Lardis yanked a bauble from its stitches in the cuff of his jacket, opened the cold grey fingers of the corpse's left hand and folded them around a small silver bell which he forced into the palm. Then he stepped back and waited. And in a little while ...

... The 'dead' man (whom Lardis had been fairly sure was undead, but must test anyway), moaned and gave a shudder that shook his entire body. His eyelids fluttered but remained mercifully shut. He wasn't ready to wake up, but even unconscious the poison in his blood was protecting its changeling. His hand vibrated on the table's boards, unclenched, and in its agitation tossed aside the silver bauble. Finally he sighed and lay still again. And Lardis nodded, sharply.

The gaunt-faced, strong-willed executioners came forward, and Nathan saw what Lardis had meant by 'bloody work'. He forced himself to watch this one, just one, and was sickened. All the rattling, grimacing skeletons of whispered campfire stories took on rotting flesh now, and every bad dream of his childhood was realized at one and the same time.

Against this surreal background of smoky, ruddy firelight and terrifying burnt-pork stenches - where gaunt figures came and went through the night, carrying their burdens of blanketed bodies, and Lardis Lidesci was the Ultimate Authority, who determined life or death - finally Nathan was set free from his deep-rooted mental shackles, became a man of Sunside, Szgany, and left the shucked-off chrysalis of his weird other-worldliness behind him.

The shell was left behind, at least.

But a man is more than flesh and blood. When he is conscious a man can control his body and even, in large measure, his thoughts. But when he's asleep ...? Are his thoughts entirely his own?

When he was very small, Nathan had sometimes asked his mother: 'Why do the wolves talk to me in my pillow? Why do I hear all of the dead people whispering?' Then she would seem to close up on herself like the flowers at sundown; an uneasy look would come into her eyes; she would shush him and beg him not to ask things like that, for such questions were strange and people wouldn't like or understand them.

These were only a few of the strange questions Nathan had learned not to ask, until he'd rarely asked anything at all but remained silent. Even in his dreams, he'd learned how to stay mainly silent.

But that had been then, in his childhood.

And this was now, and he was a man...

Lardis had told Nathan to go away, find himself a warm place, sleep. But he could not. Indeed, it would not surprise Nathan if he never slept again. Instead he turned his back on Lardis's and Andrei's 'bloody work' - what was happening on the great table, the monstrous but necessary examination of the dead and the undead by those who still lived, while they still lived - and went to sit cross-legged close to the foot of the cross, where the Wamphyri lieutenant hung on his silver spikes.

Someone brought Nathan his clothes and he dressed himself automatically, almost without conscious volition, then sat shivering under his blanket and waited for the lieutenant to regain consciousness. For Lardis intended to question this creature, this man or once-man, and whatever the old Lidesci's methods would be - however cruel - Nathan intended to hear for himself whatever answers they might elicit. He was Szgany now and had made himself a vow; it was unpublicized but a vow for all that, and it would be a hard thing to accomplish. In order to destroy his enemies he must first understand them.

There was a lesser fire close by, which slowly warmed him through until he began to nod. And despite that he had thought it impossible, in a little while he curled up on his side and went to sleep. It was the beginning of a healing process, but only partly physical. For mainly it was an opportunity for his mind to consolidate the undeniable fact of his existence, at the same time assimilating something of the monstrous facts which had focused that reality.

That was partly why he slept: to heal himself in body and spirit, and let the subconscious Nathan create some kind of order out of the chaos of the physical Nathan's new reality. But his mind was not like those of other men; complex as the genetics which had built it as a reflection of another's mind, it was living proof of that universal axiom, 'like father, like son'. The only difference between him and his Necroscope father was this: that Harry Keogh, in his own world, had had the benefit of a mathematical science, and of a million dead people who cared for him and were not afraid. While in this world... now the Great Majority had plenty to fear, and felt that they could only trust each other. And so they continued to avoid Nathan when his dreams impinged too closely upon theirs. Like now .. .

... He felt them shut him out, withdrawing into the silence of their tombs! More quickly than ever before, the teeming dead had sensed and rejected him. And so he must dream of the living.

Misha was at the forefront of his mind: naturally he would dream of her. Not as he had last seen her, in the clutches of a beast-man (his mind shied from that), but briefly, in snatches out of time. As a child, as a girl, and then as a young woman.

First as a child: Misha as he'd seen her that first time: all naked, sleek, shining, and agile as a fish in the water, swimming in the sun-dappled shallows and beckoning him to join her there. Strangely her innocence had deprived him of his own! And despite that he had been a child, his thoughts had been a man's thoughts. After that there had been other times, but always he kept his sensual self from her; they had played as children, sexless at first, until the passing years had brought changes.

One time, when they had been swimming together and after they'd scrambled back into their clothes - as they laughed and rough-and-tumbled each other on the riverbank - finally they'd fallen into each other's arms and she had felt him hard against her. At once, he'd sensed her catching her breath and drawing just a little apart. But then, as curiosity got the better of her, she had let her arm fall 'casually' across Nathan's lower half, to test the response of the small rod where it throbbed in his trousers.

Misha had older brothers; she wasn't blind; she knew about such things.

One day as they wandered in the forest, when he was fifteen and she something less than a year younger, they'd come across a plum tree. It was late in the season and the fruits were very ripe. Lifting her up until she could reach the shining, purple plums, Nathan had been more than ever aware of her thighs swelling into firm, rounded, still boyish buttocks, and conscious of the buds of her breasts where she strained her arms upwards. So that after she had picked several of the fruits, and he relaxed his grip to let her slide down between his hands -

- He'd marvelled at the sight of her brown legs, revealed where her dress rode up about her waist. She had seen his eyes on her and felt him against her where she stretched her toes for the forest's floor; and she'd told him, however breathlessly, impulsively:

'Ah, see! Your little man is jumping again .. .'

And when he'd turned away, embarrassed and reddening:

'Nathan, wait!' she had taken his elbow. 'It's all right. I understand. There's no harm in him. He jumps for joy -for the joy of me!'

For her brothers had girlfriends, too, and Misha knew how they dealt with their frustrations, how they gained relief from the overabundance of their emotions. 'You should let him out,' she told Nathan then, still clinging to him, 'before he bursts!'

And in the secrecy of the long grass under the plum tree, she had whisperingly, wonderingly compared the purple of his swollen glans to the tightly stretched skins of ripe plums, and stroked him to orgasm. Since when and for three long years, she had satisfied him in this way, and allowed him to return this most tender compliment. But wise beyond her years, she had not once let him into her.