Marcus Caelius ascended the platform and called the contio to order.
Caelius had been trained in oratory from boyhood by both Cicero and the late Marcus Crassus. He was their most brilliant pupil. He had mastered the formal challenges of constructing a speech, as well as the technical skills of modulating his voice and casting it to great distances, but more notably, over the years he had crafted a wickedly sarcastic style which set the tone for his whole generation. When older orators striving for new effects attempted to emulate this style, the result was often blatant and shrill, but it was. never so when practised by Caelius himself This was his genius, that he was able to cast over a large crowd the same charm that he emanated in closer quarters, but without the ironical undercutting that one often felt in his immediate presence. He was able to utter the most vicious innuendoes and obscene double entendres at a public gathering without seeming vindictive or vulgar. Instead, he seemed only effortlessly clever and witty, and quite sincere. This gave him tremendous power as an orator.
Caelius was not really in his element playing the rabble-rousing tribune at a contio. He was more suited to courts of law, especially as a prosecutor, where he could pour his acid over a squirming victim before an appreciative audience of cultured jurors, educated men like himself who appreciated swift, convoluted wordplay. Still, Caelius commenced his contio displaying the self-assurance he was known for, of the sort that cannot be faked.
"Good citizens of Rome! You see beside me on the platform today a man you all know – Titus Annius Milo. His name has been on all your lips of late. You have gone to bed at night thinking about him, asking yourselves just what sort of man is this Milo? You've awakened in the morning wondering where on earth he might be. And every hour of every day you have considered the same pressing question which you must be considering even now: When will this madness be over?
"Well, we are here to get some answers. Not tomorrow, not somewhere eke, but here and now. First, wonder no more where Milo is – he's standing right in front of you, his head held high, proudly showing himself in the heart of the city he has served so long and so faithfully. You may have heard a wild rumour that Milo had left Rome for good and was never coming back. Yes, I see some of you nodding; you know the rumour. Ridiculous! Think of that which you love best in all the world. Would you ever let yourself be parted from it, or abandon it for any reason? No! Not if you had to die first. Not even" – he lowered his voice – "if you had to kill. That is how much Milo loves Rome. He will never forsake her.
"Which brings us back to the first question: What sort of fellow is Milo, what is his character? That's something each of you may decide for yourself, when you have had a chance to hear him out. Yes, Milo himself shall speak to you today. The rules allow him to speak, since Milo is himself the subject of this contio, and I demand that he speak, since I am the tribune who called this contio. Demand him to speak, I say, because Milo did not come here willingly. Oh no! I had to drag him here today, against his will. Do you think he wanted to leave his safe house to go walking in a city where madmen run riot, crying out for his death? Milo is exceedingly brave, but he's not a fool. No, he came only because I insisted that he come, only because I, as your tribune, demanded it.
"Which brings us to the third question, which weighs like a stone on all of us, which fills our heads like the stench from the smoking ruins of the Senate House over yonder When will this madness be over? Not until something is done about the death of Clodius, I'm afraid. Not until the whole ugly incident is put to rest, as the shade of Clodius himself was supposedly put to rest when his friends set fire to him like a faggot in the Senate House. How did Clodius die, and why, and who killed him? The friends of Clodius claim that he was viciously attacked and killed without cause. They point the finger of blame at Milo. They call him a murderer. They insinuate that he intends to kill again, and that next time his victim will be a man far more revered, far greater than Clodius ever was.
"Then let us put Titus Annius Milo on trial. Yes! Right here, right now, let us put him on trial for murder. Not a trial such as the magistrates hold, with jurors chosen from the Senate and the higher orders. It is you, the people, citizens of Rome, who have suffered most from the chaos of the last few days, and so I bring this matter directly to you, the people, and earnestly solicit your judgment You see, I have not come to praise Milo; I have come to try him! And if you should determine that he is a vicious murderer, that he plots more murders, then let him leave our midst. Yes! Let him be banished, let us send him into exile and make that vicious rumour real. Let us drive Milo from the heart of the city he loves into the wilderness!"
At this there were scattered cries of indignation from the crowd, as if the idea of Milo in exile outraged them. I noticed that our friend the fuller was among the first to raise his voice in protest. He was soon joined by a swelling chorus of dissent. Someone had done a thorough job of seeding the crowd. But I noticed that the man I had called a banker was yelling in protest, too, and gesturing for those in his retinue to raise their voices; surely a man of his means had not been bought with a mere fifty sesterces.
Caelius raised his hands for silence and put on an expression of dismay. "Citizens! Please, restrain yourselves! You love Milo, as Milo loves Rome; I understand that. Still, he must be called to account. He must be judged, and we must be sober in our verdict. No more cheering or jeering, I beg you. This is not a candidate's rally. This is a contio held in time of dire emergency, a solemn inquiry into a matter that has crippled our city with riot and fire. What we do here today will be talked about all over the seven hills and beyond the city walls. Those who cannot be here today, great and small alike, will take notice of your judgment. Remember that!"
Eco spoke in my ear: "Another reference to Pompey?"
Caelius stepped to one side of the platform. "Milo, come forwards!"
Proud and with head held high – that was how Caelius had described Milo. Certainly he did not have the scurrying gait or furtive look of a man haunted by guilt. He swept forwards without hesitation and with a grand, almost swaggering air of confidence. His toga was better fitted than the one he had worn at Cicero's house, draped and folded to give the best impression of his short, stocky physique. His usually beard-shadowed jaw looked so pale that I wondered if he had applied some sort of cosmetic.
At a real trial he would have been expected to put on his shabbiest toga, shamble about like an old man, wear his hair unkempt and let his beard grow stubbly; jurors expect an accused man to exploit their sympathies. Clearly, Milo was having none of that. To show himself at a trial, even a mock trial, looking more like a proud candidate than an anxious defendant, was an act of pure defiance. This partisan crowd loved it. Despite Caelius's admonitions, a loud and seemingly spontaneous cheer echoed through the Forum. Milo's lips twitched into a smirk and he lifted his chin several degrees higher.
Caelius put on a stern face and raised his arms for silence. "Citizens, must I remind you what we are here for? Let us proceed. Let Titus Annius Milo make an accounting of his actions."
Caelius stepped back to allow Milo full run of the platform; Milo was of the arm-swinging school of oratory which requires an expansive stage, in many ways the opposite of Caelius. His forte was not the small jest that only later in the speech blossoms into hilarity, or the elegant understatement that veils a pointed dagger. Milo represented what Cicero had once jokingly ridiculed as the hammer and yoke school of oratory: "Pound home every point with a heavy hammer, then yoke up the metaphors and flog them all the way to market"