She composed herself on the throne and waited. When had she had a visitor who had not closely studied the history of Iapysia? If this stranger was truly from the heavens, would he know whom the frescoes represented? Or would he be in the same state of innocence as she when she wrote her own mythology on them?

Or would he know all histories, the way that the desals had? She scowled, and sat up straighter.

The doorman straightened. He looked tired and confused, having been ousted out of bed for this one moment. "Your majesty..." He read the card he had been given with obvious puzzlement. "The lord Maut, and lady Megan."

Maut? Megan stopped in her tracks. "What name is this?" she hissed at him.

"My name," Armiger said simply. "One of them, anyway." He smiled and strode into the vast, lamp-lit chamber as if he owned it.

Galas restrained an urge to stand. Now that he stood before her, she had no idea what she'd been expecting. This was no monster, nor by appearances a god.

He seemed mature, perhaps in his early forties, his hair long and braided down his right shoulder, his face finely carved with a high brow and straight nose, and a strong mouth. He was a little taller than she, and was dressed in dusty travelling clothes, with soft riding boots on his feet, an empty scabbard belted at his waist. As he paused four meters below the throne, she saw the light traceries of character around his eyes and mouth, indications of both humor and weariness.

Behind him, like a shadow, stood a peasant woman. Her face shone with a mixture of timidity and defiance. As Maut bowed, she curtsied deeply, but when she raised her eyes she looked Galas in the eye. There was no hostility there, nor respect; only, it seemed, unselfconscious curiosity. Galas liked her immediately.

Galas held up the folded letter. "Do you know what this says?" she asked the man.

He bowed again. "I do," he said. His voice was rich and deep, quite compelling. He gave a quick smile. "May I humbly beseech Queen Galas, wife of this world, to grant an audience to a traveller? For I have not rested on green earth since before the ancient stones of your palace were laid, nor have I spoken to a kindred soul since before your language, oh Queen, was born."

Galas saw the woman Megan start and stare at Maut as he spoke. Interesting.

"What are you?" she asked. "And—maybe more germaine—why do you speak of me as a kindred soul?"

Maut shrugged. "As to what I am—you have no words for it. I am not a man, despite appearances—"

"What proof do you have of that?"

For a moment he looked angry at her interruption. Then he appeared to consider what she had said. "My moth was unconvincing?"

"There are people who make a life's work of tricking others, Maut. Your moth was highly convincing—but just because something is convincing, that does not make it true. It is merely convincing."

He waved a hand dismissively. "It cost me energy to perform that minor miracle. I have very little to spare, and no time to recover any I lose now."

Galas leaned back. She felt betrayed, and suddenly cynical. "So you have no more tricks? Is that what you're saying?"

"I am not a trick pony!"

"And I am not a fool!"

They glared at one another. Then Galas noticed that the woman Megan was covering a smile with her hand.

Galas forced a grim smile of her own. "You know our situation. This is not the time for frippery, or lies. Is it so strange that I demand proof?"

Grudgingly, he shook his head. "Forgive me, Queen Galas. I am much reduced from my former station, and that makes me tactless and short-tempered."

"But unafraid," she said. "You are not afraid of me."

"He is not afraid of anything," said Maut's companion. Her tone was not boasting—in fact it was perhaps a little apologetic. Or resigned.

Maut shrugged again. "It seems we've gotten off to a bad start. I am very weary—too weary for miracles. But I am what I say I am."

"But, you have not said what that is!"

He frowned. "There is an ancient word in your language. It is not much used today. The word is god. I am—or was, a god. I wish to be so again, and so I have come to you because, of all the humans on Ventus, you are the only one who has caught a glimpse of the inner workings of the world. You may have the knowledge I need to become what I once was."

"Intriguing," said Galas. It was still unbelievable, on the face of it. But... her fingers caressed the letter in her lap. She had seen what she had seen.

As to his flattery—well, she knew, as an absolute certainty, that no one in the world had the knowledge she held. It was perhaps slightly charming that he recognized it.

"And why should I tell you what you wish to know—even assuming that I have the knowledge you need?"

Maut put his hands behind his back. He seemed to be restraining an urge to pace. "You have looked up at the sky," he said. "All humans have done that, at one time or another. And you have asked questions.

"You want to interrogate the sky. And you of all people, Queen Galas, would interrogate nature itself, everything that is other, in your human search for understanding. Everything you have ever done proves this. You are human, Galas, and your madness is very human: you wish to hear human speech issue from the inhuman, from the rocks and trees. Could a stone speak, what would it say? Your kind has ever invented gods, and governments, and categories and even the sexes themselves as means of interrogating that otherness.

"That the world should speak, as you speak! What a desire that is. It informs every aspect of your life. Deny it if you can.

"Allow me my ironic bow. I am here, madam, to perform this deed for you. I am everything you are not. I was blazing atoms in an artificial star, have been resonances of electromagnetic fire, and cold iron and gridwork machines in vast webs cast between the nebulae.

"I am stone and organism, alive and dead, whole and sundered. I am the voiceless given a tongue to speak.

"I will speak."

And yet, the irony was not lost on Armiger that on this world, stones did speak; that the very air sighed its voices in his ear. It was the humans who were deaf to the language of the Winds. Armiger, though he heard that language, did not understand it. The sound of his own words was quickly absorbed into the stone of the walls, the ancient tapestries, the lacquered wood cabinets. And in all these things the Winds resided.

Armiger knew they could listen if they chose; he suspected they did not care what he said. The masters of Ventus went on about their incomprehensible tasks, whispering and muttering all around him.

He had spoken half for their benefit, but they ignored him, as they had since he had arrived on Ventus. So, he thought, his words dissolved into the stone, into the carpets, into the wood. Save for the two women who stood with him, none heard his brave boast.

Yet, though none in the palace heard, still his voice went out. It penetrated the chambers and halls of the ancient building, and passed through the sand and stone of the earth as if they were an inch of air. In the high clouds from which the raindrop-dwelling Precip Winds gazed down, Armiger's voice flickered as unread heat-lightning on a frequency they did not attend. Even the Diadem swans, swirling in a millenial dance among the van Allen belts, could have heard had they known to listen.

No swan heard, nor any stone-devouring mountain Wind, or any of the elemental and immortal spirits of the world. But a solitary youth, lonely and sad by a lonely campfire mouthed Armiger's words, and sat up straight to listen.