone they’d hired, Gordon and Jemima. With common rights, they were allowed to keep wild ponies, and they were also required to care for them if the animals weren’t able to graze freely on the Forest for some reason. With Gordon’s work and Jemima’s work keeping them busy, it wasn’t completely out of the question that they’d had to bring along someone in the event they were forced to keep ponies on the holding. Except…This woman didn’t look like a stable-girl. True, she wore blue jeans, but they were of the designer sort one saw on celebrities, hugging her curves. She wore boots, but they were polished leather and very stylish, not boots for mucking out in. She wore a work shirt, but its sleeves were rolled to show tanned arms and its collar stood up to frame her face. She looked like someone’s image of a countrywoman, not like an actual countrywoman at all.

“Hullo.” Meredith felt awkward and ungainly. She and the other woman were of similar height, but that was the extent of their similarities. Meredith wasn’t put together like this vision of life-in-Hampshire approaching her. In her body-shrouding caftan, she felt like a giraffe in draperies. “Sorry. I think I’ve blocked you in.” She tilted her head in the direction of her car.

“No worries,” the woman replied. “I’m not going anywhere.”

“Not…?” Meredith hadn’t thought that Jemima and Gordon might have moved house, but that seemed to be the case. She said, “Do Gordon and Jemima not live here any longer?”

“Gordon certainly does,” the other replied. “But who’s Jemima?”

In looking at everything that happened to John Dresser, one must begin with the canal. Part of the nineteenth century’s means of transporting goods from one area of the UK to another, the particular section of the Midlands Trans-Country Canal that concerns us bisects the city in such a way as to create a divide between socioeconomic areas. Three-quarters of a mile of its length runs along the north boundary of the Gallows. As is the case with most of the canals in Great Britain, a towpath gives walkers and cyclists access to the canal, and various types of housing back onto the waterway.

One might harbour romantic images invoked by the word canal or by canal life, but there is little romantic about the length of the Midlands Trans-Country Canal that flows just north of the Gallows. It’s a greasy strip of water uninhabited by ducks, swans, or any other sort of aquatic life, and there are no reeds, willow trees, wildflowers, or grasses growing along the towpath. What bobs at the canal’s edges is usually rubbish, and its water carries a putrid odour suggestive of faulty sewer pipes.

The canal has long been used by residents of the Gallows as a dumping ground for items too bulky to be taken away by the rubbish collectors. When Michael Spargo, Reggie Arnold, and Ian Barker arrived there at roughly nine-thirty A.M., they found a shopping trolley in the water, and they commenced using it as a target at which they threw rocks, bottles, and bricks found along the towpath. Going to the canal appears to have been Reggie’s idea, one initially rejected by Ian, who accused the other two boys of wanting to go there “to wank each other or do it like doggies,” which can be seen as an apparent reference to what he himself had witnessed in the bedroom he was forced to share with his mother. He also seems to have harassed Michael about his right eye, as reported by Reggie. (The nerves of his cheek having been damaged during a forceps delivery at his birth, Michael’s right eye drooped and did not blink in concert with his left eye.) But Reggie indicates he himself “sorted Ian proper,” and the boys went on to other things.