… all except his beloved pink brownstone in the Village, which he’d willed to Cooper—along with a cool million bucks—because Cooper had been the only member of the Cartwright family to have said, “Whatever floats your boat, Gramps,” when he’d heard the news about his grandfather’s new boyfriend, Jorge.

Not that Jordan and the rest of the Cartwrights had been overly worried by Arthur’s cutting them off. There’d still been plenty of money left in the Cartwright family bank vault for everyone else.

Still, it hadn’t exactly made Cooper, already the family scapegoat for getting himself thrown out of multiple high schools and choosing college over a place in Easy Street—not to mention his tendency to date highly attractive heart surgeons or art gallery owners named Saundra or Yokiko—the most popular member of the Cartwright clan.

Which truthfully doesn’t seem to bother him. I’ve never met anyone who seems more content with his own company than Cooper Cartwright.

He doesn’t even look like the rest of his family. Dark-haired, whereas the rest of them are blond, Cooper does have the requisite Cartwright good looks and ice blue eyes.

Though his eyes are where any resemblance to his brother Jordan ends. Both are tall, with gangling, athletic builds.

But whereas Jordan’s muscles have been honed by a personal trainer several hours a day at his personal home gym, Coop’s are from playing aggressive rounds of one-on-one down at the public basketball courts on Sixth and West Third, and from—though he won’t admit this—high-speed on-foot pursuits through Grand Central on behalf of whatever client he’s currently employed by. I know the truth because, being the one who does his client billing, I see the receipts. There is no way someone can go from a cab—a six-dollar trip ending at 5:01—to a Metro North ticket booth—round-trip ticket to Stamford, departing at 5:07—without running.

Because of all this—the niceness, the eyes, the weekend-hoops thing… not to mention the jazz—of course I’ve fallen madly in love with Cooper.

But I know it’s completely futile. He treats me with the kind of friendly nonchalance you’d normally reserve for your kid brother’s girlfriend, which is what I am apparently destined to remain to him, since, compared to the women he dates, who are all waiflike, gorgeous, and professors of Renaissance literature or microphysicists, I’m like vanilla pudding, or something.

And who wants vanilla pudding when they can have crème brûlée?

I’m going to fall in love with someone else just as soon as I can. I swear. But in the meantime, is it so wrong that I enjoy his company?

Taking a long sip from his beer, Cooper studies the tops of the buildings around us… one of which happens to be Fischer Hall. You can see the twelfth to twentieth floors, including the president’s penthouse, from Arthur Cartwright’s backyard garden.

You can also see the vents to the elevator shaft.

“So,” Cooper says. “Was it bad?”

He doesn’t mean my encounter with Jordan. This is obvious by the way he nods his head in the direction of the college campus.

I’m not surprised he knows about the dead girl. He would have heard all the sirens and seen the crowds. For all I know, he could even have a police scanner tucked away somewhere.

“It wasn’t pretty,” I say, taking a sip of my beer while massaging Lucy’s pointed ears with my free hand. Lucy is a mutt I’d picked up from the ASPCA shortly after my mother took off. I’m sure Sarah would say I adopted Lucy as some sort of surrogate family member, since I’d been abandoned by all of mine.

But since I’d been touring all the time, I’d never been able to have a pet, and I just felt like the time had come to get one. Part collie and seemingly part fox, Lucy has a laughing face I’d been unable to resist—even though Jordan had wanted a pure breed, if possible a cocker spaniel. He hadn’t been too happy when, instead of Lady, I’d come home with the Tramp.

But that had been all right, because Lucy never liked Jordan anyway, and had promptly shown her disapproval of him by eating a pair of his suede pants.

Strangely, she doesn’t seem to have a problem with Cooper, a fact I attribute to Cooper’s never having thrown a copy of Us Weekly magazine at her for chewing on his Dave Matthews Band CDs. Cooper doesn’t even own any Dave Matthews Band CDs. He’s a Wynton Marsalis fan.

“Anybody know how it happened?” Cooper wants to know.

“No,” I say. “Or, if someone does, they aren’t exactly coming forward with the information.”

“Well.” He takes a swig of beer. “They’re just kids. Probably afraid they’ll get into trouble.”

“I know,” I say. “It’s just that… how could they have just left her there? I mean, she had to have been there for hours. And they just left her.”

“Who left her?”

“Whoever she was with.”

“How do you know she was with anybody?”

“Nobody goes elevator surfing alone. The whole point is that a bunch of kids climb on top of the elevator through the maintenance panel in the ceiling, and dare one another to jump off the roof of their car they’re riding on, onto the roof of a second car as it passes by. If there’s no one to dare you, there’s no point.”

It’s easy to explain things to Cooper, because he’s a very good listener. He never interrupts people, and always seems genuinely interested in what they have to say. This is another character trait that sets him apart from the rest of his family.

It’s also one that I suspect aids him in his line of work. You can learn a lot from letting other people talk, and just listening to what they have to say.

At least, it said this once in a magazine I read.

“The whole point is that kids dare each other to make bigger and braver leaps,” I say. “You would never elevator surf alone. So she had to be with someone. Unless—”

Cooper eyes me. “Unless what?”

“Well, unless she wasn’t elevator surfing at all,” I say, finally voicing something that’s been nagging at me all day. “I mean, girls don’t, generally. Elevator surf. At least, I’ve never heard of one, not at New York College. It’s a drunk-guy thing.”

“So.” Cooper leans forward in his lawn chair. “If she wasn’t elevator surfing, how did she fall to the bottom of the shaft? Do you think the elevator doors opened, but the car didn’t come, and she stepped out into the shaft without looking?”

“I don’t know. That just doesn’t happen, does it? The doors won’t open unless the car is there. And even if they did, who would be stupid enough not to look first?”

Which is when Cooper says, “Maybe someone pushed her.”

I blink at him. It’s quiet in the back of his brownstone—you can’t hear the traffic from Sixth Avenue, or the rattling of bottles from Waverly Place as homeless people go through our garbage. Still, I think I might not have heard him correctly.

“Pushed her?” I echo.

“That’s what you’re thinking, isn’t it?” Cooper’s blue eyes reveal no emotion whatsoever. This is what makes him such an excellent PI. And why I continue to believe there might be hope for him and me romantically after all—because I’ve never seen anything in his eyes to lead me to believe otherwise. “Maybe she didn’t slip and fall. Maybe she got pushed.”

The thing is, that is EXACTLY what I’d been thinking.

But I’d also been thinking that this sounded… well, too nuts ever to mention out loud.

“Don’t try to deny it,” Cooper says. “I know that’s what you’re thinking. It’s written all over your face.”

It’s a relief to burst out with, “Girls don’t elevator surf, Coop. They just don’t. I mean, maybe in other cities, but not here, at New York College. And this girl—Elizabeth—she was preppie!”

It’s Cooper’s turn to blink. “Excuse me?”

“Preppie,” I say. “You know. Clean-cut. Preppie girls don’t elevator surf. And let’s say that they did. I mean, they just LEFT her there. Who would do that, to a friend?”