"That's what the sign says, ain't it? Or cain't you read?"

"I can read," Dancy Flammarion replies and looks down at the toes of her boots. "I wouldn't have known to ask if I couldn't read."

"Then why'd you ask such a fool question for? You think I'm gonna put up a big ol' sign sayin' I got a live panther if I ain't?"

"Does it cost money to see it?"

"You better believe it does. I'll let you use the jake free of charge, 'cause it wouldn't be Christian to do otherwise, but a gander at that cat's gonna set you back three bucks, cold, hard cash."

"I don't have three dollars."

"Then I guess you ain't gonna be seein' my panther," the old man says, and he grins and offers her a Certs. She takes the candy from him and sets her duffel bag down on the gravel between them.

"How'd you get him?"

The old man rubs at the coarse salt-and-pepper stubble on his chin and slips what's left of the roll of Certs into the bib pocket of his overalls.

"You some kind of runaway or somethin'? You got people out lookin' for you, sport? You a druggie?"

"Is he in a cage?" she asks, matching his questions with a question of her own.

"He's a she," the old man grunts. "Course she's in a cage. What you think someone's gonna do with a panther? Keep it in a damned burlap sack?"

"No," she says. "How'd you say you caught him?"

"I didn't."

"Did someone else catch him for you?"

"It ain't no him. It's a she."

Dancy looks up at the old man and rolls the quickly shrinking piece of candy from one side of her mouth to the other and back again.

"You're some kind'a albino, ain't you," the old man says, and he leans a little closer. He smells like sweat and Beech-Nut chewing tobacco, old cars and fried food.

"Yeah," she says and nods her head.

"Yep. I thought so. I used to have some rabbits had eyes like yours."

"Did you keep them in cages, too?"

"You keep rabbits in hutches, sport."

"What's the difference?"

The old man glares at her a moment and then sighs and jabs his thumb at the screen door. "The shitter's inside," he grumbles. "Right past the Pepsi cooler. And don't you forget to flush."

"Where do you keep him?" Dancy asks, looking past the old man at the closed screen door and the shadows waiting on the other side.

"That ain't exactly none of your business, not unless you got the three bucks, and you done told me you don't."

"I've seen some things," she says. "I've seen black bears, out in the swamps. I've seen gators, too, and once I saw a big ol' bobcat, but I've never seen a panther before. Is it the same thing as a cougar?"

"You gonna stand there talkin' all damn day long? I thought you needed to take a leak?"

Dancy shrugs her narrow shoulders and then looks away from the screen door, staring north and east down the long road to the place it finally vanishes, the point where the cloudy sky and the pastures collide.

"If any police show up askin' if I seen you, don't expect me to lie about it," the old man says. "You sure look like a runaway to me. No tellin' what kind of trouble you might be in."

"Thank you for the candy," she says and points at her duffel bag. "Is it okay if I leave that out here while I use your toilet? It's heavy."

"Don't make no difference to me," the man says. "But don't you forget to flush, you understand me?"

"Sure thing," Dancy says. "I understand," and she steps past him, climbs the four squeaky wooden steps up to the screen door and lets it bang shut. Inside, the musty air stinks of motor oil and dust, dirty rags and cigarette smoke, and the only light comes from the door and the fly-specked windows. The walls and floor are bare pine boards gone dark as rotten teeth, and a huge taxidermied bass hangs above the cash register. There are three short rows of canned goods, candy bars in brightly colored paper wrappers, oil and windshield wipers and transmission fluid, snack foods and mousetraps, bottles of Bayer aspirin and cherry-flavored Maalox. There's a wall of hardware and fishing tackle. She finds the tiny restroom right where he said she would, and Dancy latches the door behind her.

The restroom is illuminated by a single, naked incandescent bulb hanging from the ceiling. Dancy squints up at it, raises her left hand for an eclipse, and then glances at her reflection in the smudgy mirror above a sink stained by decades of iron water. She isn't sure how long it's been since she's seen herself like that; not since sometime before Bainbridge, so more than a week, at least. Her white hair is still wet from the rain, wet and tangled like a drowned thing. A drowned rabbit that spent its whole short life trapped in a cage called a hutch, maybe, and she lowers her hand so the stark light spills down on her again.

The albino girl in the mirror lowers her hand, too, and stares back at Dancy with eyes that seem a lot older than Dancy's sixteen years. Eyes that might have been her grandmother's, if they were brown, or her mother's, if they were the easy green of magnolia leaves.

"You should wash your face," the albino girl in the mirror says. "You look like some sort of hobo."

"I didn't know it was so dirty," Dancy replies, embarrassed at her own raggedness, and almost adds, I thought the rain would have washed it clean, but then she thinks better of it.

There's a stingy violet-brown sliver of soap on the sink, but when she turns on the hot water, the knob marked h, she remembers how badly she has to pee and turns the water off again. She loosens her belt, and the pearl-handled straight razor tucked into the waistband of her jeans almost falls out onto the floor. She catches it and slips it into her back pocket. The razor, like the duffel bag, was her grandfather's, and he carried both of them when he fought the Nazis in Italy and France. Dancy didn't take many things out of her grandmother's cabin in Shrove Wood before she burned it, and the bodies inside, to the ground. But she took the straight razor, because the old man had shaved with it every morning, and it helped her remember him.

After she pees, Dancy wipes off the seat with a big wad of toilet paper, even though there's not a drop of urine on it anywhere. She drops the wad into the porcelain bowl, flushes, and the water swirls round and round like the hot wind that always swirls about her angel.

"You look like hell," the albino girl in the mirror says and frowns.

"I'm just tired, that's all. I didn't sleep very well last night," which is the truth. She slept a few hours in the backseat of an abandoned car that someone had stolen, stripped, and left in the woods, and her dreams were filled with images of the things she'd seen and done in Bainbridge and Shrove Wood, the angel and the things that want her dead and damned, the past and the present and the slippery, hungry future.

Dancy turns the hot water on again and uses the yellowish sliver of soap to wash her hands, her arms, her grimy face and neck. The soap smells like soap, but it also smells very faintly of black-eyed susans and clover and sunshine, and she doesn't remember ever having smelled that sort of soap before. When she's done, she dries with brown paper towels from a chrome dispenser mounted on the wall. All that hot water's steamed up the mirror, and she uses another paper towel to wipe it clear again.

The albino girl is still there, watching Dancy from the other side.

"That's better," the girl in the mirror says. "Don't you think so?"

"It feels better," Dancy says, "if that's what you mean. And I like the way that soap smells."

"You know, I think you're running out of time," the girl in the mirror tells her, smoothing her hair with her wet hands, just like Dancy's doing. "I don't even think you're going to have to worry about Waycross, or Sinethella and her hound, or the nine crazy ladies in their big house in Savannah, not the way things are going."