Wide shot: customs and immigration portal. A queue of passengers await the formalities with varying degrees of impatience. In the face of official incompetence and indifference, the only passengers who are smiling and friendly are those who anticipate trouble with their passports or luggage. An old man with a snow-white goatee leans over the counter, explaining something for the third time to the customs officer. Behind him in line are two young men in their twenties, deeply tanned, wearing khaki shorts and shirts open at the throat. As they move forward, pushing their rucksacks along with their feet, camera zooms in to isolate them in mid-close-up.

“Those are our targets,” Starr explained needlessly.

“Just so,” the Arab said in a brittle falsetto. “I recognize one of them, one known within their organization as Avrim.”

With a comically exaggerated bow of gallantry, the first young man offers to let a pretty red-headed girl precede them to the counter. She smiles thanks, but shakes her head. The Italian official in his too-small peaked cap takes the first young man’s passport with a bored gesture and flicks it open, his eyes straying again and again to the girl’s breasts, obviously unfettered beneath a denim shirt. He glances from the photograph to the young man’s face and back again, frowning.

Starr explained. “The mark’s passport picture was taken before he grew that silly-assed beard.”

The immigration official shrugs and stamps the passport. The second young man is treated with the same combination of mistrust and incompetence. His passport is stamped twice, because the Italian officer was so engrossed in the red-headed girl’s shirtfront that he forgot to use the ink pad the first time. The young men pick up their rucksacks, slinging them over their shoulders by one strap. Murmuring apologies and twisting sideways, they slip through a tangle of excited Italians, a large family pressing and standing on tiptoe to greet an arriving relative.

“Okay! Slow ‘er down!” Starr ordered over the intercom. “Here’s where it hits the fan.”

The projector slowed to one-quarter speed.

From frame to flickering frame the young men move as though the air were gelatin. The leader turns back to smile at someone in the queue, the motion having the quality of a ballet in moon gravity. The second one looks out over the crowd. His nonchalant smile freezes. He opens his mouth and shouts silently, as the front of his khaki shirt bursts open and spouts blood. Before he can fall to his knees, a second bullet strikes his cheek and tears it off. The camera waves around dizzily before locating the other young man, who has dropped his rucksack and is running in nightmare slow motion toward the coin lockers. He pirouettes in the air as a slug takes him in the shoulder. He slams gracefully against the lockers and bounces back. His hip blossoms with gore, and he slips sideward to the polished granite floor. A third bullet blows off the back of his head.

The camera swishes over the terminal, seeking, losing, then finding again two men—out of focus—running toward the glass doors of the entrance. The focus is corrected, revealing them to be Orientals. One of them carries an automatic weapon. He suddenly arches his back, throws up his arms, and slides forward on his toes for a second before pitching onto his face. The gun clatters silently beside him. The second man has reached the glass doors, the smeared light of which haloes his dark outline. He ducks as a bullet shatters the glass beside his head; he veers and runs for an open elevator out of which a group of schoolchildren are oozing. A little girl slumps down, her hair billowing as though she were under water. A stray has caught her in the stomach. The next slug takes the Oriental between the shoulder blades and drives him gently into the wall beside the elevator. A grin of anguish on his face, he twists his arm up behind him, as though to pluck out the bullet. The next slug pierces his palm and enters his spine. He slides down the wall and falls with his head in the elevator car. The door closes, but reopens as the pressure pads meet the obstructing head. It closes again upon the head, then reopens. Closes. Opens.

Slow pan back over the terminal. High angle.

…A cluster of shocked and bewildered children around the fallen girl. One boy screams in silence…

…Two airport guards, their little Italian automatics drawn, run toward the fallen Orientals. One of them is still firing…

…The old man with the snow-white goatee sits stunned in a puddle of his own blood, his legs straight out before him, like a child playing in a sandbox. His expression is one of overwhelming disbelief. He was sure he had explained everything to the customs official…

…One of the young Israeli boys lies face down on his missing cheek, his rucksack improbably still over his shoulder…

…There is a largo minuet of stylized confusion among the gaggle of Italians who were awaiting a relative. Three of them have fallen. Others are wailing, or kneeling, and one teenaged boy is turning around and around on his heel, seeking a direction in which to run for help—or safety…

…The red-headed girl stands stiff, her eyes round with horror as she stares at the fallen boy who just seconds ago offered to let her pass ahead…

…The camera comes to rest on the young man sprawled beside the coin lockers, the back of his head missing…

“That-a—that-a—that-a—that’s all folks!” said Starr. The beam from the projector flickered out, and the wall lights dimmed up to full.

Starr turned in his seat to field questions from Mr. Diamond or the Arab. “Well?”

Diamond was still looking toward the white screen, three fingers pressed lightly against his lips, the action report on his lap. He let the fingers slip to beside his chin. “How many?” he asked quietly.

“Sir?”

“How many killed in the action?”

“I know what you mean, sir. Things got a little wetter than we expected. We’d arranged for the I-talian police to stay clear of the area, but they got their instructions all balled up—not that that’s anything new. I even had some trouble myself. I had to use a Beretta so the slugs would match up for I-talian. And as a handgun, a Beretta isn’t worth a fart in a hurricane, as my old daddy would have said. With an S&W, I could of dropped those Japs with two shots, and I wouldn’t of hit that poor little girl that stepped out into my line of fire. Of course, in the first part of the action, our Nisei boys had been instructed to make it a little messy—make it look like a Black September number. But it was those panicked I-talian cops that started spattering slugs around like a cow pissing on a flat rock, as my old—”

“Starr?” Diamond’s voice was heavy with disgust. “What was the question I asked you?”

“You asked how many were dead.” Starr’s tone was suddenly crisp, as he discarded the good ol’ boy facade behind which he habitually took cover, to lull the target with the assumption that it was dealing with a bucolic fool. “Nine dead in total.” A sudden grin, and the down-home twang was back. “Let’s see now. There was the two Jew targets, of course. Then our two Nisei agents I had to maximally demote. And that poor little girl that bumped into one of my slugs. And that old fella who collected a stray. And three of that family of locals that were loitering around when that second Jew ran past them. Loitering’s dangerous. It ought to be against the law.”

“Nine? Nine killed to get two?”

“Well, sir, you gotta remember that we were instructed to make this look like a Black September-type action. And those boys have this tendency to be some extravagant. It’s their style to open eggs with sledge hammers—no offense intended to Mr. Haman here.”

Diamond looked up from the report he was speed-reading. Haman? Then he remembered that the Arab observer seated behind him had been given Haman as a cover name by the imaginative CIA.