They were joined by fine lines, in a kind of spiderweb. The desals are joined by a subterranean highway system, something tradition says is true, but for which we had no proof. Now I could see it. And I could see the road that linked my desal to others on the mainland.

I had painted a portrait of myself, and now an inspiration struck me. I dragged that portrait to the island on the map where I thought I was. The portrait vanished and reappeared in miniature next to the little dome figure there. The desal had told me I was correct. That was the island I was on.

Next I dragged the little portrait of myself onto the line of the highway running under the sea between the island and the mainland. Instantly the portrait slid out from under my fingers, and zipped along the highway to wait flashing at the dome of a mainland desal.

I touched the portrait. It stopped flashing.

And something overhead blocked the sun as a deep rumbling sound began to build around me.

I had time to issue one more detailed command before the floor gave way under my feet and I fell into the dark cyclonic stream of the highway.

§

I awoke with sunlight heating my face. I heard murmurs of wonder and fear. Opening my eyes, I saw the faces of my own countrymen. They spoke in the accents of the province of Santel, whose city has a desal on the hill above it.

I sat up. I was in a cubic chamber, three meters on a side. A square door opened out on the sunlight; four peasants stared in at me.

They had seen a door open the previous night. The next morning they mustered courage to approach, and the townspeople, alerted, were not far behind. A crowd gathered as I climbed out of this desal, four hundred kilometers from the one I had entered days before, and faced my silent people.

On the walls of the chamber I came from were visions I had crafted with the desal's help. These indelible frescoes were arranged around the portrait of myself, the state crown of Iapysia afloat above my head. To these the desal had added its own panorama, a kind of procession that led around the entire chamber.

From that moment, when the people saw that the Winds had blessed me as queen, my succession to the throne was guaranteed.

The panorama authored by the desal, however, has a different meaning for me than it does for my people. The people believe it is a chronology of my lineage. To me it shows all the stages of humanity's development on this planet, for each scene in the panorama shows something from our history, some major turning point: the founding of religions, of dynasties, of laws and philosophies.

To me the silent figures speak of the invention of humanity: of our own creation of the faculties we take as divinely ordered, our reason, our morality, our science, even our world's purpose. They are all, I believe, of our own generation.

If there is anything I wonder now, it is this: if we are our own creation, whence the Winds? I do not understand them, and they frighten me.

Of all things, they alone frighten me.

§

Galas was sipping a glass of chilled wine, a bowl of fruit before her on the highest parapet of the palace, when general Mattias stormed in. The leader of her defenses was normally in a foul humour—but just now he was positively livid. A small group of men and maids trailed behind him like wind-whipped smoke. "Why didn't you tell me?" he roared at the queen as he towered over her.

Galas had eaten breakfast with Maut after telling her tale, and although she had not slept, had been feeling strangely at peace. She blinked at Mattias muzzily. "Tell you what?"

"Who he was!"

Carefully, she reached for a raisin, and chewed it for a while before saying, "Really, Mattias, I don't know who you are talking about."

"Oh no? You've been closeted with the bastard for two days now. Am I so old and feeble I can no longer be trusted with strategic information? Or were you going to present it all to me as a done thing?"

He really was angry. At her. Galas sat up straight. "Wait, wait, something is really wrong here. Mattias, I would never do anything to question your command. What is it that you think I have done?"

"General Armiger is your guest! I just had it from the maids. And you never told me!"

For a moment Galas stared at him, open-mouthed. Then she realized, and remembered last night, when she had asked Maut what he could do for her, and he had smiled and said she would know by noon.

She looked at the sundial built into her table. It was noon.

Galas began to laugh. It started as a chuckle, but as she saw Mattias' eyes widen in outrage, she could no longer contain herself. Carelessly tossing her wine glass aside, she leaned back in her chair and let the sound of her delight rise above the siege, above the air itself, to the very heavens.

21

In the morning, Jordan awoke to hear Suneil leaving the wagon. Probably gone for a piss, he thought at first; but the man did not return.

This was just the sort of thing that kept one from falling back asleep. The sun wasn't up yet, and it was frosty out there. Jordan had already been awake half the night, listening to Queen Galas tell Armiger her tale. When she finished he had fallen into a dreamless but apparently brief sleep. Now he tried several different positions—lying on his side, on his back with an arm over his face, even curled up—but he couldn't get back to sleep and Suneil still didn't return.

Finally he rose, shivering, and crept to the back flap to look out. The horizon was polished silver, as cold a color as Jordan had ever seen.

Suneil was standing very still, staring at nothing in particular. His hands were stuffed deep in the pockets of a long woolen coat. Every now and then he looked down and kicked a clod of earth at his feet.

Jordan eased the flap back and went to lie down again. The sight had disturbed him although at first he couldn't decide why. By the time the sun peeked above the horizon and Suneil came back to salvage a last half hour of rest, Jordan had realized that he seldom seen so perfect a picture of a man struggling with an important decision; and it was significant that Suneil had said nothing in the past days to his niece or Jordan about any such worries.

§

In the middle of nowhere, with scattered fields to the left and right, Suneil said, "This is the city of Rhiene."

"Huh?" Jordan stared at a slovenly peasant's cottage mired in its own pigsty near the road. "That?" He had heard of Rhiene all his life. It was one of the great cities of Iapysia, fabled for its gardens and university. There was supposed to be a desal at Rhiene too, and great religious colleges devoted to its study.

Suneil laughed. They were seated together at the front of the wagon. Tamsin had decided to walk for a while, and at present she was a few meters ahead, tilting her head back and forth to some internal rhyme, her hands fluttering at her sides in time.

Suneil pointed to a tumble of low hills ahead. "There."

The hills made an odd arc on the otherwise flat plain, dwindling in either direction. None was more than twenty meters high, and now that he looked more closely Jordan could see numerous buildings dotting the farther ones, and thin trails of smoke rising beyond them. A stone tower stood near the road ahead. Traffic on the road had increased during the past day until now they were part of a steady stream of wagons, horses and walking people, all headed towards the hills. Far off to the south, he could see another such road, converging on what he was beginning to realize was a long rampart of wavelike hills.

There was no city, however. Just those scattered buildings.

"I don't understand. It's underground?"


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