‘Yes, he’s always been good at that,’ said Glenda. ‘Why don’t you go and getthe little boy a cup of tea? And a biscuit. Not one of the chocolate ones.That’ll take some time,’ she said as the girl shimmied away. ‘She tends to getdistracted. Her mind wanders and amuses itself elsewhere.’

‘Trev tells me that despite your more mature appearance you are the same age asher,’ said Nutt.

‘You really don’t talk to many ladies, do you, Mister Nutt?’

‘Oh dear, have I made another faux pas?’ said Nutt, suddenly all nerves again,to such an extent that she took pity on him.

‘Would this be “faux pas” that looks as if it should be said like “forkspass”?’

‘Er, yes.’

Glenda nodded, satisfied, another literary puzzle solved. ‘Better not use theword “mature” unless you are talking about cheese or wine. Not good to use itfor ladies.’

She stared at him, wondering how to pose the next question. She opted fordirectness; she wasn’t very good at anything else.

‘Trev is sure you sort of died and came alive again.’

‘So I understand.’

‘Not many people do that.’

‘The vast majority do not, I believe.’

‘How did you do it?’

‘I don’t know.’

‘This is rather late in the day, I must admit, but you don’t feel any hungerfor blood or brains, do you?’

‘Not at all. Just pies. I like pies. I am very ashamed about the pies. It willnot happen again, Miss Glenda. I fear my body was acting on its own. It neededinstant nourishment.’

‘Trev says you used to be chained to an anvil?’

‘Yes. That was because I was worthless. Then I was taken to see Ladyship andshe told me: You are worthless but, I think, not unworthy, and I will give youworth.’

‘But you must have had parents!’

‘I do not know. There are many things I don’t know. There is a door.’

‘What?’

‘A door in my head. Some things are behind the door and I don’t know them. Butthat is all right, Ladyship says.’

Glenda felt like giving up. Nutt answered questions, yes, but really all youended up with was more questions. But she persevered. It was like stabbing awayat a tin can, hoping to find a way in. ‘Ladyship is a real lady, is she?Castles and servants and whatnot?’

‘Oh, yes. Even a whatnot. She is my friend. And she is mature like cheese andwine, because she has lived for a long time and is not old.’

‘But she sent you here, yes? Did she teach you… whatever it was you used onTrev?’

Beside Glenda, Trev stirred.

‘No,’ said Nutt. ‘I read the works of the masters in the library all by myself.But she did tell me that people, too, were a kind of living book, and I wouldhave to learn to read them.’

‘Well, you read Trev well enough. Be told, though: don’t try that stuff on meor you’ll never see another pie!’

‘Yes, Miss Glenda. Sorry, Miss Glenda.’

She sighed. What is it about me? The moment they look downcast I feel sorry forthem! She looked up. He was watching her.

‘Stop that!’

‘Sorry, Miss Glenda.’

‘But you got to see the football, at least. Did you enjoy it?’

Nutt’s face lit up. ‘Yes. It was wonderful. The noise, the crowds, thechanting, oh the chanting! It becomes a second blood! The unison! To not bealone! To be not just one but one and all, of one mind and purpose!… excuseme.’ He had seen her face.

‘So you quite liked it, then,’ said Glenda. The intensity of Nutt’s outbursthad been like opening an oven door. It was a mercy her hair hadn’t frizzled.

‘Oh yes! The ambience was wonderful!’

‘I didn’t try those,’ Glenda hazarded, ‘but the pease pudding is usually good.’

The scrape of crockery and the tinkling of a teaspoon heralded the arrival ofJuliet, or rather of the cup of tea that she was holding in front of her as ifit were a grail, so that she drifted along behind it like a comet’s tail.Glenda was impressed. The tea was in the cup instead of in the saucer and itwas the acceptable brown colour that is usually characteristic of tea and wasusually the only tea-like characteristic of tea made by Juliet.

Trev sat up, and Glenda wondered how long he might have been paying attention.All right, he might be good in an emergency, and at least he washed sometimesand owned a toothbrush, but Juliet was special, wasn’t she? All she needed wasa prince. Technically that meant Lord Vetinari, but he was far too old.Besides, no one was sure which side of the bed he got out of, or even if hewent to bed at all. But one day a prince would come, even if Glenda had to draghim on a chain.

She turned her head. Nutt was watching her intently again. Well, her book waslocked down tightly. No one was going to riffle through her pages. And tomorrowshe would find out what the wizards were up to. That was easy. She’d beinvisible.

In the stillness of the night, Nutt sat in his special place, which was yetanother room, very close to the vats. Candles burned as he sat at a rescuedtable, staring at a piece of paper and absent-mindedly cleaning out his earwith the point of his pencil.

Nutt was technically an expert on love poetry throughout the ages and haddiscussed it at length with Miss Healstether, the castle librarian. He had alsotried to discuss it with Ladyship, but she had laughed and said it wasfrivolity, although quite helpful as a tutorial on the use of vocabulary,scansion, rhythm and affect as a means to an end, to wit getting a young ladyto take all her clothes off. At that particular point, Nutt had not reallyunderstood what she meant. It sounded like some sort of conjuring trick.

He tapped the pencil on the page. The castle library had been full of poetryand he’d read it avidly as he read all books, not knowing why it had beenwritten or what exactly it was supposed to achieve. But generally poems writtenby men to women followed a very similar format. Now, with a world’s worth ofthe finest poetry to choose from, he was lost for words.

Then he nodded to himself. Ah, yes, Robert Scandal’s famous poem, ‘Oi! To hisDeaf Mistress’. It surely had the right shape and tempo. Of course, there hadto be a muse. Oh, yes, all poetry needed a muse. That might present adifficulty. Juliet, while quite attractive, was also, in his mind, a kind ofamiable ghost. Hmm. Ah, of course…

Nutt pulled the pencil out of his ear, hesitated and wrote:

I sing, but not of love, for love is blind,
but celebrate instead the muse of kindness…

The fires in the vats cooled, but Nutt’s brain was suddenly ablaze.

Round about midnight, Glenda decided it was safe enough to leave the boys aloneto get up to whatever it was boys got up to when women weren’t around to lookafter them, and made sure that she and Juliet were on the late cross-town bus.That meant she actually got to sleep in her own bed.

She looked around the tiny bedroom by candlelight and met the gaze, which wasquite difficult, of Mr Wobble, the three-eyed transcendental teddy bear. Itwould have been nice to have a bit of cosmic explanation at this point, but theuniverse never gave you explanations, it just gave you more questions.

She reached down surreptitiously, even though there was only a three-eyed teddybear watching her, and picked up the latest Iradne Comb-Buttworthy from thecache unsuccessfully hidden below. After ten minutes of reading, which took hersome way into the book (Ms Comb-Buttworthy producing volumes that were evenslimmer than her heroines), she experienced déjà vu. Moreover, the déjà vu wassquared, because she had the feeling of having had the déjà vu before.

‘They’re really all the same, aren’t they?’ she said to the three-eyed teddybear. ‘You know it’s going to be Mary the Maid, or someone like her, andthere’s got to be two men and she will end up with the nice one, and there hasto be misunderstandings, and they never do anything more than kiss and it’sabsolutely guaranteed that, for example, an exciting civil war or an invasionby trolls or even a scene with any cooking in it is not going to happen. Thebest you can expect is a thunderstorm.’ It really had nothing to do with reallife at all, which, although short on civil wars and invasions by trolls, atleast had the decency to have lots of cooking.


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