It only took me a couple of minutes to find the spot Buzz had used—a shadowed area of weeds and scrub brush behind the pile of felled trees. It was obscured enough to offer a good hiding spot, if no one was looking particularly hard, but far enough away that he had to have used a zoom lens of some kind to get those pictures. I had heard that digital cameras could zoom in to truly ridiculous levels these days.

I found footprints.

Don't read too much into that. I'm not Ranger Rick or anything, but I had a teacher who made sure I spent my share of time hiking and camping in the rugged country of the Ozarks, and he taught me the basics—where to look, and what to look for. The showers last night had wiped away any subtle signs, but I wouldn't have trusted my own interpretation of them in any case. I did find one clear footprint, of a man's left boot, fairly deep, and half a dozen partials and a few broken branches in a line leading away. He'd come here, hung around for a while, then left.

Which just about anyone could have deduced from the photo, even if he hadn't seen any tracks.

I had this guy practically captured already.

There weren't any bubble-gum wrappers, discarded cigarettes, or fortuitously misplaced business cards that would reveal Buzz's identity. I hadn't really thought there would be, but you always look.

I slogged across the muddy ground back toward the truck, when the door of one of the contractors' vans opened, and a prematurely balding thin guy with a tool belt and a two-foot reel of electrician's wire staggered out. He had a shirt with a name tag that read, "Chuck." Chuck wobbled to one side, dragging the handles of some tools along the side panel of Michael's truck, leaving some marks.

I glanced into the van. There was an empty bottle of Jim Beam inside, with a little still dribbling out the mouth. "Hey, Chuck," I said. "Give you a hand with that?"

He gave me a bleary glance that didn't seem to pick up on anything out of the ordinary about me or the big old sword hanging over my shoulder. "Nah. I got it."

"It's cool," I said. "I'm going that way anyhow. And those things are heavy." I went over to him and seized one end of the reel, taking some of the weight.

The electrician's breath was practically explosive. He nodded a couple of times, and shifted his grip on the reel. "Okay, buddy. Thanks."

We carried the heavy reel of wire over to the house. I had to adjust my steps several times, to keep up with the occasional drunken lurch from Chuck. We took the wire to the poured-concrete slab that was going to be the garage at some point, it looked like, and dropped it off.

"Thanks, man," Chuck said, his sibilants all mushy.

"Sure," I said. "Look, uh. Do you really think you should be working with electricity right now, Chuck?"

He gave me an indignant, drunken glare. "What's that supposed to mean?"

"Oh, you just, uh. Look a little sick, that's all."

"I'm just fine," Chuck slurred, scowling. "I got a job to do."

"Yeah," I said. "Kind of a dangerous job. In a big pile of kindling."

He peered at me. "What?" It came out more like Wha?

"I've been in some burning buildings, man, and take it from me, this place…" I looked around at the wooden framework. "Fwoosh. I'm just saying. Fwoosh."

He worked on that one for a moment, and then his face darkened into a scowl again. He turned and picked up a wrench from a nearby toolbox. "Buzz off, freak. Before I get upset."

I wasn't going to do anyone any favors by getting into half of a drunken brawl with one of Michael's subcontractors. I looked around to see if anyone had noticed, but they were all at other parts of the house, I guessed. So I just held up one hand in front of me and said, mildly, "Okay. I'm going."

Chuck watched me as I walked out of the garage. I looked around until I spotted the power lines running into the house, and then followed the trench they were buried in back to the street, until I got to the transformer. I looked up at it, glanced around a little guiltily, and sighed. Then I waved my hand at the thing, exerted my will, and muttered, "Hexus."

Wizards and technology don't get along. At all. Prolonged exposure to an active wizard has really detrimental effects on just about anything manufactured after World War II or so, especially anything involving electricity. My car breaks down every couple of weeks, and that's when I'm not even trying. When I'm making an effort?

The transformer exploded in a humming shower of blue-white sparks, and the sound of an electric saw, somewhere on the site, died down to nothing.

I went back to the truck, and sat quietly until Michael returned.

He gave me a steady look.

"It was in the name of good," I said. "Your electrician was snockered. By the time the city gets by to repair it, he'll have sobered up."

"Ah," Michael said. "Chuck. He's having trouble at home."

"How do you know?"

"He's got a wife, a daughter," Michael said. "And I know the look."

"Maybe if he spent less time with Jim Beam," I said, "it'd go better." "The booze is new," Michael said, looking worriedly at the house. "He's a good man. He's in a bad time." He glanced back at me a moment later. "Thank you. Though perhaps next time… you could just come tell me about it?"

Duh, Harry. That probably would have worked, too. I shook my head calmly. "That's not how I roll."

"How you roll?" Michael asked, smiling.

"I heard Molly say it once. So it must be cool."

"How you roll." Michael shook his head and started the truck. "Well. You were trying to help. That's the important thing."

Harry Dresden. Saving the world, one act of random destruction at a time.

"Okay," I said to Molly, as I prepared to get into my car. "Just keep your wits about you."

"I know," she said calmly.

"If there's any trouble, you call the cops," I said. "This guy looks to be operating purely vanilla, but he can still kill you just fine."

"I know, Harry."

"If you see him, do not approach him—and don't let your dad do it, either."

Molly rolled her eyes in exasperation. Then she muttered a quick word and vanished. Gone. She was standing within an arm's length of me, but I couldn't see her at all. "Let's see the bozo shoot this," said her disembodied voice.

"And while we're at it, let's hope he isn't using a heat-sensitive scope," I said drily.

She flickered back into sight, giving me an arch look. "The point is that I'm perfectly capable of keeping a lookout and yelling if there's trouble. I'll go with Dad to softball, and you'll be the second person I call if there's a whiff of peril."

I grunted. "Maybe I should go get Mouse. Let him stay with you, too."

"Maybe you should keep him close to the swords," Molly said quietly. "My dad's just a retired soldier. The swords are icons of power."

"The swords are bits of sharp metal. The men who hold them make them a threat."

"In case you hadn't noticed, my dad isn't one of those men anymore," Molly said. She tucked a trailing strand of golden hair behind one ear and frowned up at me worriedly. "Are you sure this isn't about you blaming yourself for what happened to my dad?"

"I don't blame myself," I said.

My apprentice arched an extremely skeptical eyebrow.

I looked away from her.

"You wanna talk to me about it?"

"No," I said. I suddenly felt very tired. "Not until I'm sure the swords are safe."

"If he knew where to send the pictures," Molly said, "then he knows where your house is."

"But he can't get inside. Even if he could get the doors or one of the windows to open, the wards would roast him."

"And your wards are perfect," Molly said. "There's no way anyone could get around them, ever. The way you told me those necromancers did a few years ago."