Ah, well; they would no doubt be open to reason now that they had been startled by the irruption of Scotland Yard into their plans. He was a little startled by Scotland Yard himself. Was the child so important that it was a matter for Headquarters?

Round in Sin Lane he ran into the usual war but extricated himself. (Etymologists, in case you are interested, say that the «Sin» is merely a corruption of "sand," but the inhabitants of Milford of course know better; before those council houses were built on the low meadows behind the town the lane led direct to the lovers' walk in High Wood.) Across the narrow lane, face to face in perpetual enmity, stood the local livery stable and the town's newest garage. The garage frightened the horses (so said the livery stable), and the livery stable blocked up the lane continually with delivery loads of straw and fodder and what not (so the garage said). Moreover the garage was run by Bill Brough, ex-R.E.M.E., and Stanley Peters, ex-Royal Corps of Signals; and old Matt Ellis, ex-King's Dragoon Guards, looked on them as representatives of a generation which had destroyed the cavalry and an offence to civilisation.

In winter, when he hunted, Robert heard the cavalry side of the story; for the rest of the year he listened to the Royal Corps of Signals while his car was being wiped, oiled, filled, or fetched. Today the Signals wanted to know the difference between libel and slander, and what exactly constituted defamation of character. Was it defamation of character to say that a man was "a tinkerer with tin cans who wouldn't know a nut from an acorn"?

"Don't know, Stan. Have to think over it," Robert said hastily, pressing the starter. He waited while three tired hacks brought back two fat children and a groom from their afternoon ride ("See what I mean?" said Stanley in the background) and then swung the car into the High Street.

Down at the south end of the High Street the shops faded gradually into dwelling houses with doorsteps on the pavement, then to houses set back a pace and with porticos to their doors, and then to villas with trees in their gardens, and then, quite suddenly, to fields and open country.

It was farming country; a land of endless hedged fields and few houses. A rich country, but lonely; one could travel mile after mile without meeting another human being. Quiet and confident and unchanged since the Wars of the Roses, hedged field succeeded hedged field, and skyline faded into skyline, without any break in the pattern. Only the telegraph posts betrayed the century.

Away beyond the horizon was Larborough. Larborough was bicycles, small arms, tin-tacks, Cowan's Cranberry Sauce, and a million human souls living cheek by jowl in dirty red brick; and periodically it broke bounds in an atavistic longing for grass and earth. But there was nothing in the Milford country to attract a race who demanded with their grass and earth both views and tea-houses; when Larborough went on holiday it went as one man west to the hills and the sea, and the great stretch of country north and east of it stayed lonely and quiet and unlittered as it had been in the days of the Sun in Splendour. It was «dull»; and by that damnation was saved.

Two miles out on the Larborough road stood the house known as The Franchise; set down by the roadside with the inconsequence of a telephone kiosk. In the last days of the Regency someone had bought the field known as The Franchise, built in the middle of it a flat white house, and then surrounded the whole with a high solid wall of brick with a large double gate, of wall height, in the middle of the road frontage. It had no relation with anything in the countryside. No farm buildings in the background; no side-gates, even, into the surrounding fields. Stables were built in accordance with the period at the back of the house, but they were inside the wall. The place was as irrelevant, as isolated, as a child's toy dropped by the wayside. It had been occupied as long as Robert could remember by an old man; presumably the same old man, but since The Franchise people had always shopped at Ham Green, the village on the Larborough side of them, they had never been seen in Milford. And then Marion Sharpe and her mother had begun to be part of the morning shopping scene in Milford, and it was understood that they had inherited The Franchise when the old man died.

How long had they been there, Robert wondered. Three years? Four years?

That they had not entered Milford socially was nothing to reckon by. Old Mrs. Warren, who had bought the first of the elm-shaded villas at the end of the High Street a small matter of twenty-five years ago in the hope that midland air would be better for her rheumatism than the sea, was still referred to as "that lady from Weymouth." (It was Swanage, incidentally.)

The Sharpes, moreover, might not have sought social contacts. They had an odd air of being self-sufficient. He had seen the daughter once or twice on the golf-course, playing (presumably as a guest) with Dr. Borthwick. She drove a long ball like a man, and used her thin brown wrists like a professional. And that was all Robert knew about her.

As he brought the car to a stop in front of the tall iron gates, he found that two other cars were already there. It needed only one glance at the nearer-so inconspicuous, so well-groomed, so discreet-to identify it. In what other country in this world, he wondered as he got out of his own car, does the police force take pains to be well-mannered and quiet?

His eye lighted on the further car and he saw that it was Hallam's; the local Inspector who played such a steady game on golf-course.

There were three people in the police car: the driver, and, in the back, a middle-aged woman and what seemed to be either a child or a young girl. The driver regarded him with that mild, absent-minded, all-observing police eye, and then withdrew his gaze, but the faces in the back he could not see.

The tall iron gates were shut-Robert could not remember ever seeing them open-and Robert pushed open one heavy half with frank curiosity. The iron lace of the original gates had been lined, in some Victorian desire for privacy, by flat sheets of cast iron; and the wall was too high for anything inside to be visible; so that, except for a distant view of its roof and chimneys, he had never seen The Franchise.

His first feeling was disappointment. It was not the fallen-on-evil-times look of the house-although that was evident; it was the sheer ugliness of it. Either it had been built too late to share in the grace of a graceful period, or the builder had lacked an architect's eye. He had used the idiom of the time, but it had apparently not been native to him. Everything was just a little wrong: the windows the wrong size by half a foot, wrongly placed by not much more; the doorway the wrong width, and the flight of steps the wrong height. The total result was that instead of the bland contentment of its period the house had a hard stare. An antagonistic, questioning stare. As he walked across the courtyard to the unwelcoming door Robert knew what it reminded him of: a dog that has been suddenly wakened from sleep by the advent of a stranger, propped on his forelegs, uncertain for a moment whether to attack or merely bark. It had the same what-are-you-doing-here? expression.

Before he could ring the bell the door was opened; not by a maid but by Marion Sharpe.

"I saw you coming," she said, putting out her hand. "I didn't want you to ring because my mother lies down in the afternoons, and I am hoping that we can get this business over before she wakes up. Then she need never know anything about it. I am more grateful than I can say to you for coming."

Robert murmured something, and noticed that her eyes, which he had expected to be a bright gipsy brown, were actually a grey hazel. She drew him into the hall, and he noticed as he put his hat down on a chest that the rug on the floor was threadbare.