"From all the ingredients. You don't buy them in a box."

"Like, I know that. I mean, what does 'scratch' mean?"

"Don't say 'like.' And I don't know. We'll look it up."

"Okay."

"I'll see you soon, sweetie. Love you. Put your brother on."

"Hey, Mom." Wes launched into a monologue about the tennis match planned for today.

Wes was, Dance suspected, just starting the downhill coast into adolescence. Sometimes he was her little boy, sometimes a distant teenager. His father had died two years ago, and only now was the boy sliding out from under the weight of that sorrow. Maggie, though younger, was more resilient.

"Is Michael still going out on his boat this weekend?"

"I'm sure he is."

"That rocks!" O'Neil had invited the boy to go fishing this Saturday, along with Michael's young son, Tyler. His wife, Anne, rarely went out on the boat and, though Dance did from time to time, seasickness made her a reluctant sailor.

She then spoke briefly to her father, thanking him for baby-sitting the children, and mentioned that the new case would be taking up a fair amount of time. Stuart Dance was the perfect grandfather-the semiretired marine biologist could make his own hours and truly loved spending time with the children. Nor did he mind playing chauffeur. He did, however, have a meeting today at the Monterey Bay aquarium but assured his daughter that he'd drop the children off with their grandmother after camp. Dance would pick them up from her later.

Every day Dance thanked fate or the gods that she had loving family nearby. Her heart went out to single mothers with little support.

She slowed, turned at the light and pulled into the parking lot of Monterey Bay Hospital, studying a crowd of people behind a row of blue saw-horse barriers.

More protesters than yesterday.

And yesterday had seen more than the day before.

MBH was a famed institution, one of the best medical centers in the region, and one of the most idyllic, set in a pine forest. Dance knew the place well. She'd given birth to her children here, sat with her father as he recovered from major surgery. She'd identified her husband's body in the hospital's morgue.

And she herself had recently been attacked here-an incident related to the protest Dance was now watching.

As part of the Daniel Pell case, Dance had sent a young Monterey County deputy to guard the prisoner in the county courthouse in Salinas. The convict had escaped and, in the process, had attacked and severely burned the deputy, Juan Millar, who'd been brought here to intensive care. That had been such a hard time-for his confused, sorrowful family, for Michael O'Neil, and for his fellow officers at the MCSO. For Dance too.

It was while she was visiting Juan that his distraught brother, Julio, had assaulted her, enraged that she was trying to take a statement from his semi-conscious sibling. Dance had been more startled than hurt by the attack and had chosen not to pursue a case against the hysterical brother.

A few days after Juan was admitted, he'd died. At first, it seemed that the death was a result of the extensive burns. But then it was discovered that somebody had taken his life-a mercy killing.

Dance was saddened by the death, but Juan's injuries were so severe that his future would have been nothing but pain and medical procedures. Juan's condition had also troubled Dance's mother, Edie, a nurse at the hospital. Dance recalled standing in her kitchen, her mother nearby, gazing into the distance. Something was troubling her deeply, and she soon told Dance what: She'd been checking on Juan when the man had swum to consciousness and looked at her with imploring eyes.

He'd whispered, "Kill me."

Presumably he'd delivered this plea to anybody who'd come to visit or tend to him.

Soon after that, someone had fulfilled his wish.

No one knew the identity of the person who had combined the drugs in the IV drip to end Juan's life. The death was now officially a criminal investigation-being handled by the Monterey County Sheriff's Office. But it wasn't being investigated very hard; doctors reported that it would have been highly unlikely for the deputy to live for more than a month or two. The death was clearly a humane act, even if criminal.

But the case had become a cause célèbre for pro-lifers. The protesters that Dance was now watching in the parking lot held posters emblazoned with crosses and pictures of Jesus and of Terry Schiavo, the comatose woman in Florida, whose right-to-die case the U.S. Congress itself became entwined in.

The placards being waved about in front of Monterey Bay Hospital decried the horrors of euthanasia and, apparently because everyone was already assembled and in a protesting mood, abortion. They were mostly members of Life First, based in Phoenix. They'd arrived within days of the young officer's death.

Dance wondered if any of them caught on to the irony of protesting death outside a hospital. Probably not. They didn't seem like folks with a sense of humor.

Dance greeted the head of security, a tall African-American, standing outside the main entrance. "Morning, Henry. They keep coming, it looks like."

"Morning, Agent Dance." A former cop, Henry Bascomb liked using departmental titles. He gave a smirk, nodding their way. "Like rabbits."

"Who's the ringleader?" In the center of the crowd was a scrawny balding man with wattles beneath his pointy chin. He was in clerical garb.

"That's the head, the minister," Bascomb told her. "Reverend R. Samuel Fisk. He's pretty famous. Came all the way from Arizona."

"R. Samuel Fisk. Very ministerial-sounding name," she commented.

Beside the reverend stood a burly man with curly red hair and a buttoned dark suit. A bodyguard, Dance guessed.

"Life is sacred!" somebody called, aiming the comment to one of the news trucks nearby.

"Sacred!" the crowd took up.

"Killers," Fisk shouted, his voice surprisingly resonant for such a scarecrow.

Though it wasn't directed at her, Dance felt a chill and flashed back to the incident in the ICU, when enraged Julio Millar had grabbed her from behind as Michael O'Neil and another companion intervened.

"Killers!"

The protesters took up the chant. "Kill-ers. Kill-ers!" Dance guessed they'd be hoarse later in the day.

"Good luck," she told the security chief, who rolled his eyes uncertainly.

Inside, Dance glanced around, half expecting to see her mother. Then she got directions from reception and hurried down a corridor to the room where she'd find the witness in the Roadside Cross Case.

When she stepped into the open doorway, the blond teenage girl inside, lying in the elaborate hospital bed, looked up.

"Hi, Tammy. I'm Kathryn Dance." Smiling at the girl. "You mind if I come in?"

Although Tammy Foster had been left to drown in the trunk, the attacker had made a miscalculation.

Had he parked farther from shore the tide would have been high enough to engulf the entire car, dooming the poor girl to a terrible death. But, as it happened, the car had gotten bogged down in loose sand not far out, and the flowing tide had filled the Camry's trunk with only six inches of water.

At about 4:00 a.m. an airline employee on his way to work saw the glint from the car. Rescue workers got to the girl, half conscious from exposure, bordering on hypothermia, and raced her to the hospital.

"So," Dance now asked, "how you feeling?"

"Okay, I guess."

She was athletic and pretty but pale. Tammy had an equine face, straight, perfectly tinted blond hair and a pert nose that Dance guessed had started life with a somewhat different slope. Her quick glance at a small cosmetic bag suggested to Dance that she rarely went out in public without makeup.