“I am so goddamned sick of this,” she said, the words squeezed out like toothpaste between her clenched teeth, and her voice only made Theo feel that much more ineffectual.

“He’s just gonna keep jerking us around like this, and pretty soon I’m gonna be too tired to even care anymore. Christ, I hardly give a rat’s ass now,” the last word hissed, and she kicked the wall, drove the toe of her Doc Marten into the bare Sheetrock.

“Then maybe it’s time to cut him loose, babe,” and there it was, out quick before she could back down, before she lost her nerve.

Daria looked up through the red straggle, slash-mouthed lips pulled tight and those eyes, red-rimmed but tearless, their twin fires banked for now, but the last green coals still dancing around her pupils, and Theo looked away.

“We’re nobody without Keith. Do you honestly think people are gonna pay to hear Mort, or to listen to another froggy-voiced chick with a bass? Even when he’s so high he can’t find his dick to take a piss, he plays like…” but she trailed off, and her face disappeared back inside the shaggy veil of her hair.

“You can’t save him,” Theo said flatly, and she heard the tone of her voice slipping, no longer straining to sound supportive, pretty sure she was at least as fed up with Keith Barry as anyone could be.

“And if you guys think you can, he’ll wind up dragging you and Mort down in flames with him.”

And then neither of them said anything else for a moment. Through the closed door, they could hear Keith tuning, rambling discord, stray chords segueing cruelly into a snatch of something that might have been funked-up B. B. King or Muddy Waters. And then the riff collapsed in a sudden, tooth-jarring twang and feedback whine, and Keith, cursing the broken string.

“What an asshole,” Daria muttered, releasing a stingy, strangled sound that might have been meant for a laugh, and Theo flinched, afraid for a moment that Daria might cry after all. Instead, she leaned back against the toilet tank and sighed loudly, inverted V of dark water and ruststreaky porcelain showing between her denim thighs.

“It wasn’t supposed to be like this, Theo,” she said, soft as a whisper. “I mean, I never thought it was gonna be the fucking Partridge Family, you know, but I also never figured it was gonna be like this.”

There was a hesitant, soft rap at the door, just once, as if whoever it was had thought better of it at the last minute, and then Mort, sounding cautious and impatient at the same time, said, “Daria? We’re ready whenever you are.”

“C’mon, girl,” Theo said. “Nothing else is gonna make you feel any better.” And she knew at least that much wasn’t bullshit, had been through this scene enough times, scenes enough like it, to know that the only way back up for Daria was work, her music or just the coffeehouse thing she’d taken to keep the bills paid. Work that absorbed her and left absolutely no room for distraction, no room for anything but itself, and always ended in merciful exhaustion.

Daria fingered the new scratch on her bass, freshest scar, so many dings and scrapes there already that one more couldn’t possibly matter, and Theo thought about all the stickers on the instrument’s case, glossy Band-Aids hiding a hundred scuffs.

“Yeah, Mortie,” Daria said. “I’m coming,” and Theo felt unexpected relief, the knot in her stomach beginning to loosen a little. Daria stood, flushed the toilet for no reason Theo could see, turned on the tap and splashed her face with cold water.

“I’m right behind you,” she said, drying off with the front of her T-shirt, and Theo opened the bathroom door.

As McJobs came and went, Daria had certainly done a whole lot worse than the Fidgety Bean. Whenever the crowd of yuppie poseurs, the wannabes and could’vebeens, began to eat away at her fragile resolve not to get canned, all she had to do was remind herself of the months she’d put in at the Zippy Mart, two armed robberies in as many weeks, and that last time, the slick and shiny barrel of the.38 or.45 or whatever so close to her face. Or the fast-food nightmares, scalding showers after every shift, scrubbing with sickeningly perfumed soaps and shampoos until her skin was raw and her hair worse than usual, still stinking like deep-fried dog turds.

There were no drug tests or polygraphs at the Bean, no security cameras. And at least Claire and Russell, the two aging Deadheads who owned the Morris Avenue coffeehouse, allowed her to dress like a human, the less threadbare of her own clothes instead of some middle-management fuck’s idea of dress-up, somebody’s poster child for corporate identity.

Tonight, Friday morning already, the Bean was quiet; there’d be a little rush toward dawn, when the clubs along Twenty-first Street emptied out and the rave crowd, sweatsticky and half of them sizzling on ecstasy, wandered in. But so far, things had been calm, lots of Nina Simone and Alison Moyet sighing through the stereo and a handful of night owls sipping at their pale lattés, hardback books or laptop computers open on the tables in front of them. One conversation toward the back, a black woman and two men with gray beards and pipes, smoke like burning cherries and occasional laughter. And Russell, stomping someone’s ass at chess across the bar.

Daria finished setting out the careful rows of freshly washed mugs and glasses on top of the big silver Lavazza espresso machine, squat mugs the color of old cream and the crystal demitasse like cups from a child’s tea party. The Lavazza was sleek and utterly modern, efficient Italian engineering, none of those antique Willy Wonka contraptions at the Bean. She’d heard enough gripes and horror stories from baristas who’d worked with those funky old brass octopuses to be thankful that Claire had insisted on function over flash. Daria never had any trouble with the Lavazza, except once or twice when someone else had forgotten to turn the thing back on after cleaning it and she’d had to stand around waiting for the boiler to build up steam, watching the pressure gauge’s slow creep into the red as orders backed up and people began to grumble and complain.

“Hey, Daria,” Bunky shouted at her from the register. “Make this guy a double with lemon.” Bunky Tolbert was the worst sort of slacker, scab-kneed board weasel, late more often than not, and Daria couldn’t believe Russell hadn’t fired his ass, that he’d actually hired him in the first place.

The “guy” was tall and lanky, expensive suit that hung off his shoulders like scarecrow rags, and she thought immediately of Keith, of the shitty, spiritless excuse for a rehearsal and the way that he’d finally just packed up his guitar, not a word, and left her and Mort and Theo in Baby Heaven.

Daria nodded, removed the filter and banged it upside-down over the dump bin until the old grounds fell out as a nearly solid disc, miniature hockey puck of spent espresso. She rinsed the filter clean beneath the scalding jet on the far right side of the machine and scooped a cup’s worth of the fine black powder from the can on the countertop. The espresso flowed from the scooper like liquid midnight, dry fluid so perfectly dark, so smooth, it seemed to steal the dim coffeehouse light, to breathe it alive and exhale velvet caffeine fumes.

Daria added a second scoop and packed it down with the plastic tamper, slid the filter back into the machine and punched the “double” button above the brewer. She glanced at the register, and the scarecrow was counting out the dollar-fifty for his drink in quarters and dimes and nickels, a handful of change spilled on the bar and his long fingers pushing coin after coin across the wood to Bunky. He didn’t really look anything like Keith, too healthy despite his thinness, much too alive. Sometimes she thought the only part of Keith that had survived the junk was his eyes, his strange granite eyes trapped in there alone, and that everything else was just clumsy puppet tricks with string and shadow.