Miss Aramat opens a door and ushers them into a room the color of a slaughterhouse: red walls, red floors, crossed swords above a red-tiled fireplace, a stuffed black bear wearing a red fez standing guard in one corner. She tugs on a braided bellpull and somewhere deep inside the house there's the muffled sound of chimes.

"I didn't expect you until tomorrow night," she says to the Bailiff and motions for him to take a seat in an armchair upholstered with cranberry brocade.

" Jacksonville took less time than I'd expected," he replies, shifting his weight about, trying to find a comfortable way to sit in an uncomfortable chair. "You seemed anxious to get this shipment. I trust we're not intruding-"

"Oh, no, no," Miss Aramat says. "Of course not," and she smiles a smile that makes Dancy think of an alligator.

"Well, this time I have almost everything you asked for," and then the armchair cracks loudly, and he stops fidgeting and sits still, glancing apologetically at Miss Aramat. "Except the book. I'm afraid my man on Magazine Street didn't come through on that count."

"Ah. I'm sorry to hear that. Biancabella will be disappointed."

"However," the Bailiff says quickly and jabs a pudgy thumb towards Dancy, who's sitting now between Dead Girl and Bobby on a long red sofa. "I think perhaps I have something here that's going to more than make up for it."

And Miss Aramat pretends she hasn't already noticed Dancy, that she hasn't been staring at her for the last five minutes. "That's marvelous," she says, though Dancy catches the doubtful edge in her voice, the hesitation. "I don't think we've ever had an albino before."

"Oh, she's not just any albino," the Bailiff says, grins and scratches his beard. "You must have heard about the unpleasantness in Waycross last month. Well, this is the girl who did the killing."

And something passes swiftly across Miss Aramat's face, then, a fleeting wash of fear or indignation, and she takes a step back towards the doorway.

"My god, man. And you brought her here?"

"Don't worry. I think she's actually quite harmless."

The Bailiff winks at Dead Girl, and she slams an elbow into Dancy's ribs to prove his point. Her breath rushes out through her nostrils, and she doubles over, gasping uselessly against the duct tape still covering her mouth. A sickening swirl of black and purple fireflies dances before her eyes.

I'm going to throw up, she thinks. I'm going throw up and choke to death.

"You ask me, someone must be getting sloppy down there in Waycross," the Bailiff says, "if this skinny little bitch could do that much damage. Anyway, when we found her, I thought to myself, now who would appreciate such an extraordinary morsel as this, such a tender pink delicacy."

Miss Aramat is chewing indecisively at a thumbnail, and she tugs the bellpull again, harder this time, impatient, stomps the floor twice, and "No extra charge?" she asks.

"Not a penny. You'll be doing us all a favor."

Dancy shuts her eyes tight, breathing through her nose, tasting blood and bile at the back of her mouth. The Bailiff and Miss Aramat are still talking, but their voices seem far away now, inconsequential. This is the house where she's going to die, and she doesn't understand why the angel never told her that. The night in Waycross when she drove her knife into the heart of a monster dressed in the skins of dead men and animals, or before that, the one she killed in Bainbridge. Each time the angel there to tell her it was right, the world a cleaner place for her work, but never a word about this house and the woman in the wide peacock hat. Slowly, the dizziness and nausea begin to pass even if the pain doesn't, and she opens her eyes again and stares at the antique rug between her boots.

"I said look at me," and it takes Dancy a moment to realize that the woman's talking to her. She turns her head, and now Miss Aramat's standing much closer than before and there are two younger women standing on either side of her.

"She killed the Gynander?" the very tall woman on Miss Aramat's right asks skeptically. "Jesus," and she wipes her hands on the black rubber apron she's wearing, adjusts her spectacles for a better view.

The auburn-haired woman on Miss Aramat's left shakes her head, disbelieving or simply amazed. "What do you think she'd taste like, Biancabella? I have a Brazilian recipe for veal I've never tried-"

"Oh, no. We're not wasting this one in the stew pot."

"I'll have to get plantains, of course. And lots of fresh lime."

"Aramat, tell her this one's for the slab. Anyway, she looks awfully stringy."

"Yes, but I can marinate-"

"Just bring the tea, Alma," Miss Aramat says, interrupting the auburn-haired woman. "And sweets for the boy. I think there are still some blueberry tarts left from breakfast. You may call Isolde up to help you."

"But you're not really going to let Biancabella have all of her, are you?"

"We'll talk about it later. Get the tea. The jasmine, please."

And Alma sulks away towards the kitchen, mumbling to herself; Biancabella watches her go. "It's a wonder she's not fat as a pig," she says.

Miss Aramat kneels in front of Dancy, brushes cornsilk bangs from her white-rabbit eyes, and when Dancy tries to pull back, Dead Girl grabs a handful of her hair and holds her still.

"Does she bite?" Miss Aramat asks Dead Girl, points at the duct tape, and Dead Girl shrugs.

"She hasn't bitten me. I just got tired of listening to her talk about her goddamn angel."

"Angel?"

"She has an angel," Bobby says. "She says everyone has an angel, even me. Even Dead Girl."

"Does she really?" Miss Aramat asks the boy, most of her apprehension gone and something like delight creeping into her voice to fill the void.

"Her angel tells her where to find monsters and how to kill them."

"Angels and monsters," Miss Aramat whispers, and she smiles, her fingertips gently stroking Dancy's cheeks, skin so pale it's almost translucent. "You must be a regular Joan of Arc, then, la pucelle de Dieu to send us all scuttling back to Hell."

"She's a regular nut," Dead Girl says and draws circles in the air around her right ear.

The Bailiff laughs, and the armchair cracks again.

"Is that true, child? Are you insane?" and Miss Aramat pulls the duct tape slowly off Dancy's mouth, drops it to the carpet. It leaves behind an angry red swatch of flesh, perfect rectangle to frame her lips, and Miss Aramat leans forward and kisses her softly. Dancy stiffens, but Dead Girl's hand is there to keep her from pulling away. Only a moment, and when their mouths part, there's a faint smear of rouge left behind on Dancy's lips.

"Strange," Miss Aramat says, touching the tip of her tongue to her front teeth. "She tastes like hemlock."

"She smells like shit," Dead Girl sneers and yanks hard on Dancy's hair.

Miss Aramat ignores Dead Girl, doesn't take her eyes off Dancy's face.

"Do you know, child, what it meant a hundred years ago, when a man sent a woman a bouquet of hemlock? It meant, 'You will be my death.' But no, you didn't know that, did you?"

Dancy closes her eyes, remembering all the times that have been so much worse than this, all the horror and shame and sorrow to give her strength. The burning parts of her no one and nothing can ever touch, the fire where her soul used to be.

"Look at me when I talk to you," Miss Aramat says, and Dancy does, opens her eyes wide and spits in the woman's china-doll face.

"Whore," Dancy screams, and "Witch," before Dead Girl clamps a hand over her mouth.

"Guess you should've left the tape on after all," she snickers, and Miss Aramat takes a deep breath, fishes a lace handkerchief from the cuff of one sleeve and wipes away the spittle clinging to her face. She stares silently at the damp linen for a moment while Dead Girl laughs and the Bailiff mumbles half-hearted apologies behind her.