Much vague and sentimental journalism has been poured out to the effect that Christianity is akin to democracy, and most of it is scarcely strong or clear enough to refute the fact that the two things have often quarrelled. The real ground upon which Christianity and democracy are one is very much deeper. The one specially and peculiarly un-Christian idea is the idea of Carlyle—the idea that the man should rule who feels that he can rule. Whatever else is Christian, this is heathen. If our faith comments on government at all, its comment must be this—that the man should rule who doesnot think that he can rule. Carlyle's hero may say, "I will be king"; but the Christian saint must say, "Nolo episcopari." If the great paradox of Christianity means anything, it means this—that we must take the crown in our hands, and go hunting in dry places and dark corners of the earth until we find the one man who feels himself unfit to wear it. Carlyle was quite wrong; we have not got to crown the exceptional man who knows he can rule. Rather we must crown the much more exceptional man who knows he can't.

Now, this is one of the two or three vital defences of working democracy. The mere machinery of voting is not democracy, though at present it is not easy to effect any simpler democratic method. But even the machinery of voting is profoundly Christian in this practical sense—that it is an attempt to get at the opinion of those who would be too modest to offer it. It is a mystical adventure; it is specially trusting those who do not trust themselves. That enigma is strictly peculiar to Christendom. There is nothing really humble about the abnegation of the Buddhist; the mild Hindoo is mild, but he is not meek. But there is something psychologically Christian about the idea of seeking for the opinion of the obscure rather than taking the obvious course of accepting the opinion of the prominent. To say that voting is particularly Christian may seem somewhat curious. To say that canvassing is Christian may seem quite crazy. But canvassing is very Christian in its primary idea. It is encouraging the humble; it is saying to the modest man, "Friend, go up higher." Or if there is some slight defect in canvassing, that is in its perfect and rounded piety, it is only because it may possibly neglect to encourage the modesty of the canvasser.

Aristocracy is not an institution: aristocracy is a sin; generally a very venial one. It is merely the drift or slide of men into a sort of natural pomposity and praise of the powerful, which is the most easy and obvious affair in the world.

It is one of the hundred answers to the fugitive perversion of modern "force" that the promptest and boldest agencies are also the most fragile or full of sensibility. The swiftest things are the softest things. A bird is active, because a bird is soft. A stone is helpless, because a stone is hard. The stone must by its own nature go downwards, because hardness is weakness. The bird can of its nature go upwards, because fragility is force. In perfect force there is a kind of frivolity, an airiness that can maintain itself in the air. Modern investigators of miraculous history have solemnly admitted that a characteristic of the great saints is their power of "levitation." They might go further; a characteristic of the great saints is their power of levity. Angels can fly because they can take themselves lightly. This has been always the instinct of Christendom, and especially the instinct of Christian art. Remember how Fra Angelico represented all his angels, not only as birds, but almost as butterflies. Remember how the most earnest mediæval art was full of light and fluttering draperies, of quick and capering feet. It was the one thing that the modern Pre-raphaelites could not imitate in the real Pre-raphaelites. Burne-Jones could never recover the deep levity of the Middle Ages. In the old Christian pictures the sky over every figure is like a blue or gold parachute. Every figure seems ready to fly up and float about in the heavens. The tattered cloak of the beggar will bear him up like the rayed plumes of the angels. But the kings in their heavy gold and the proud in their robes of purple will all of their nature sink downwards, for pride cannot rise to levity or levitation. Pride is the downward drag of all things into an easy solemnity. One "settles down" into a sort of selfish seriousness; but one has to rise to a gay self-forgetfulness. A man "falls" into a brown study; he reaches up at a blue sky. Seriousness is not a virtue. It would be a heresy, but a much more sensible heresy, to say that seriousness is a vice. It is really a natural trend or lapse into taking one's self gravely, because it is the easiest thing to do. It is much easier to write a good Times leading article than a good joke in Punch. For solemnity flows out of men naturally; but laughter is a leap. It is easy to be heavy: hard to be light. Satan fell by the force of gravity.

Now, it is the peculiar honour of Europe since it has been Christian that while it has had aristocracy it has always at the back of its heart treated aristocracy as a weakness—generally as a weakness that must be allowed for. If any one wishes to appreciate this point, let him go outside Christianity into some other philosophical atmosphere. Let him, for instance, compare the classes of Europe with the castes of India. There aristocracy is far more awful, because it is far more intellectual. It is seriously felt that the scale of classes is a scale of spiritual values; that the baker is better than the butcher in an invisible and sacred sense. But no Christianity, not even the most ignorant or perverse, ever suggested that a baronet was better than a butcher in that sacred sense. No Christianity, however ignorant or extravagant, ever suggested that a duke would not be damned. In pagan society there may have been (I do not know) some such serious division between the free man and the slave. But in Christian society we have always thought the gentleman a sort of joke, though I admit that in some great crusades and councils he earned the right to be called a practical joke. But we in Europe never really and at the root of our souls took aristocracy seriously. It is only an occasional non-European alien (such as Dr. Oscar Levy, the only intelligent Nietzscheite) who can even manage for a moment to take aristocracy seriously. It may be a mere patriotic bias, though I do not think so, but it seems to me that the English aristocracy is not only the type, but is the crown and flower of all actual aristocracies; it has all the oligarchical virtues as well as all the defects. It is casual, it is kind, it is courageous in obvious matters; but it has one great merit that overlaps even these. The great and very obvious merit of the English aristocracy is that nobody could possibly take it seriously.

In short, I had spelled out slowly, as usual, the need for an equal law in Utopia; and, as usual, I found that Christianity had been there before me. The whole history of my Utopia has the same amusing sadness. I was always rushing out of my architectural study with plans for a new turret only to find it sitting up there in the sunlight, shining, and a thousand years old. For me, in the ancient and partly in the modern sense, God answered the prayer, "Prevent us, O Lord, in all our doings." Without vanity, I really think there was a moment when I could have invented the marriage vow (as an institution) out of my own head; but I discovered, with a sigh, that it had been invented already. But, since it would be too long a business to show how, fact by fact and inch by inch, my own conception of Utopia was only answered in the New Jerusalem, I will take this one case of the matter of marriage as indicating the converging drift, I may say the converging crash of all the rest.