As we went through the inner doors into the crowded lobby, I asked, "Where's your coat?"

"In the car. Didn't want to carry it, so I made a dash for it."

I nodded. It was typical Richard. Or maybe lycanthropes didn't get cold. From the back I could see he'd braided his hair tight to his scalp. The tip of the braid trailed over his collar. I couldn't even figure out how he'd done it. My idea of fixing my hair is to wash, smear a little hair goop through it, then let it dry. I was not into high-tech hair design. Though it might be fun to figure out the knots in a leisurely fashion after the show. I was always willing to learn a new skill.

The main lobby of the Fox is a cross between a really nice Chinese restaurant and a Hindu temple, with a little Art Deco thrown in for flavor. The colors are so dazzling, it looks like the painter ground up stained glass with bits of light trapped in them. Pit bull-size Chinese lions with glowing red eyes guard a sweep of stairs that lead up to the Fox Club balcony, where for fifteen thousand dollars a year you can eat wonderful meals and have a private box. The rest of us peons mingled nearly shoulder to shoulder in the carpeted lobby, with offerings of popcorn, pretzels, Pepsi, and on some nights, hot dogs. A far cry from chicken cordon bleu or whatever they were serving up above.

The Fox treads that wonderfully thin line between gaudiness and the fantastic. I've loved the building since I first saw it. Every time I come, there is some new wonder. Some color, or carving, or statue that I didn't notice before. When you realize that it was originally built to be a movie theater, you realize how much things have changed. Movie theaters now have the souls of unwashed socks. The Fox is alive as only the best buildings are alive.

I had to let go of Richard's hand to unbutton my coat the rest of the way, but hey, we weren't attached at the hip. I stood close to him in the crowd without touching, but I could feel him, like a line of warmth against my body.

"We're going to look like the Bobsey twins when I take my coat off," I said.

He raised his eyebrows.

I spread the coat like a flasher, and he laughed. It was a good laugh, warm and thick like Christmas pudding.

" 'Tis the season," he said. He gave me a one-armed hug, quick like you'd give a friend, but his arm stayed over my shoulders. It was still early enough in our dating that touching each other was new, unexpected, exhilarating. We kept looking for excuses to touch each other. Trying to be nonchalant about it. Not fooling each other. Not sure we cared. I slipped my arm around his waist and leaned just a bit. It was my right arm. If we were attacked now, I'd never draw my gun in time. I stayed there for a minute thinking it just might be worth it. I moved around him, offering my left hand to him.

I don't know if he caught a glimpse of the gun or just figured it out, but his eyes widened. He leaned close to me, whispering against my hair. "A gun here, at the Fox? You think the ushers will let you in?"

"They did last time."

He got a strange look on his face. "You always go armed?"

I shrugged. "After dark, yes."

His eyes were puzzled, but he let it go. Before this year I'd sometimes gone out after dark unarmed but it had been a rough year. A lot of different people had tried to kill me. I was small even for a woman. I jogged, lifted weights, had a black belt in judo, but I was still outclassed by most professional bad guys. They tended to also lift weights, know martial arts, and outweigh me by a hundred pounds or more. I couldn't arm-wrestle them, but I could shoot them.

Also a lot of this year I'd been up against vampires, and other preternatural creepie-crawlies. They could lift large trucks with a single hand or worse. Silver bullets might not kill a vampire, but it certainly slowed them down. Enough for me to run like hell. To get away. To survive.

Richard knew what I did for a living. He'd even seen some of the messy parts. But I still expected him to blow it. To start playing the male protector and bitch about the gun or something. It was almost a permanent tightness in my gut, waiting for this man to say something awful. Something that would ruin it, destroy it, hurt.

So far, so good.

The crowd started flowing towards the stairs, parting on either side to the corridors leading into the main theater. We shuffle-stepped with the crowd, holding hands to keep from being separated. Sure.

Once free of the lobby, the crowd flowed towards the different aisles like water searching for the quickest route downstream. The quickest route was still pretty slow. I dug the tickets out of the pocket of my suit jacket. I didn't have a purse. There was a small brush, a lipstick, lipliner, eye shadow, ID, and my car keys stuffed in my coat pockets. My beeper was tucked in the front of my skirt, discreetly to one side. When not dressed up, I wore a fanny pack.

The usher, an older woman with glasses, shone a tiny flashlight on our tickets. She took us to our seats, motioned us in, and went back up to assist the next group of helpless people. The seats were good, near the middle, sort of close to the stage. Close enough.

Richard had scooted in to sit on my left without being asked. He's a quick study. It's one of the reasons we're still going out. That and the fact that I lust after his body something terrible.

I spread my coat over the seat, spreading it out so it wouldn't be bulky. His arm snaked across my chair, fingers touching my shoulder. I fought the urge to lay my head on his shoulder. Too hokey, then thought, what the hell. I snuggled into the bend of his neck, just breathing in the scent of his skin. His aftershave was clean and sweet, but underneath was the smell of his skin, his flesh. It made it so the aftershave would never smell the same on anyone else. Frankly, without a drop of aftershave I loved the smell of Richard's neck.

I straightened up, pulling just a little away from him. He looked at me questioningly. "Something wrong?"

"Nice aftershave," I said. No need to confess that I'd had an almost irresistible urge to nibble his neck. It was too embarrassing.

The lights dimmed and the music began. I'd never actually seen Guys and Dolls except in the movies. The one with Marlon Brando and Jean Simmons. Richard's idea of a date was caving, hiking, things that required your oldest clothes and a pair of good walking shoes. Nothing wrong with that. I like the outdoors, but I wanted to try a dress-up date. I wanted to see Richard in a suit and let him see me in something frillier than jeans. I was after all a girl, whether I liked to admit it or not.

But having proposed the date, I didn't want to do the usual dipsy-duo of dinner and a movie. So I'd called up the Fox to see what was playing and asked Richard if he liked musicals. He did. Another point in his favor. Since it was my idea, I bought the tickets. Richard had not argued, not even to pay half. After all, I hadn't offered to pay for our last dinner. It hadn't occurred to me. I was betting paying for the tickets occurred to Richard, but he'd let it go. Good man.

The curtain came up and the opening street scene paraded before us, bright colors, stylized, perfect and cheerful, and just what I needed. "The Fugue for Tinhorns" filled the bright stage and flowed out into the happy dark. Good music, humor, soon to be dancers, Richard's body next to mine, a gun under my arm. What more could a girl ask for?