“Summer,” I said. “Really?”

She scowled. I had barely sat down, and already someone was unhappy.

“It’s my true name,” she said. “My given name was an imposition. Discarding it in favor of my real identity freed me to pursue my art.”

“Uh-huh,” I said. Flake.

Nyoko was a little more in touch with objective reality. She was an art history graduate, and had only recently returned to Maine after two years spent working in Australia. When I asked her how long she had known Harmon, she had the self-awareness to blush slightly.

“We met at a gallery opening a few months back. And I know what you’re thinking.”

“Do you?”

“Well, I know what I’d be thinking if our positions were reversed.”

“You mean if I was seeing Mr. Harmon? He’s not really my type.”

She giggled.

“You know what I mean. He’s older than I am. He’s married, sort of. He’s wealthy, and I drive a car that probably cost less than the brandy Joel will have decanted after dinner. But I like him: he’s funny, he’s got good taste, and he’s lived a little. I let people think what they want.”

“Even his wife?”

“You’re pretty blunt, aren’t you?”

“Well, I’m sitting beside you. If his wife starts throwing knives around after her second glass of wine, I’d like to be sure that they’re aimed at you, not me.”

“She doesn’t care what Joel does. I’m not even sure that she notices.”

As if on cue, Lawrie Harmon glanced in our direction and managed to eke an extra quarter of an inch out of her smile. Her husband, who was sitting at the head of the table, patted her left hand reflexively, the way he might have petted a dog. But for a moment, I thought some of the dullness disappeared from her eyes, and something lanced through the fog, like a camera lens fixing on the perfect moment of clarity before an exposure. For the first time that night, her gaze lingered, but only on Nyoko. Then the smile leveled out slightly, and her attention moved on. Nyoko hadn’t noticed, distracted as she was by something Summer had said to her, although I wondered if she would even have registered the change, had she been watching.

Harmon nodded to one of the waiters who stood like white compass points in a circle around us, and dishes began to appear before us with quiet efficiency. There were still two empty chairs at the end of the table.

“Are we missing someone, Joel?” asked Jacobs. He had a reputation as someone who, given half a chance, would declaim endlessly about his own status as a visionary, someone who was in touch with nature and the grandeur of the ordinary man. Clearly, he’d sized up the rest of us and figured that we were going to be no competition, but he didn’t want some unknown quantity arriving and upstaging him. His beard twitched, as though something living within it had briefly shifted position, then he was distracted by the arrival of his duck terrine and commenced eating instead of wondering.

Harmon looked at the chairs, as if noticing them for the first time.

“Our children,” he said. “We had hoped that they might join us, but you know how kids are. There’s a party down at the yacht club. No offense meant to anyone here, but I think they decided that it provided more opportunities for mischief than a dinner with the folks and their guests. Now, please eat.”

It came a little late for Jacobs, who was already halfway through. To his credit, he paused awkwardly, then did a little shrug and continued working on the terrine. The food was good, although terrine of anything tended to leave me unimpressed. The main course of venison was fine, though, served as a navarin with juniper berries. There was a mousse of chocolate and lime for dessert, and coffee with petits fours to finish. The wine was a Duhard-Milon ’98, which Harmon described as costaud, or powerfully built, from one of the lesser Lafitte properties. Jacobs nodded sagely like he understood what Harmon was talking about. I sipped at my glass to be polite. It tasted a little rich for my blood, in every sense.

The conversation moved from local politics to art and, inevitably, to literature, the latter largely a result of Jacobs’s intervention, at which point he began to preen as he waited for someone to inquire about his latest magnum opus. Nobody seemed very keen to open the floodgates, but in the end Harmon asked, apparently more out of a sense of duty than any real interest. Judging from the summary that followed, Jacobs had not yet tired of mythologizing the common man, even if he had yet to get around to either understanding him or liking him.

“That man,” June whispered, as the plates were cleared and the guests began to move through a pair of double doors into a room furnished with comfortable chairs and couches, “is the most insufferable bore.”

“Someone gave me one of his books once,” I replied.

“Did you read it?”

“Started it, then figured I’d want the time back on my deathbed and I wouldn’t get it. I managed to lose the book instead. I think I dropped it in the sea.”

“A wise decision.”

Harmon appeared at my elbow.

“How about that tour, Mr. Parker? June, will you accompany us?”

June demurred. “We’ll only start fighting, Joel. I’ll let your new guest enjoy your collection without being bothered by my prejudices.”

He bowed to her, then turned back to me. “Can I offer you another drink, Mr. Parker?”

I lifted my half-finished wine. “I’m good, thank you.”

“Well, let’s proceed, then.”

We moved from room to room, Harmon pointing out pieces of which he was particularly proud. I didn’t recognize many of the names, but that was probably due more to my ignorance than anything else. I couldn’t say that much of Harmon’s collection was to my taste, though, and I could almost hear June’s expressions of dismay at some of the more outlandish additions.

“I hear you have a number of pieces by Daniel Clay,” I said, as we gazed at something that might have been a sunset or a suture.

Harmon grinned.

“June told me that you might ask after them,” he said. “I have two in a back office. Some of the others are in storage. I have a revolving collection, you might say. Too many pieces and too little space, even in a house this size.”

“Did you know him well?”

“We were at college together, and we kept in touch after graduation. He was a guest here on many occasions. I liked him a lot. He was a sensitive man. What happened was just terrible, both for him and for the children involved.”

He led me to a room at the back of the house, with high, recessed windows looking out over the sea. It was a combination of office and small library, with floor-to-ceiling oak shelves and an enormous matching desk. Harmon told me that Nyoko used it on the days when she was working in the house. There were only two paintings on the walls, one perhaps two feet by five feet, the other much smaller. The latter depicted a church steeple set against a backdrop of receding pines. It was hazy, the edges dulled, as though the whole scene was being filtered through a Vaseline-smeared lens. The larger painting showed the bodies of men and women writhing together, so that the canvas was a mass of twisting, shadowy flesh. It was startlingly unpleasant, more so because of the degree of artistry that had gone into its creation.

“I think I prefer the landscape,” I said.

“Most people do. The landscape is a later work, perhaps created two decades after the other. Both are untitled, but the larger canvas is typical of Daniel’s earlier work.”

I turned my attention back to the landscape. There was something almost familiar about the shape of the steeple.

“Is this a real place?” I asked.

“It’s Gilead,” said Harmon.

“As in the ‘children of Gilead ’?”

Harmon nodded. “Another of the dark spots on our state’s history. That’s why I keep it back here. I suppose I hold on to it more out of tribute to Daniel’s memory and the fact that he gave it to me than anything else, but it’s not something I’d want displayed in the more public areas of the house.”