VIRGIL WORE native dress out on the prairie: faded jeans and scuffed cowboy boots and musical T-shirts, and because he was a cop, a sport coat. In the sun, in the summer, he wore a straw hat and sunglasses. He usually didn't wear a gun, unless he was in St. Paul, where Davenport might see him. The law required him to go armed, but in Virgil's opinion, handguns were just too goddamned heavy and uncomfortable, so he kept his under the seat of the car, or in his briefcase.

After hanging his rain suit in the shower, he got a laptop out of his briefcase, went online. In his personal e-mail, he found the note from Black Horizon, a Canadian outdoor magazine, that he'd been expecting for a couple of days. They were working late in Thunder Bay: "Virg, I had to take a couple graphs out of the section on the portage-nothing I could do about it, it's all about the space. I tried not to hack it up too bad. Anyway, it works for us if it works for you. Get back to us, and I'll stick a check in the mail."

He was pleased. This was his third piece in BH. He was becoming a regular. He opened the attached Word document, looked through the edited section.

Good enough. He closed the document and sent a note to the editor: "Thanks, Henry. It's fine. I'll look for the check. Virgil."

Whistling now, he went to the National Weather Service, typed in the zip code for Bluestem, got the week's forecast: thunderstorms tonight-no shit-with fair skies and warm weather the next three or four days, thunderstorms possible in the afternoons. He checked Google News to make sure London hadn't been nuked since he left Mankato; it hadn't.

He shut down the computer, got undressed, shook the little remaining water off his rain suit, got in the shower, cranked the heat until he couldn't stand it anymore, then turned it up one more notch. He got out, scalded half to death, crawled into bed, and thought about Bill Judd roasting like a bratwurst in the embers of his own home, and a truck speeding away in the night. That would be an interesting murder.

THEN HE THOUGHT about God for a while, as he did most nights.

The son of a Presbyterian minister and a professor of engineering, who saw in God the Great Engineer and believed as devoutly as her husband, Virgil had gotten down on his knees every night of his life, to pray before bed, until the first night he'd spent in the dorm at the University of Minnesota. That night, embarrassed, he hadn't gotten down on his knees, and he'd shivered and shaken in fear that the world would end because he hadn't said his prayers.

By Christmas, like most freshmen, he was done with religion, and he mooched around campus with a copy of The Stranger under his arm, hoping to impress women with long dark hair and mysteries that needed to be solved.

He'd never gotten back to religion, but he had gotten back some faith. It came all at once, in a bull session in an Army bachelor-officers' quarters, when one of the guys professed to being an atheist. Another one, and one who wasn't too bright, in Virgil's estimation, had said, urgently, "Oh, but you're wrong: look at all the wonders of the world. There are too many wonders."

Virgil, having grown up in the countryside, where there were wonders, and having studied ecology, where he found even more, had been stricken by the correctness of that statement from the not-too-bright believer: there were too many wonders. Atheists, he came to believe, generally worked in man-made cubes, with blackboards and computers and fast food. They didn't believe in wonders because they never saw any.

So faith came back, but a strange one, with a God his father wouldn't have recognized. Virgil thought about Him almost every night, about his sense of humor, and the apparent fact that He'd made rules that even He couldn't bend…

Then at one o'clock in the morning, having thought of God, Virgil drifted off to sleep, and dreamt of men sitting in motel rooms, in the dark, secretly smoking Marlboros, watching their cats ghosting illegally around their rooms.

Tuesday Morning THE OLD TOWN of Bluestem, named for a prairie grass, lay almost a mile north of I-90. Over the years, the space between the old town had filled up with the standard franchise places-McDonald's, Subway, Country Kitchen, Pizza Hut, Taco John's; a Holiday Inn, a Comfort Inn, a Motel 6; four or five gas stations with convenience stores, the Ford dealership and two used-car lots. There were also a half-dozen farm and truck service shops, with worn tires stacked outside and muddy-yellow driveway puddles from the overnight rain.

The old town was prettier. The residential areas were dominated by early-twentieth-century homes, each one different than the next, and big, with porches and yards with swings. The shopping district, on Main Street, was four blocks long, yellow-brick two-and three-story buildings, including a prewar movie theater that still showed movies, and all the businesses left over after you took out a Wal-Mart: law firms, insurance agencies, too many gift shops and antique stores, a couple of small clothing stores, four restaurants, a drugstore.

The courthouse was built two blocks back from Main, and was still used as a courthouse. In most small towns, the old courthouses had been retired, to be replaced by anonymous county government buildings and law-enforcement centers built outside town.

VIRGIL PARKED in the courthouse lot, walked past the war memorial-thirteen Stark County boys lost in World Wars I and II, Korea, Vietnam, and Iraq-and inside, down the long hall to the sheriff's office.

Stryker's secretary was a heavyset fiftyish woman with an elaborate pearly-blond hairdo, accented and bias-cut with a couple of tentative spikes sticking out the back like porcupine quills. She squinted at Virgil, took in the sunglasses and the Sheryl Crow T-shirt with the carp on the front, and asked, abruptly, "Who're you?"

"Virgil Flowers. BCA."

She looked him over again: "Really?"

"Yup."

"Sheriff said for you to go on back." She half turned and gestured toward the back wall, which had a frosted-glass window set in a door that said SHERIFF JAMES J. STRYKER. Virgil nodded, and started past, and she asked, "How many times did you shoot at that man in Fairmont?"

Virgil paused. "Fourteen," he said.

She looked pleased: "That's what I heard. You never hit him?"

"Wasn't particularly trying to," Virgil said, though he'd just about given up on this argument.

"They say he was shooting at you," she said.

"Ah, he didn't want to hurt me," Virgil said. "He was letting off some hot air, because he was pissed about being caught. Wasn't really a bad guy, except for the fact that he held up gas stations. Had eight kids and a wife to feed."

"Sort of his job, huh?"

"That was about it," Virgil said. "Now he's gonna be making snowplow blades for six years."

"Huh," she said. "Well, I think most of the boys around here would have shot him."

"Must be pretty goddamn hard-hearted boys," Virgil said, not liking her; and he went on back to Stryker's office.

STRYKER WAS on the phone. Virgil knocked and Stryker called, "Come in," and he waved Virgil to a chair and said into the phone, "I gotta go, but the first minute you find a toenail, I want to hear about it." He rang off and shook his head and said, "Can't find him. Judd."

Virgil eased into the chair. "Nothing in the house?"

"I'll tell you something. When most people build houses, there's a whole bunch of stuff in it that just don't burn too well," Stryker said. He tapped his fingers on his desktop; anxiety. "Judd's house was all wood-floors, paneling, bookcases-and a good amount of it was pine. Dry as a broom straw. There was nothing left up there this morning but the basement and a few pieces of metal and rock-refrigerator, stove, furnace, and even those are melted down into lumps. We think he was in there. But we haven't found a thing."