Musette turned those blue eyes to me, and the flat unfriendliness of the stare made me half wish I hadn't interrupted.

"So, this is the new one." She walked towards us, and it wasn't just gliding, it was a sway of hips, there were high heels under the skirt. You didn't get that sashay without them.

The tall dark and scary man moved behind her like a shadow. The young girl stayed sitting in front of the fireplace, her pale blue skirts spread around her like they'd been arranged. Her hands were very still in her lap. She looked arranged, too, as if she'd been told sit here, like this, and she would sit there, like that, until Musette told her to move. Definitely yucky.

"May I present Anita Blake, my human servant, the very first I have ever called to me. There is no other, there is only she." Jean-Claude used his hand in mine to sweep me outward away from the coffee table, and incidentally, Musette. It was almost a dance move, as if I was supposed to curtsy, or something. Damian followed the movement, making it look like a very graceful game of crack the whip. The vampires bowed, and, caught between them, I had little choice but to do what they did. Maybe there was more than one reason that Jean-Claude had put me in the middle.

Musette swayed towards us, her hips making a dance of the billowing white skirt. "You know the one I mean, Asher's servant, what was her name?" There was a look in those blue eyes that said she knew damn well what the name was.

"Julianna," Jean-Claude said, voice as neutral as he could make it. But neither Asher nor he could say Julianna's name without some emotion.

"Ah, yes, Julianna, a pretty name for someone so common." She'd come to stand in front of us. The tall dark man stood behind her, menacing by his very size. He had to be damn close to seven feet tall. "Why is it that Asher and you choose such common women? I suppose there is something comforting about good, sturdy, peasant stock."

I laughed before I could think. Jean-Claude squeezed my hand. Damian went very still under my other hand.

Musette didn't like being laughed at, that was plain on her face. "You laugh, girl, why?"

Jean-Claude squeezed my hand tight enough that it was just this side of pain. "Sorry," I said, "but calling me a peasant isn't much of an insult."

"Why is it not?" she asked, and she looked genuinely puzzled.

"Because, you're right, as far back as anyone can trace my family tree I have nothing but soldiers and farmers. I am good peasant stock and proud of it."

"Why would you be proud of that?"

"Because everything we've gotten, we've made with our two hands, the sweat of our brows, that kind of thing. We've had to work for everything we have. No one has ever given us anything."

"I do not understand," she said.

"I don't know if I can explain it to you," I said. I was thinking it was like Asher trying to explain to me what you owed a liege lord. I had nothing in my life that prepared me to understand that sort of obligation. I didn't say that out loud though, because I didn't want to bring up the idea that I owed Belle Morte anything. Because I didn't feel I did.

"I am not stupid, Anita, I would understand if you would explain yourself clearly."

Asher moved from behind, to the other side of us, still as far as he could stay from Musette, but it was brave of him to draw attention to himself. "I attempted to explain to Anita earlier what one owes a liege lord, and she could not understand it. She is young and American, they have never had the... benefit of being ruled here."

She turned her head to one side, disturbingly like a bird just before it takes a bite out of a worm. "And what has her lack of understanding of civilized ways to do with anything?"

A human being would have licked their lips, Asher went still, quiet. (Hold still enough, and the fox won't know you're there.) "You, lovely Musette, have never lived where you were not subject to a lord, or lady, or where you did not rule others. You have never lived without knowing the duties one owes one's liege."

"Oui?" she made that one word cold, so cold, as if to say, go on, dig yourself a deeper hole to be buried in.

"You have never dreamt of the possibility that being a peasant, owing no one, would be a freeing experience."

She waved a carefully manicured hand, as if clearing the very thought from the air. "Absurd. 'Freeing experience,' what does that mean?"

"I believe," Jean-Claude said, "that the fact that you do not understand what that means is Asher's exact point."

She frowned at them both. "I do not understand, thus it cannot be that important." She dismissed it all with a wave of dainty hands. Then she turned her attention back to me, and it was frightening. I wasn't sure what it was about the mere gaze of those eyes, but it chilled the marrow in my bones.

"Have you seen our present to Jean-Claude and Asher?"

I must have looked as confused as I felt, because she turned and tried to motion behind her, but all I could see was her very large human servant. "Angelito, move so she may see." Angelito? Somehow the name, "little angel" didn't fit him. He moved, and she finished the motion towards the fireplace.

It was only the fireplace with it's painting above it, then something about the painting caught my eye. It was supposed to be a painting of Jean-Claude, Asher, and Julianna in clothing a la the Three Musketeers, but it wasn't. If there hadn't been new and strange vampires in the room, I'm sure I would have noticed it sooner. Oh, yes, I would have noticed it sooner.

It was a picture of Cupid and Psyche, that traditional scene where Cupid asleep is finally revealed to the candle-wielding Psyche. Valentine's Day has robbed Cupid of what he was in the beginning. He was not a chubby sexless baby with wings. He was a god, a god of love.

I knew who had posed for Cupid, because no one else had ever had that golden hair, that long, flawless body. I had memories of what Asher had looked like before, but I'd never seen it, not me, myself. I walked towards the painting like a flower pulled towards the sun. It was irresistible.

Asher lay on his side in the painting, one hand curled against his stomach, the other hand flung outward, limp with sleep. His skin glowed golden in the candlelight, only a few shades lighter than the foam of hair that framed his face and shoulders.

He was nude, but that word didn't do him justice. The candlelight made his skin glow warm from the broadening of his shoulders to the curve of his feet. His nipples were like dark halos against the swell of his chest, his stomach was flat to the grace of his belly button as if an angel had touched that flawless skin and left a delicate imprint, a line of hair dark gold, almost auburn, traced the edge of his stomach, and ran in a line down, down to curl around him, where he lay swollen, partially erect, caught forever between sleep and passion. The curve of his hip was the most perfect few inches of skin that I'd ever seen. That curve drew the eye down to the line of his thigh, the long sweep of his legs.

I remembered with Jean-Claude's memories what the curve of that hip had felt like under my fingertips. I remembered arguing about whose hip was the softest, the most perfect. Belle Morte had said that the lines of both their bodies were the closest to perfection she'd ever seen on a man. Jean-Claude had always believed that Asher was the more beautiful, and Asher had believed the same of Jean-Claude.

The artist had painted white wings on the sleeping figure, so detailed they looked as if they'd be soft if you could touch them. The wings were huge and reminded me of renaissance pictures of angels. They seemed out of place on that golden body.

Psyche was peering around the edge of one wing, so that it shielded her upper body, yet revealed a shoulder, the edge of her body, down to that first curve of hip, but most of her was lost behind Cupid's body. I frowned up at the picture. I knew that shoulder, the curve of the ribs under that white skin. Though traced with golden candlelight, I knew the line of that body. I'd expected Psyche to be Belle Morte, I'd been wrong.