Félicité had then gone into her own room and slammed the door. It was perfectly obvious, Carlisle reflected, as she finished her face and lit a cigarette, that the wretched girl was terrified and that she herself would, during the week-end, be a sort of buffer-state between Félicité, her mother and her stepfather. “And the worst of it is,” Carlisle thought crossly, “I’m fond of them and will probably end by involving myself in a major row with all three at once.”

She went down to the drawing-room. Finding nobody there, she wandered disconsolately across the landing and, opening a pair of magnificent double doors, looked into the ballroom.

Gilt chairs and music stands stood in a semicircle like an island in the vast bare floor. A grand piano stood in their midst. On its closed lid, with surrealistic inconsequence, were scattered a number of umbrellas and parasols. She looked more closely at them and recognized a black and white, exceedingly Parisian, affair, which ten years ago or more her aunt had flourished at Ascot. It had been an outstanding phenomenon, she remembered, in the Royal Enclosure and had been photographed. Lady Pastern had been presented with it by some Indian plenipotentiary on the occasion of her first marriage and had clung to it ever since. Its handle represented a bird and had ruby eyes. Its shaft was preposterously thin and was jointed and bound with platinum. The spring catch and the dark bronze section that held it were uncomfortably encrusted with jewels and had ruined many a pair of gloves. As a child, Félicité had occasionally been permitted to unscrew the head and the end section of the shaft, and this, for some reason, had always afforded her extreme pleasure. Carlisle picked it up, opened it, and jeering at herself for being superstitious, hurriedly shut it again. There was a pile of band parts on the piano seat and on the top of this a scribbled programme.

At the extreme end of the group of chairs, and a little isolated, was the paraphernalia of a dance-band tympanist — drums, rattles, a tambourine, cymbals, a wire whisk and coconut shells. Carlisle gingerly touched a pedal with her foot and jumped nervously when a pair of cymbals clashed. “It would be fun,” she thought, “to sit down and have a whack at everything. What can Uncle George be like in action!”

She looked round. Her coming-out ball had been here; her parents had borrowed the house for it. Utterly remote those years before the war! Carlisle repeopled the hollow room and felt again the curious fresh gaiety of that night. She felt the cord of her programme grow flossy under the nervous pressure of her gloved fingers. She saw the names written there and read them again in the choked print of casualty lists. The cross against the supper dances had been for Edward. “I don’t approve,” he had said, guiding her with precision, and speaking so lightly that, as usual, she doubted his intention. “We’ve no business to do ourselves as well as all this.”

“Well, if you’re not having fun — ”

“But I am. I am.” And he had started one of their novelettes: “In the magnificent ballroom at Duke’s Gate, the London house of Lord Pastern and Bagott, amid the strains of music and the scent of hot-house blooms — ” And she had cut in: “Young Edward Manx swept his cousin into the vortex of the dance.”

“Lovely,” she thought.

Lovely it had been. They had had the last dance together and she had been tired yet buoyant, moving without conscious volition; really floating, she thought. “Good night, good night, it’s been perfect.” Later, as the clocks struck four, up the stairs to bed, light-headed with fatigue, drugged with gratitude to all the world for her complete happiness.

“How young,” thought Carlisle, looking at the walls and floor of the ballroom, “and how remote. The Spectre of the Rose,” she thought, and a phrase of music ended her recollections on a sigh.

There had been no real sequel. More balls, with the dances planned beforehand, an affair or two and letters from Edward, who was doing special articles in Russia. And then the war.

She turned away and recrossed the landing to the drawing-room.

It was still unoccupied. “If I don’t talk to somebody soon,” Carlisle thought, “I shall get a black dog on my back.” She found a collection of illustrated papers and turned them over, thinking how strange it was that photographs of people eating, dancing, or looking at something that did not appear in the picture should command attention.

“Lady Dartmoor and Mr. Jeremy Thringle enjoyed a joke at the opening night of Fewer and Dearer.” “Miss Penelope Santon-Clarke takes a serious view of the situation at Sandown. With her, intent on his racing card, is Captain Anthony Barr-Barr.”

“At the Tarmac: Miss Félicité de Suze in earnest conversation with Mr. Edward Manx.”

“I don’t wonder,” thought Carlisle, “that Aunt Cécile thinks it would be a good match,” and put the paper away from her. Another magazine lay in her lap: a glossy publication with a cover illustration depicting a hilltop liberally endowed with flowers and a young man and woman of remarkable physique gazing with every expression of delight and well-being at something indistinguishable in an extremely blue sky. The title Harmony was streamlined across the top of the cover.

Carlisle turned the pages. Here was Edward’s monthly review of the shows. Much too good, it was, mordant and penetrating, for a freak publication like this. He had told her they paid very well. Here, an article on genetics by “The Harmony Consultant,” here something a bit overemotional about Famine Relief, which Carlisle, an expert in her way, skimmed through with disapproval. Next an article, “Radiant Living,” which she passed by with a shudder. Then a two-page article headed “Crime Pays,” which proved to be a highly flavoured but extremely outspoken and well-informed article on the drug racket. Two Latin-American business firms with extensive connections in Great Britain were boldly named. An editorial note truculently courted information backed by full protection. It also invited a libel action and promised a further article. Next came a serial by a Big Name and then, on the centre double-page with a banner headline:

Carlisle glanced through it. Here were letters from young women asking for advice on the conduct of their engagements and from young men seeking guidance in their choice of wives and jobs. Here was a married woman prepared, it seemed, to follow the instructions of an unknown pundit in matters of the strictest personal concern, and here a widower who requested an expert report on remarriage with someone twenty years his junior. Carlisle was about to turn the page when a sentence caught her eye:

She read it through to the end. The style was vividly familiar. The magazine had the look of having been frequently opened here. There was cigarette ash in the groove between the pages. Was it possible that Félicité —? But the signature. “Toots”! Could Félicité adopt a nom de plume like Toots? Could her unknown correspondent—? Carlisle lost herself in a maze of speculation from which she was aroused by some faint noise — a metallic click. She looked up. Nobody had entered the room. The sound was repeated and she realized it had come from her uncle’s study, a small room that opened off the far end of the drawing-room. She saw that the door was ajar and that the lights were on in the study. She remembered that it was Lord Pastern’s unalterable habit to sit in this room for half an hour before dinner, meditating upon whatever obsession at the moment enthralled him, and that he had always liked her to join him there.