The gate opened automatically as the car approached it. She couldn't spot the security cameras but figured they were everywhere.

Umberto D'Alaqua was waiting for her at the door, wearing an elegant dark gray silk suit. He greeted her warmly and smiled when she complimented him on the loveliness of his home. "I asked you here because I knew you would enjoy the paintings," he said as he led her through an imposing entrance hall.

The palazzo was a museum, a museum turned into a house. For more than an hour they wandered through room after room, all boasting impressive works of art hung with intelligence and superb taste.

Over a long lunch they talked animatedly about art, politics, literature. The time passed so quickly that Sofia was shocked when D'Alaqua excused himself, saying that he had to get to the airport for a seven o'clock flight to Paris.

"Oh, I'm sorry. I've kept you," she apologized.

"Not at all, not at all. It's not six yet, and if I didn't have to be in Paris tonight, I'd ask you to stay for dinner. I'll be back in ten days. If you are still in Turin, I'd like to see you again."

"I'm not sure… By then we may have finished or be close to it."

"Finished?"

"With the investigation."

"Oh, yes! How's it going?"

"Fine. We're in the final phase, I think."

"Have you reached any conclusions?"

"Well…" Sofia paused uncomfortably.

"Don't worry," D'Alaqua broke in, waving the question away with a smile. "I understand. When you've finished your work and everything is cleared up, you can tell me about it."

Sofia was relieved. Marco had absolutely forbidden her to tell him anything, and although she no longer shared her chief's suspicions about D'Alaqua, she would never disobey his direct order.

Two cars were waiting at the door. One would take Sofia back to the Hotel Alexandra and the other would drive D'Alaqua to the airport, where his private plane was waiting. He pressed her hand warmly and held it for a moment as he settled her into her car.

"Why do they want to kill him?" the capo asked his informant.

"I don't know. They've been planning it for days. They're trying to bribe a guard to leave his cell door open, along with theirs. The plan is to go in tomorrow night, slit his throat, and get back to their cell with no one the wiser. Nobody'11 know-mutes don't scream."

"Will the guard take the bribe?"

"Probably. I heard it's fifty thousand euros."

"Jesus! Who else knows about this?"

"Two other prisoners. Turks, like them."

"Okay, get out of here."

"What about my money?"

"You'll get paid."

Frasquello was thoughtful. Why would the Bajerai brothers want to kill the guy? A murder for hire, sure- but who was hiring?

He sent for his lieutenants, two mafioso serving life sentences for murder. The three met for about half an hour. Then he asked a guard to send for Genari.

The head guard entered the capo's cell after midnight. Frasquello was watching television and didn't move when he heard Genari come in.

"Sit down, and keep quiet. Tell your cop friend he was right. They're going to kill the mute."

"Who?"

"The Bajerais."

"But why?" Genari asked in surprise.

"How the fuck should I know! And why should I care? I'm doing my part-tell him he better do his."

The capo spoke in low tones for a few minutes more, filling in the guard on what he had learned.

Genari left the cell and hurried to his office, where he dialed Marco Valoni's cell phone number.

"Signor Valoni, it's Genari."

Marco looked at the clock-past midnight. He was tired. Yesterday they'd done a run-through of the operation that would swing into action as soon as the mute was released from prison. Today he'd gone back to inspect some of the tunnels under Turin again, and for two hours he'd wandered around, tapping on walls, listening for hollow spots. Comandante Colombaria, making a great show of patience, had come along, continuing to insist there was nothing to find.

"You were right, they're going to try to kill the tongue less guy." The guard was clearly agitated.

"Tell me everything."

"Frasquello's people say that two Turks, the Bajerai brothers, are going to take care of him tomorrow night. They're throwing a lot of money around. We might be able to stop it this time, but we can't protect him for long with that kind of money in play. You need to get him out of here as soon as possible."

"We can't. He'd suspect there was something going on, and the whole operation would go to shit. Will Frasquello do his job?"

"He already is-he told me to remind you to do yours."

"I will. Are you at the prison?"

"Yes."

'All right. I'm going to call the warden. I'll be there in an hour-I want all the information you've got on those two brothers."

"They're Turks. Good boys, really. They killed a guy in a fight, but they're not murderers-not professionals, anyway."

"You can tell me about it when I get there. One hour."

Marco woke up the warden and told him to meet him in his office at the prison. Then he called Minerva.

"Were you asleep?"

"Reading. What's up?"

"Get dressed. I'll be waiting for you downstairs in the lobby in fifteen minutes. I want you to go to cara-binieri headquarters, get on their computer, and find whatever you can on a couple of guys we need to know about. I'm going to the prison, and I'll call you from there with everything they've got on them."

"Wait a minute, wait a minute! What's happening?"

"I'll tell you downstairs. Don't be late."

When Marco arrived at the prison, the warden was waiting for him in his office, half awake. Genari was there, too, pacing nervously.

"I want everything you've got on these Bajerais," Marco said without preamble.

"The Bajerai brothers?" the warden sputtered. "What have they done? You believe Frasquello's story? Listen, Genari, when this is over you've got a lot of explaining to do about your dealings with that thug."

The warden pulled the files on the Bajerai brothers and handed them to Marco, who plopped down on the sofa and began reading. When he finished, he talked the information through with the warden and Genari and then called Minerva.

"I'm exhausted. I almost fell asleep on the keyboard," she said.

"Well, wake up. Find everything you can on this family of Turks-they were born here, but their parents were immigrants. I want to know everything about them and their families." He filled her in on what he had. 'Ask Interpol, talk to the Turkish police, let's say three hours for a complete report."

"Three hours! No way. Give me till morning."

"Seven o'clock," Marco snapped.

"Okay, five hours. That's something."

The hotel dining room opened at seven. Minerva, her eyes red from lack of sleep and hours in front of the computer screen, walked in, confident that she'd find Marco there.

Her boss was reading the newspaper and drinking coffee. Like her, he looked terrible.

Minerva tossed two file folders on the table and dropped into a chair.

"I'm dead!"

"I imagine. Find anything interesting?"

"Depends on what you're interested in."

"Try me."

"The Bajerai brothers are the sons of Turkish immigrants, as you know. Their parents went first to Germany and from there came to Turin. They found work in Frankfurt, but the mother didn't like Germany or the Germans, so they decided to try their luck in Italy since they had relatives here. The boys are Italian-they've lived in Turin all their lives. The father worked at the Fiat plant and the mother as a cleaning lady. They were average students in school, no better or worse than most. The older one got into some scraps, seems to have quite a temper, but he's probably the smarter of the two-his grades were better than his brother's. When they finished high school the older one started working for Fiat, like his father. The younger one was hired as a driver for some bigwig in the regional government, guy named Regio, who took him on because the kid's mother had been a cleaning lady at his house. The older one lasted a little while at Fiat, but he didn't like the old eight-to-five, so he rented a stall in the market and started selling fruits and vegetables. Did okay, the both of them, never had any trouble with the cops or anybody else. Nothing. The father is retired, the mother too. They live on a pension from the state and their savings. They've got nothing, really, except their house, which they bought about fifteen years ago, scrimping and saving.