“Get the hell out of here. Both of you.”

Rory and Cumstain ran. The other two were waiting at the tree line for them, and when Rory and Cumstain reached them, they all held up for a moment, in the fir-scented gloom under the trees.

“What is he?” Jesse asked.

“Scary,” said Rory. “He’s scary.”

“I just want to go,” said the fat boy. “And forget about this.”

Ig had an idea then, and he stepped forward and called to them. “No. Don’t forget. Remember that there’s something scary out here. Let everyone know. Tell them to stay away from the old foundry. This place is mine now.” He wondered if it was within the scope of his new powers to persuade them not to forget, as everyone else seemed to forget him. He could be very persuasive on other matters, so maybe he could have his way on this, too.

The boys stared at him rapt for a moment longer, and then Fatboy broke and ran, and the others went after him. Ig watched until they were gone. Then he picked up the decapernated snake with the end of the fork-blood dripped steadily from the open hose of her neck-and carried her into the foundry, where he buried her under a cairn of bricks.

CHAPTER TWENTY-SIX

MIDMORNING HE WALKED INTO THE WOODS to take a shit, hanging his can over the side of a stump, his shorts pushed down to his ankles. When he pulled them up, there was a foot-long garter curled in his boxers. He screamed and grabbed it and whipped it into the leaves.

He wiped with some old newspaper but still felt unclean and walked down the Evel Knievel trail to wade naked into the water. The river was deliciously cool against his bare skin, and he shut his eyes and pushed out from the bank, gliding into the current. The locusts thrummed, their timbales producing a harmonic that swelled and faded, swelled and faded, like breath. He was breathing easy, but when he opened his eyes, he saw water snakes zooming like torpedoes beneath him, and he screamed again and scrambled back to shore. He stepped carefully over what he thought was a long, river-softened log, then jumped and shivered when it slid away through the wet grass, a rat snake the length of his own body.

He retreated into the foundry to escape them, but there was no escape. He watched, squatting in the furnace, as they gathered on the floor beyond the hatch, slipping through holes in the mortar between bricks, falling in through open windows. It was as if the room beyond the blast furnace was a tub and someone had turned the faucets on the cold and hot running snakes. They piddled in, spilling across the floor, a rippling liquid mass of them.

Ig regarded them unhappily, his head a nervous hum of thought that corresponded in pitch, and urgency, to the throb of the locusts. The forest was filled with locust song, the males calling the females to them with that single maddening transmission that went on and on without cessation.

The horns. The horns were transmitting a signal, just like the fuck-melody of the locusts. They were broadcasting a continuous call on WSNK, Radio Snake: This next tune is for all you skin-shedding lovers out there. Cue “Tube Snake Boogie.” The horns called snakes and sins alike from the shadows, beckoning them out of hiding to show themselves.

He considered, not for the first time, sawing the horns right off his head. There was a long, rusted, hook-toothed saw in the wheelbarrow. But they were a part of his body, fused to his skull, joined to the rest of his skeleton. He pressed his thumb into the point of the left-hand horn until he felt a sharp prick, pulled his hand back, and saw a ruby-red drop of blood. His horns were the realest and most solid thing in his world now, and he tried to imagine dragging a saw back and forth across one. He flinched from the thought, envisioned spurting blood, tearing pain. It would be like dragging the saw across his ankle. The removal of the horns would require heavy-duty drugs and a surgeon.

Except any surgeon exposed to them would use the heavy-duty drugs on the nurse and then fuck her on the operating table after she passed out. Ig needed a way to cut off the signal without cutting off parts of his body, needed a way to take Radio Snake off the air, put it to sleep somehow.

Lacking that, his second-best plan was to go where the snakes weren’t. He hadn’t eaten in twelve hours, and Glenna worked at the salon Saturday mornings, styling hair and waxing eyebrows. She’d be gone, and he’d have the apartment and her fridge to himself. Besides, he had left cash there, and most of his clothes. Maybe he could leave her a note about Lee (“Dear Glenna-stopped by for a sandwich, got some things, going to be gone a while. Avoid Lee Tourneau, he murdered my last girlfriend, Love, Ig”).

HE CLIMBED INTO THE GREMLIN and stepped out fifteen minutes later on the corner in front of Glenna’s building. The heat walloped into him; it was like throwing open the door to an oven set to broil. Ig didn’t mind it, though.

He wondered if he should’ve circled the block a couple times, to make sure there weren’t cops watching the place for him, ready to pick him up for pulling a knife on Lee Tourneau the day before. Then he thought he’d rather just walk in and take his chances. If Sturtz and Posada were waiting for him, Ig would give them a blast with the horns, have ’em sixty-nine each other. The thought made him grin.

But Ig had no company in the echoing stairwell except his shadow, twelve feet tall and horned, leading the way to the top floor. Glenna had left the door unlocked when she went out, which was unlike her. He wondered if her mind had been on other things when she left the building, if she was worrying about him, wondering where he was. Or maybe she had simply overslept and gone out in a hurry. More likely that was it. Ig was her alarm clock, the one who shook her awake and made the coffee. Glenna wasn’t a morning person.

Ig eased the door inward. He had walked out of the place just yesterday morning, and yet looking at it now, he felt as if he’d never lived here and was seeing Glenna’s rooms for the first time. The furniture was cheap yard-sale stuff: a stained secondhand corduroy couch, a split beanbag with synthetic fluff hanging out. There was hardly anything of himself in this place, no photos or personal items, just some paperbacks on the shelf, a few CDs, and a varnished oar with names written on it. The oar was from his last summer at Camp Galilee-he had taught javelin-when he was voted Counselor of the Year. All the other counselors had signed it, as had the kids in his cabin. Ig couldn’t remember how it had wound up here or what he’d meant to do with it.

He looked into the kitchen by way of the pass-through window. An empty pizza box sat on a crumb-littered counter. The sink was piled with chipped dishes. Flies hummed over them.

She had mentioned to him now and then that they needed new dishes, but Ig hadn’t taken the hint. He tried to remember if he had ever bought Glenna anything nice. The only thing that came to mind was beer. When she was in high school, Lee Tourneau had at least been kind enough to steal her a leather jacket. The idea sickened him: that Lee could’ve been a better man than he was in any way.

He didn’t want Lee in his head right now, making him feel unclean. Ig meant to cook himself a light breakfast, pack his things, clean up the kitchen, write a note, and depart-in that order. He didn’t want to be here if someone came looking for him: his parents, his brother, the police, Lee Tourneau. It was safer back at the foundry, where the likelihood of encountering anyone else was low. And anyway, the dim and still atmosphere of the apartment, the humid, weighted air, disagreed with him. He had never realized it was such a dank little place. But then, the shades were pulled down over the windows, Ig didn’t know why. They hadn’t been pulled down in months.


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