One after the other, springing from the earth as if by magic, the slim columns of water leaped towards the cloudless sky. At four times the height of a man, they burst into flowers of spray. The sunlight, breaking through them, created a rainbow-hued mist that added to the strangeness and beauty of the scene. Never, in the whole history of Taprobane, had the eyes of men witnessed such a wonder.

The King smiled, and the courtiers dared to breathe again. This time the buried pipes had not burst beneath the weight of water; unlike their luckless predecessors, the masons who had laid them had as good a chance of reaching old age as anyone who laboured for Kalidasa.

Almost as imperceptibly as the westering sun, the jets were losing altitude. Presently they were no taller than a man; the painfully filled reservoirs were nearly drained. But the King was well satisfied; he lifted his hand, and the fountains dipped and rose again as if in one last curtsey before the throne, then silently collapsed. For a little while ripples raced back and forth across the surface of the reflecting pools; then they once again became still mirrors, framing the image of the eternal Rock.

“The workmen have done well,” said Kalidasa. “Give them their freedom.”

How well, of course, they would never understand, for none could share the lonely visions of an artist-king. As Kalidasa surveyed the exquisitely tended gardens that surrounded Yakkagala, he felt as much contentment as he would ever know.

Here, at the foot of the Rock, he had conceived and created Paradise. It only remained, upon its summit, to build Heaven.

This cunningly contrived pageant of light and sound still had power to move Rajasinghe, though he had seen it a dozen times and knew every trick of the programming. It was, of course, obligatory for every visitor to the Rock, though critics like Professor Sarath complained that it was merely instant history for tourists. Yet instant history was better than no history at all, and it would have to serve while Sarath and his colleagues still vociferously disagreed about the precise sequence of events here, two thousand years ago.

The little amphitheatre faced the western wall of Yakkagala, its two hundred seats all carefully orientated so that each spectator looked up into the laser projectors at the correct angle. The performance always began at exactly the same time throughout the year – 19.00 hours, as the last glow of the invariant equatorial sunset faded from the sky.

Already it was so dark that the Rock was invisible, revealing its presence only as a huge, black shadow eclipsing the early stars. Then, out of that darkness, there came the slow beating of a muffled drum; and presently a calm, dispassionate voice:

“This is the story of a king who murdered his father and was killed by his brother. In the blood-stained history of mankind, that is nothing new. But this king left an abiding monument; and a legend which has endured for centuries…”

Rajasinghe stole a glance at Vannevar Morgan, sitting there in the darkness on his right. Though he could see the engineer's features only in silhouette, he could tell that his visitor was already caught in the spell of the narration. On his left his other two guests – old friends from his diplomatic days – were equally entranced. As he had assured Morgan, they had not recognised “Dr. Smith”; or if they had indeed done so, they had politely accepted the fiction.

“His name was Kalidasa, and he was born a hundred years after Christ, in Ranapura, City of Gold – for centuries the capital of the Taprobanean kings. But there was a shadow across his birth…”

The music became louder, as flutes and strings joined the throbbing drum, to trace out a haunting, regal melody in the night air. A point of light began to burn on the face of the Rock; then, abruptly, it expanded – and suddenly it seemed that a magic window had opened into the past, to reveal a world more vivid and colourful than life itself.

The dramatisation, thought Morgan, was excellent; he was glad that, for once, he had let courtesy override his impulse to work. He saw the joy of King Paravana when his favourite concubine presented him with his first-born son – and understood how that joy was both augmented and diminished when, only twenty-four hours later, the Queen herself produced a better claimant to the throne. Though first in time, Kalidasa would not be first in precedence; and so the stage was set for tragedy.

“Yet in the early years of their boyhood Kalidasa and his half-brother Malgara were the closest of friends. They grew up together quite unconscious of their rival destinies, and the intrigues that festered around them. The first cause of trouble had nothing to do with the accident of birth; it was only a well-intentioned, innocent gift.”

“To the court of King Paravana came envoys bearing tribute from many lands – silk from Cathay, gold from Hindustan, burnished armour from Imperial Rome. And one day a simple hunter from the jungle ventured into the great city, bearing a gift which he hoped would please the Royal family…”

All around him, Morgan heard a chorus of involuntary “Oohs” and “Aahs” from his unseen companions. Although he had never been very fond of animals, he had to admit that the tiny, snow-white monkey that nestled so trustingly in the arms of young Prince Kalidasa was very endearing. Out of the wrinkled little face two huge eyes stared across the centuries – and across the mysterious, yet not wholly unbridgeable, gulf between man and beast.

“According to the Chronicles, nothing like it had ever been seen before; its hair was white as milk, its eyes pink as rubies. Some thought it a good omen others an evil one, because white is the colour of death and of mourning. And their fears, alas, were well founded.”

“Prince Kalidasa loved his little pet, and called it Hanuman after the valiant monkey-god of the Ramayana. The King's jeweller constructed a small golden cart, in which Hanuman would sit solemnly while he was drawn through the court, to the amusement and delight of all who watched.”

“For his part, Hanuman loved Kalidasa, and would allow no-one else to handle him. He was especially jealous of Prince Malgara – almost as if he sensed the rivalry to come. And then, one unlucky day, he bit the heir to the throne.”

“The bite was trifling – its consequences immense. A few days later Hanuman was poisoned – doubtless by order of the Queen. That was the end of Kalidasa's childhood; thereafter, it is said, he never loved or trusted another human being. And his friendship towards Malgara turned to bitter enmity.”

“Nor was this the only trouble that stemmed from the death of one small monkey. By command of the King, a special tomb was built for Hanuman, in the shape of the traditional bell-shaped shrine or dagoba. Now this was an extraordinary thing to do, for it aroused the instant hostility of the monks. Dagobas were reserved for relics of the Buddha, and this act appeared to be one of deliberate sacrilege.”

“Indeed, that may well have been its intention, for King Paravana had now come under the sway of a Hindu Swami, and was turning against the Buddhist faith. Although Prince Kalidasa was too young to be involved in this conflict, much of the monks' hatred was now directed against him. So began a feud that in the years to come was to tear the kingdom apart.”

"Like many of the other tales recorded in the ancient chronicles of Taprobane, for almost two thousand years there was no proof that the story of Hanuman and young Prince Kalidasa was anything but a charming legend. Then, in 2015, a team of Harvard archaeologists discovered the foundations of a small shrine in the grounds of the old Ranapura Palace. The shrine appeared to have been deliberately destroyed, for all the brickwork of the superstructure had vanished.