That was all he wanted to hear. Relieved, he sighed and nodded his understanding that there would be no small talk, not one more chorus of I'm so sorry, false notes in the mouth of a stranger.

Johanna followed him into the house and through another door to his front room. It was decorated with period furniture and smeared with the bloody handprints of an intruder. She recognized the spots on the wall as a splatter pattern from the back-strike of a knife. The chalk outline sketched on the rug was that of a small, lean victim who had died quickly, though her blood was spread thin all about the room, giving the impression that the attack had gone on forever. She wondered if anyone had told the husband that his wife had not suffered long. Johanna turned to the sorry man beside her. It was her art to put disturbed people at ease; she did it with tea.

"You don't have to stay and watch. Why not wait in the kitchen?" She pulled a small packet of herbal tea from the pocket of her denim jacket. "This is very soothing."

The client took the packet and stared at it, as though the printed instructions for steeping in hot water might be difficult to comprehend. He waved one hand in apology to say that he was somewhat at sea today. "My wife usually handles these – " Suddenly appalled, he lowered his head. His wife had usually handled the messes of their lives. How could he have forgotten that she was dead? His hands clenched tightly, and Johanna knew that he was silently berating himself for this bizarre breach of etiquette.

The murder was recent, and she would have guessed that even without the paperwork to release the crime scene. Judging by the growth of stubble on the man's face, only a few days had passed since his wife's death. Unshaven, unwashed, the widower walked about in a stale ether that the bereaved shared with the bedridden. His head was still bowed as he edged away from her and ambled down a narrow passageway. Upon opening a door at the far end of this hall, he raised his face in expectation, perhaps believing that he would meet his dead wife in the kitchen – and she would make him some tea.

Johanna knelt on the floor and opened her duffel bag. One hand passed over the hood and the respirator. No need for them today. She pulled out a protective suit and gloves for working with blood products in the age of AIDS – even the blood of children, nuns and other virgins. Her employer had given her the basic vocabulary of the job: fluids and solids and hazardous waste, though she had never seen the common debris of brains and shattered bone, feces and urine as anything but human remains. She had also been encouraged to remove photographs of the victim before she began, and this was another trick to dehumanize the task. But Johanna never disturbed the wedding portrait on the wall, and the bride with downcast eyes continued to shyly smile at the chalk outline of her own corpse.

Johanna sponged the stains on the cream-white wall and charted a thief's progress around this room, going from drawer to pulled-out drawer. She knew where he had been standing when a policeman had barreled through the door with a drawn gun. The bullet had been pried out of the wall, but the hole remained. The thief must have had the knife in his hand, and the officer must have been very young, untried and nervous.

She filled the hole with a ready-mix plaster. A small brush and a few deft strokes of tint made it blend into the paint. Below this patch were red drops of hazardous waste from a murderer. He was wiped away with one wet rag, and, though no one would ever know, she placed it in a separate bag so the blood of the innocent woman would not mingle with his. Next, she replaced the contents spilled from the drawers, then went on to the problem of a torn lampshade and resolved it with a bit of mending tape. Last, she pulled out a hair dryer and moved it across the wet areas where she had spot-cleaned the rug, the couch and the drapes. Some of her services went beyond the job description, but she wanted the widower to find no trace of murder, no damp ghost of a stain that he might commit to memory.

No more than an hour had passed, as promised, and now the client inspected her work. She watched his fearful eyes search the wall for the bullet hole, but there was no sign of it anymore. And, by his wandering gaze, she could tell that he had forgotten the exact location of that scar in the plaster and his wife's chalk silhouette on the floor. The room seemed so normal, as though no violence had ever taken place here – and his wife had never died – so said his brief smile as he wrote out a check.

Four months ago in another city, her first crime scene had required less work, and she had been her own client on that unpaid job. The armchair had absorbed most of the FBI agent's blood, and so it had been a simple matter of furniture disposal after mopping up the puddle on the floor and the red drops spattered on the wall. In that room, death had been a drawn-out affair, for Timothy Kidd had not struggled enough to spend all his blood at once, and there had been ample time for him to be afraid.

However, that event had occurred in a previous life lived by another version of herself, though the dead man did remain with her as a constant presence, a haunt. And so it was neither odd nor coincidental to be thinking of Timothy when she emerged from the building to find an unpleasant reminder of his death.

Marvin Argus was waiting for her on the sidewalk. His trench coat flapped open in the wind, exposing a dark gray suit with a slept-in look. She guessed that he had taken the red-eye flight from Chicago to New York, and there had been no time for a change of clothes after landing, that or his fastidious grooming habits were deteriorating. Perhaps there had been some urgency in tracking her down today.

No, that was not it.

Argus had found time to carefully style his sparse brown hair so that no strand could escape the gelled fringe of bangs covering his receding hairline. The effect was juvenile and so at odds with his forty-year-old face.

"Hello, Johanna." He smiled to show her all of his perfect teeth, acting as if this meeting might be a happy chance encounter and not an ambush, not a defiance of the court order to keep him at a distance.

Did he seem a little jittery – just on the verge of a tic or a twitch? She looked through him, then passed him by on her way back to the black van.

He walked alongside her, keeping his tone light, fighting down all the high notes of runaway anxiety. "You're looking well."

"Still alive, you mean, and you're wondering why."

"No, seriously, I think physical labor agrees with you," he said. "But I suppose this new line of work is your idea of penance."

Much could be read into that clumsy little barb, perhaps some desperate situation coming to a head. Johanna's bent posture had made her a student of footwear, and now she gleaned more from his shoes than his words. The black leather was, as always, fanatically shiny, but both laces had been broken and repairs effected with knots. The man was coming undone.

Good.

She raised her face to his, not bothering to hide her contempt. "You don't look well, Argus. You seem a little shaky today. Under a lot of stress?" Did that sound like a taunt, like getting even? She hoped so. "And you're losing weight."

He dismissed this with a wave of one hand, saying, "Long hours." He drew back his shoulders in an effort to appear larger and less the nervous rabbit. Eyebrows arched, he folded his arms to strike a condescending pose, exuding an arrogance that invited every passerby to punch him in the face.

"I met your boss today." Argus staged a pause. "We had a long talk about you."

"Really?" That was unlikely, for Riker was tight with his words. And so she could surmise that this lie was an implied threat. Yes, Argus would want her to worry about what he might have shared with her employer. She stared at him, wondering, How frightened are you?