Who am I kidding. Janet's gone.

"How do you know this?" Rick Tarkington asks.

"The blood matches. Trust me."

"I don't doubt it, Jack, but how would youknow? See my point?"

Tarkington is a major-crimes prosecutor for the State Attorney's Office. I'm obligated to admire him because he's a lifer. He could be making a million bucks a year as a private defense lawyer in Miami or Lauderdale, but he can't stomach the thought of representing killers, rapists and nineteen-year-old drug lords. Instead he has a fine old time sending them to prison and sometimes Death Row. Tarkington is an old-fashioned hardhead who believes that certain feloniously bent individuals cannot be rehabilitated, reborn or redeemed. He believes that some are purely evil and others are just hopeless fuckups, but that all of them should be dealt with unambiguously. He also believes that the American penal system functions essentially as a social septic tank, and that nothing more lofty should be expected of it.

"I could probably sell tickets," he's saying, "for the day they put you on the witness stand. 'Mr. Tagger, would you mind telling the court why you broke into the victim's house and stole a tampon?'"

Rick Tarkington is my age but he looks ten years younger. The irony is glaring and nettlesome. Here's a fellow immersed full-time in the ghastliest details of human malefaction, yet he shows no trace of being haunted by cosmic questions or mortal fears. He is cynical to the core, yet happy as a clam.

In the last thirty minutes I've told Tarkington almost everything about the Jimmy Stoma story, spilling it as breathlessly as I did to Emma. I even brought a small boom box and played "Shipwrecked Heart," which Tarkington said reminded him of early Buffett. I had hoped it would work in my favor that the prosecutor is a rock 'n' roller. On the wall behind his desk is a photo of the Rolling Stones taken backstage at the Orange Bowl. The picture is signed: "To R.T., Thanks for not searching my dressing room. Keith."

"I came here," I say to Tarkington, "because I need direction."

"That you do." He's reclining at a precarious cant, the worn heels of his boots propped on his desk. Tarkington is from Lafayette County, where it's still possible to step in cowshit.

"Jimmy Stoma. I'll be damned," he says, clicking his tongue. "After I saw the obit I went and dug out my old eight-track of A Painful Burning Sensation.It kicked butt." Tarkington swings his feet off the desk and hunches forward, looking serious. "But, Jack, I don't know what the hell you expect me to do."

We've been over this twice already, and he's shot holes in every idea I've floated. "There's a woman missing," I say wearily, "and bloodstains in her house. Can we not assume she's hurt and possibly even dead?"

"I need a warrant to search the place, and where's my probable cause? You tell me nobody phoned in a disturbance. Nobody's reported her gone," Tarkington says. "However, if you'd care to sign an affidavit stating you entered the premises and observed what appeared to be a crime scene—"

"You know damn well I can't." That would make me a witness and put me at the center of the story—and then I couldn't be the one to write it. Another reporter would be given the assignment; the newspaper's lawyers would see to that.

"What about Jay Burns?" I ask.

"By all means. The genius who got smushed by the mullet truck." Tarkington raises his arms beseechingly. "He's drunk, stoned and now his head looks like a fucking Domino's deluxe. And you want me to prove it's homicide."

"Look, I know there's problems—"

"Problems? Old buddy, you've already given me enough to pinch you right now for trespass, b-and-e, tampering and obstruction," says Tarkington. "But that's assuming you and I are having this conversation, which we're not."

The Springsteen tickets—I'd almost forgotten. Sometimes it pays to be a shameless suck-up.

"Killer show," Tarkington says, warming at the memory. "Floor seats, fifth-row center. I owe you for life, Jack. But I can't do much with this one. I'm good, buddy, but I'm not a magician."

"And if Jimmy's sister turns up murdered ... ?"

"I'll be there like a gator on a poodle," he says, "and I'll not hesitate to subpoena your scrawny, white, First Amendment-quoting ass. Now, before you go, play me that song again."

Given the setting, it's a strangely mellow interlude—Tarkington listening with his eyes closed, his chin on his knuckles and his elbows braced on four fat brown file folders: two murders, a DUI manslaughter and the sexual battery of an eleven-year-old child. People think the media is full of bleeding-heart liberals, but most reporters I know root for the Rick Tarkingtons of the world.

"That's nice," he says of Jimmy's singing. "You can tell he was into the island groove."

I switch off the boom box. "So where we at, counselor?"

"Well"—Tarkington, the prideful cracker, pronounces it like "whale"—"we've got an ambitious young widow who may or may not have bumped off her rock-star hubby. What we don't have are human remains to examine, as the decedent has been inconveniently incinerated. However, we do have the corpse—more or less—of a keyboard player with questionable lifestyle habits. We also have assorted sloppy burglaries of a fishing vessel, an obituary writer's apartment and the dwelling of the dead rock singer's sister, who may or may not have been abducted."

"Don't forget Tito Negraponte," I mutter.

"Not for a moment! Our bass player, plugged in the bupkis by a couple of beaners supposedly recruited by the aforementioned ambitious young widow. Unfortunately, we have no suspects, no supporting witnesses and damn little evidence, circumstantial or otherwise. Which brings us to our pretty little love song, the alleged motive behind all this mayhem—"

"Hey, I just figured out what you can do for me."

"Wait, Jack. I'm not finished—"

"Just give me a quote. That's all I want."

Tarkington snorts. "Are you deaf on top of everything else? Let me repeat this: You're not here. I'm not here. We're not having this chat."

"One crummy quote," I nag him. "Not for publication now, but later."

"The only thing I've got to say to you is be very careful, Slick. Don't be a nitwit and get yourself whacked. And that's strictly off the record."

"One quote, Rick, come on. It doesn't have to be substantial, for Christ's sake."

"Oh, there's a load off." Tarkington scowls.

I try dusting off an old standby from my hard-news days. "What if you were to say the state attorney is 'investigating a possible link' between the deaths of Jimmy Stoma and Jay Burns, and the coldblooded shooting of a third member of the band. You don't have to mention Cleo or the song. Just say you want to find out if somebody's bumping off the Slut Puppies. It's a helluva headline, you've got to admit."

"Except we're not investigating a damn thing."

"Yes, but you wouldinvestigate—wouldn't you, Rick?—if more evidence turned up. Startling new evidence, as we say."

"Be sure and call me when that happens. Then you'll get your precious quote."

My predicament, which I'd rather not explain to Tarkington, is that I'll need more than a string of baroque incidents to sell the Jimmy Stoma story to our managing editor. Abkazion might be a Slut Puppies fan, but he's also a hardass when it comes to the front page. He'll want to see a quote from somebody in law enforcement saying they smell a rat. Tarkington would be ideal. Unfortunately, he's a hardass, too.

"Are you telling me," I plod on, "it's all coincidence, everything that's happened since Jimmy died?"

"Hell, I don't believe much in coincidence," he replies matter-of-factly. "I think you're probably onto something."

"And the blood's not enough to make you pick up the phone? His own sister's blood?"