"I'm just going to go over to Venice," he told Monica. "I'm just going to check things out and leave it at that."

"You promise?"

"Yes. You can call me at the lab after the furniture gets here and you're leaving."

He stood up and slung his backpack over his shoulder.

"If you talk to Nicki, don't mention anything about this, okay?"

"Sure, Henry. I won't."

He knew he couldn't count on that but it would have to do for the moment. He headed to the apartment door and left. As he went down the hall to the elevator he thought about what Monica had said and considered the difference between private investigation and private obsession. Somewhere there was a line between them. But he wasn't sure where it was.

There was something wrong about the address, something that didn't fit. But Pierce couldn't place it. He worried over it as he drove into Venice but it didn't open up to him.

It was like something hidden behind a shower curtain. It was blurred but it was there.

The address Lilly Quinlan had given as a contact address to All American Mail was a bungalow on Altair Place, a block off the stretch of stylish antiques stores and restaurants on Abbot Kinney Boulevard. It was a small white house with gray trim that somehow made Pierce think of a seagull. There was a fat royal palm squatting in the front yard.

Pierce parked across the street and for several minutes sat in his car, studying the house for signs of recent life.

The yard and ornamentation were neatly trimmed. But if it was a rental, that could have been taken care of by a landlord. There was no car in the driveway or in the open garage in back and no newspapers piling up near the curb. Nothing seemed outwardly amiss.

Pierce finally decided on the direct approach. He got out of the BMW, crossed the street and followed the walkway to the front door. There was a button for a doorbell. He pushed it and heard an innocuous chime sound from somewhere inside. He waited.

Nothing.

He pushed the bell again, then knocked on the door.

He waited.

And nothing.

He looked around. The Venetian blinds behind the front windows were closed. He turned and nonchalantly surveyed the homes across the street while he reached a hand behind his back and tried the doorknob. It was locked.

Not wanting the day's journey to end without his getting some piece of new information or revelation, he stepped away from the door and walked over to the driveway, which went down the left side of the house to a single stand-alone garage in the rear yard. A huge Monterey pine that dwarfed the house was buckling the driveway with its roots.

They were headed for the house and Pierce guessed that in another five years there would be structural damage and the question would be whether to save the tree or the house.

The garage door was open. It was made of wood that had been bowed by time and its own weight. It looked like it was permanently fixed in the open position. The garage was empty except for a collection of paint cans lined against the rear wall.

To the right of the garage was a postage-stamp-sized yard that offered privacy because of a tall hedge that ran along the borders. Two lounge chairs sat in the grass. There was a birdbath with no water in it. Pierce looked at the lounge chairs and thought about the tan lines he had seen on Lilly's body in the web page photo.

After hesitating for a moment in the yard, Pierce went to the rear door and knocked again.

The door had a window cut into its upper half. Without waiting to see if someone answered, he cupped his hands against the glass and looked in. It was the kitchen. It appeared neat and clean. There was nothing on the small table pushed against the wall to the left. A newspaper was neatly folded on one of the two chairs.

On the counter next to the toaster was a large bowl filled with dark shapes that Pierce realized were rotten pieces of fruit.

Now he had something. Something that didn't fit, something that showed something wasn't right. He knocked sharply on the door's window, even though he knew no one was inside who could answer. He turned and looked around the yard for something to maybe break the window with. He instinctively grabbed the knob and turned it while he was pivoting.

The door was unlocked.

Pierce wheeled back around. The knob still in his hand, he pushed and the door opened six inches. He waited for an alarm to sound but his intrusion was greeted with only silence. And almost immediately he could smell the sickly sweet stench of the rotten fruit. Or maybe, he thought, it was something else. He took his hand off the knob and pushed the door open wider, leaned in and yelled.

"Lilly? Lilly, it's me, Henry."

He didn't know if he was doing it for the neighbors' sake or his own but he yelled her name two more times, expecting and getting no results. Before entering, he turned around and sat down on the stoop. He considered the decision, whether to go in or not. He thought about Monica's reaction earlier to what he was doing and what she had said: Just call the cops.

Now was the moment to do that. Something was wrong here and he certainly had something to call about. But the truth was he wasn't ready to give this away. Not yet.

Whatever it was, it was his still and he wanted to pursue it. His motivations, he knew, were not only in regard to Lilly Quinlan. They reached further and were entwined with the past. He knew he was trying to trade the present for the past, to do now what he hadn't been able to do back then.

He got up off the back step and opened the door fully. He stepped into the kitchen and closed the door behind him.

There was the low sound of music coming from somewhere in the house. Pierce stood still and scanned the kitchen again and found nothing wrong except for the fruit in the bowl. He opened the refrigerator and saw a carton of orange juice and a plastic bottle of low fat milk. The milk had an August 18 use-by date. The juice's was August 16. It had been well over a month since the contents of each had expired.

Pierce went to the table and slid back the chair. On it was the Los Angeles Times edition from August 1.

There was a hallway running off the left side of the kitchen to the front of the house. As Pierce moved into the hall he saw the pile of mail building below the slot in the front door. But before he got to the front of the house he explored the three doorways that broke up the hallway. One was to a bathroom, where he found every horizontal surface crowded with perfumes and female beauty aids, all of it waiting under a fine layer of dust. He chose a small green bottle and opened it. He raised it to his nose and smelled the scent of lilac perfume. It was the same stuff Nicole used; he had recognized the bottle.

After a moment he closed and returned the bottle to its place and then stepped back into the hallway.

The other two doors led to bedrooms. One appeared to be the master bedroom. Both closets in this room were open and jammed with clothing on wood hangers. The music was coming from an alarm clock radio located on a night table on the right side. He checked both tables for a phone and possibly an answering machine, but there was none.

The other bedroom appeared to be used as a workout location. There was no bed. There was a stair machine and a rowing machine on a grass mat, a small television in front of them. Pierce opened the only closet and found more clothing on hangers. He was about to close it when he realized something. These clothes were different. Almost two feet of hanger space was devoted to small things -negligees and leotards. He saw something familiar and reached in for the hanger. It was the black fishnet negligee she had posed in for the website photo.