But a definite drawback about working at Fischer Hall is that I live right around the corner from it. Which makes me just a little more accessible to everyone there than I’m necessarily comfortable with. I mean, it is one thing to get calls at home from work because you are a doctor and one of your patients needs you.

But it is quite another thing to get calls at home from work because the soda machine ate someone’s change and no one can find the refund request forms and they want you to come over to help look for them.

Although I do realize to some people, that might sound like a dream come true. You know, living close enough to where you work to be able to drop by if there’s a small-change crisis. Especially in New York. Because my commute is two minutes long, and I do it on foot (four more minutes to add to my daily exercise quota).

But people should realize that, as far as dreams coming true, this one’s not the greatest, because I only get paid $23,500 a year (about $12,000 after city and state taxes), and in New York City, $12,000 buys you dinner, and maybe a pair of jeans like the ones I’m about to splurge on, vanity sized or not. I wouldn’t be able to live in Manhattan on that kind of salary if it weren’t for my second job, which pays my rent. I don’t get to “live in” because at New York College, only residence hall directors, not assistant directors, get the “benefit” of living in the dorm—I mean, residence hall—they work in.

Still, I live close enough to Fischer Hall that my boss feels like she can call me all the time, and ask me to “pop in” whenever she needs me.

Like on a bright sunny Saturday afternoon in September, when I am shopping for jeans, because the day before, a freshman who’d had a few too many hard lemonades at the Stoned Crow chose to roll over and barf them on me while I was crouching beside him, feeling for his pulse.

I’m weighing the pros and cons of answering my cell—pro: maybe Rachel’s calling to offer me a raise (unlikely); con: maybe Rachel’s calling to ask me to take some semicomatose drunk twenty-year-old to the hospital (likely)—when Less Than Zero suddenly shrieks, “Oh my God! I know why you look so familiar! Has anyone ever told you that you look exactly like Heather Wells? You know, that singer?”

I decide, under the circumstances, to let my boss go to voice mail. I mean, things are going badly enough, considering the size 12 stuff, and now this. I totally should have just stayed home and bought new jeans online.

“You really think so?” I ask Less Than Zero, not very enthusiastically. Only she doesn’t notice my lack of enthusiasm.

“Oh my God!” Less Than Zero shrieks again. “You even sound like her. That is so random. But,” she adds, with a laugh, “what would Heather Wells be doing, working in a dorm, right?”

“Residence hall,” I correct her automatically. Because that’s what we’re supposed to call them, since calling it a residence hall allegedly fosters a feeling of warmth and unity among the residents, who might otherwise find living in something called a dorm too cold and institutional-like.

As if the fact that their refrigerators are bolted to the floor isn’t a dead giveaway.

“Oh, hey,” Less Than Zero says, sobering suddenly. “Not that there’s anything wrong with it. Being assistant director of a dorm. And you’re not, like, offended I said that you look like Heather Wells, are you? I mean, I totally had all her albums. And a big poster of her on my wall. When I was eleven.”

“I am not,” I say, “the least bit offended.”

Less Than Zero looks relieved. “Good,” she says. “Well, I guess I better go and find a store that actually carries my size.”

“Yeah,” I say, wanting to suggest Gap Kids, but restraining myself. Because it isn’t her fault she’s tiny. Any more than it is my fault that I am the size of the average American woman.

It isn’t until I’m standing at the register that I check my voice mail to see what my boss, Rachel, wanted. I hear her voice, always so carefully controlled, saying in tones of barely repressed hysteria, “Heather, I’m calling to let you know that there has been a death in the building. When you get this message, please contact me as soon as possible.”

I leave the size 8 jeans on the counter and use up another fifteen minutes of my recommended daily exercise by running—yes,running — from the store, and toward Fischer Hall.

The first thing I see when I turn the corner onto Washington Square West is a fire engine pulled up on the sidewalk. The fire engine is on the sidewalk instead of in the street because there’s this booth selling tiger-print thongs for five dollars each—a bargain, actually, except that when you look closer, you can see that the thongs are trimmed with this black lace that looks as if it might be itchy if it gets, well, you-know-where—blocking the street.

The city hardly ever closes down Washington Square West, the street where Fischer Hall is located. But this particular Saturday, the neighborhood association must have called in a favor with a city councilman or something, since they managed to get that whole side of the park shut down in order to throw a street fair. You know the kind I mean: with the incense guys and the sock man and the cartoon portrait artists and the circus-clown wire-sculpture people?

The first time I went to a Manhattan street fair, I’d been around the same age as the kids I work with. Back then I’d been all “Ooooh, street fair! How fun!” I didn’t know then that you can get socks at Macy’s for even less than the sock man charges.

But the truth is, it turns out if you’ve been to one Manhattan street fair, you really have been to them all.

Nothing could have looked more out of place than a booth selling thongs in front of Fischer Hall. It just isn’t a thong kind of building. Towering majestically over Washington Square Park, it had been built of red bricks around 1850. I’d learned from some files I’d found in my desk on my first day at my new job that every five years, the city makes the college hire a company to come and drill out all the old mortar and replace it with new, so that Fischer Hall’s bricks don’t fall out and conk people on the head.

Which is a good idea, I guess. Except that in spite of the city’s efforts, things are always falling out of Fischer Hall and conking people on the head anyway. And I’m not talking about bricks. I’ve had reports of falling bottles, cans, clothing, books, CDs, vegetables, Good & Plentys, and once even a whole roasted chicken.

I’m telling you, when I walk by Fischer Hall, I always look up, just to be on the safe side.

Not today, however. Today my gaze is glued to the front door of the building. I’m trying to figure out how I’m going to get through it, considering the huge crowd—and New York City cop—in front of it. It looks as if, along with dozens of tourists who are milling around the street fair, about half the student population of the building is standing outside, waiting to be let back into the building. They have no idea what’s going on. I can tell from the questions they keep shouting to one another in an attempt to be heard over the pan flute music coming from another booth in front of the building, this one selling, um, cassettes of pan flute music:

“What’s going on?”