Your work, too! like being called a fellow-artist! Still, he was fifty-four—or was it fifty-five, now? And there was Giles’ voice, hatefully bawdy, as she had last heard it on the train to Venice—
How dare Giles! But what would people say? That she had done it to be Lady Domdaniel. What would Alice make of that? Oh, Alice! Family always knew where to dig the knife in! But Giles, Giles was not someone who could be put aside. Particularly not when she had failed him so disastrously.
But could she not admit, now, that when she found him seemingly dead on the floor, beneath her revulsion from his blackened face, her stunning loss, her self-accusation, there had been—perceptible for an instant and then banished as a blasphemy against her love—a pang of relief, of release? Should she not clarify her thought? No! Let others talk of clarity. It is a sautery too terrible to be applied to one’s own most secret wounds. Perhaps, working for a worthy perpetuation of his work, there might be atonement. And, after atonement, a recognition of what she had felt in that instant of naked truth.
Meanwhile the Dean was continuing with his sermon:
If the shepherds needed a prodigy to stir them, the Wise Men needed no more than a hint, a new star amid the host of heaven. In art, and especially the Christmas card art which will so soon be with us, that star is usually represented as a monstrous illumination which a mole might see. That is so that the shepherds among us may understand without a painful sense of insufficiency the legend of the Kings. For legend it is; the Gospel tells us but little of these men, but legend has set their number at three, and has given them melodious names. The legend calls them Kings, and Kings they were indeed in the realm of apprehension, of perception, for they were able to read a great message in a small portent. We dismiss great legends at our peril, for they are the riddling voices by means of which great truths buried deep in the spirit of man offer themselves to the world. Caspar, Melchior and Balthazar stand as models of those—few, but powerful at any time—who have prepared themselves by learning and dedication to know great mysteries when the time is ripe for them to be apprehended by man…
Of course a girl really wanted a lover who was hers alone, who had never loved anyone else—or at least not seriously—and who promised to give everything to love. That was what all the magazines which were dismissed as “cheap” said, and the cheap magazines were right; that was why cheap magazines sold in hundreds of thousands, instead of in tens, like Lantern. But even at twenty-four, one could see that sometimes these knights, when they appeared, had a way of dwindling into something like Chuck Proby, who was probably living for love if you gave him the benefit of every doubt, but who never mentioned it, and seemed to be making a hard struggle of it. Or a sobersides like George Medwall, who was so proud of the fact that Teresa would not have to work after their marriage, but who saw life in terms of accretion—get some money, get a wife, get a house, get some children, get a bigger house, get more money—all for love, but the world hopelessly lost somewhere along the line. Domdaniel made no pretence:
Kind friends have probably told you that I have been married before. [They hadn’t, and this had surprised her.] It is true that when I was a young man I married and if you have ever been curious enough to look me up in Who’s Who the “mar. dis.” there will tell you what happened. She was a singer, like you—though in the cold light of recollection I can say that she was never as good a singer as you—and it didn’t work. Nobody’s fault entirely. Now I know that marriage between artists of any kind needs a little more understanding than matches where there is no relentless, fascinating rival perpetually working to seduce both parties. I wanted you to know this.
I want to go on, but I have said everything that is to the point, and I know that pleading and begging and entreaties, though they might work on your gentle heart, aren’t fair in a case like this. I would cut a ridiculous figure as a whimpering suitor. So I shall say only that I love you, and if you are ready, even in the most tentative fashion, to consider marrying me, will you let me have some word?
One must be logical. If Giles had never been, or if she had never known him, what would she say to this? But what was the good of thinking like that? Giles couldn’t be wished away. And she would never be free of him. By his suicide he had put his mark on her forever. Moving the green Orpheus slowly back and forth on her finger, Monica gave herself to tender thoughts of Giles.
The Dean, having dealt with the Magi to his satisfaction, had moved on.—
A third figure, who perceived Our Lord in his own fashion, is particularly sympathetic, and presents in one of the most touching stories of the childhood of Christ another sort of apprehension, and that the rarest. He is the aged Simeon, who knew Our Lord intuitively (as we should say now) when He was brought to the Temple on the eighth day for His Circumcision. Not the forcible instruction of a band of angels, nor the hard-won knowledge of the scholars, but the readiness of one who was open to the promptings of the Holy Ghost was the grace which made Simeon peculiarly blessed. We see him still as one of those rare beings, not so much acting as acted upon, not so much living life as being lived by it, outwardly passive but inwardly illumined by active grace, through whom much that is noblest and of most worth has been vouchsafed to the world… Oh, trusting, patient Simeon, the first to know, of his own knowledge, the Holy Face of God!
It’s a muddle, thought Monica. A muddle and I can’t get it straight. I wish I knew what I should do. I wish I even knew what I want to do. I want to wipe out the terrible thing I did to Giles. I want to go on in the life that has somehow or other found me and claimed me. And I want so terribly to be happy. Oh God, don’t let me slip under the surface of all the heavy-hearted dullness that seems to claim so marry people, even when they struggle and strive to keep their heads above the waves! Help me! Help me!
“Psst! He’s winding up. You next.” It was Cobbler’s voice.
Monica sang, giving her full attention to what she was doing; sang well and happily, all her perplexities banished as she balanced the delicate vocal meditation above the great chorale in Three Kings from Persian Lands. And when she was finished, she found that her mind was cleared, and she knew what she should do.
Benediction, and a rustle as the congregation rose from its knees. “Wait for me in the vestry,” said Cobbler, “and we’ll get back to Bridgetower’s for the party. But meantime, I simply can’t resist this. Keep your eye peeled to see if any of the Bridgetower Trust get the Joe Miller of it.” And triumphally he burst into For unto us a child is born, Unto us a son is given on the great organ.
But Monica did not wait. Before the party she must go to the cable office to send Benedict his answer.