Behind the newcomers, her own creatures bounced a little, though the cloaked one showed little reaction for a long moment. Then it looked around, and gestured to the other creatures. Two of them — one her own player, and one new — brought out instruments and piped a thin tune against the wind. Then the drumming began.

She had known they had drums of course. She had heard drumming before, night after night. But she had not imagined how they did this, or how it would affect her.

Their throats swelled, bulged into grotesque sacs; their arms twitched; they seemed to vibrate all over. And from the distended throats came the sharp pulse of rhythm. Ofelia felt it shaking the air, rolling through her body as if she were one of them, much louder than the drumming her creatures had done before. The soles of her feet itched with a different, unmatched rhythm, as if an army marched in step with each other, out of step with music. When she looked, the creatures were stamping in unison, but not in time with the higher drumming.

She didn’t like the feel of the discordance; her body wanted to move with one or the other, but could not move with both. Or could she? Her feet twitched; she felt the discordance move into syncopation, and her arms lifted, swayed… she moved into what she felt as both dance and song, though she had never danced so before, and had no idea what her movements sang to the creatures who had begun the music. Beat and beat, step and step again. Now the crosscurrent of rhythm steadied; she found she was marking the accented beats, and their feet matched hers. Which had changed? She could not be sure. She felt breathless, and yet light-footed, ready to dance a long way.

Her creatures moved from the rear of the group, moving to flank it like wings. Ofelia looked from one to the other. Player, Hunter/Killer, Gardener, the others for whom she had found no name. They danced a step nearer. Ofelia moved back; they moved forward. Comprehension came with a quickening beat, with the unison movement of their feet toward hers. They would not enter the village without her lead, her… permission?

A moment’s rebellion: what did she want with all these creatures, who would plague her even more than the ones she knew? But the music held her, steadied her. She could not stop them if they wanted to come, and this way they would come at her pace, at her will. She turned a full circle, one arm extended: this, too, may be yours.

Then, to the combined drumming of vocal sacs and feet, she led the way into the village. Behind her, the drumming steadied to a single pulse she felt in her entire body, as if the earth itself pulsed. She led them up the lane, past the shuttered homes, past the place where she had seen the first storm-battered one, the house where they had sheltered together. She came to the turn, the lane past her own house, and then to the center. Here her breath stabbed at her; she stopped, leaning over with her hand pressed to her side. The drumming slowed, became softer and more vocal, almost a song, almost words. Her creatures approached. Were they concerned, or merely hungry? Ofelia put out a hand to steady herself on the wall. It could be funny… here she was, the center of attention, the attraction that had drawn alien creatures across thousands of kilometers, and because she was just an old lady she might die of excitement and waste all their time. The thought made her chuckle against the pain; the chuckle made her cough. When she could draw an easy breath again, they were all waiting, silent, poised in a circle around her. The cloaked one faced her, head tipped to one side.

“I’m fine now,” Ofelia said. “Its just that I’m old.”

It blinked. Then, slowly, it leaned over the way she had, pressed its hand to its side the way she had, and coughed. The cough had the stagy quality of a child who has just learned about social coughs. Then it held its hand low, and raised it in short steps to her present height… and fluttered those long-taloned fingers along a horizontal path, dipping and rising as if to mark intervals. It held that hand still finally. The other hand rose to meet it, matching fluttering the same way, a little distance beyond it, then dropped suddenly. Then both hands down, and the creature bobbed its head.

Ofelia stood thinking. If she had done that, what would she mean? She put her own hand low, and began the sequence. Growth, of course. Then the level fluttering would be adult life, and the sudden drop, death. Her heart raced suddenly. She felt dizzy. Was it a question or an observation, that she was close to death?

She could not tell how old they were… how could they tell she was old? She continued the sequence, wondering what the little dips in the horizontal flutter meant to the creatures — she had no idea whether they marked time by seasons, years, or something else — but continued the horizontal longer than the cloaked creature had. She wanted credit for every year she’d lived. The short period from now — the still hand — to the final decline she gestured differently, waving her hand more widely. She didn’t know what the creature would understand, but what she meant was uncertainty. She might die today, or a year from now, or three years; she could not know. The creatures were silent until she finished, then the ones she knew began talking. The cloaked one silenced them with a gesture. It took a step nearer Ofelia, and slowly extended a talon to her cloak, pointing to the three-eyed face on it, and then, very slowly, to her eyes, and back to the face on the cloak. No, she couldn’t explain that. She didn’t know herself why she had put three eyes on that face. She shrugged, and spread her hands. They wouldn’t understand, but what else could she do? After a long moment of silence, Player squawked something at the one in the cloak, who grunted back. Then Player touched Ofelia’s arm, gently, and nudged her toward the center door. She wanted to say it was her door, and she would decide for herself when to let them in. She wanted them to go away, all of them, for she could tell that this was going to mean more work, more interruptions, less privacy. She glared at Player, who had locked eyes with Bluecloak, as she now thought of it. Bluecloak grunted something at Player, who stepped back at once. Bluecloak bowed. She might as well get it over with. Ofelia opened the center door, and waved them in. Only Bluecloak followed her. Here, in the confined space of the passage, she could hear its breathing, the click of its nails on the floor; she could smell its scent. Ofelia moved slowly, opening the doors on either side as she headed toward the back of the building. Sewing rooms, control room, storage, the big communal kitchen. At each door, Bluecloak paused and looked in. Ofelia named the rooms, but did not enter them; Bluecloak did not enter either, but followed her.

In the kitchen, she turned the water on and off, remembering how that had fascinated the first creatures. Bluecloak hissed, but otherwise did not react. Perhaps they had already told it about the water that came from the walls. Then she opened the big storage freezers; Bluecloak leaned closer, waved cold air up onto its face. Then it picked at the frost with its dark talon, and tasted it, just as her own creatures had. “Kuh…” it said. Ofelia stared. Had one of her creatures carried that word to this one? Had they really understood that her words were language?

“Cold,” she said. Then she patted the side of the box. “Freezer. The freezer makes cold.” “Kuh… ghrihzhuh…” The second sound, clearly different from the first, sounded like nothing Ofelia had said. She tried to remember her exact words. Freezer. Freezer makes cold. Was that an attempt at “freezer”?

“Freezer,” she said, stretching it out. “Freezer makes cold.” Slowly, distinctly. “Ghrihzhuh aaaaks kuh,” Bluecloak said, separating each word as carefully as she had. Did that mean it was trying to say what she said? She wanted to think that. She had believed it of children. “Freezer,” she said again. She opened it again, reached in, and took out a package of food. She held up the package of food. “Food in freezer.”