‘Is it that obvious – I'm a copper, I mean?'

‘Oh no! Not obvious at all. I just saw your name and address in the register and my husband – well, he happens to have heard of you. He says you're supposed to be a bit of a whizz-kid in the In the crime world. That's all.'

‘Do I know your husband?'

‘I very much doubt it.'

‘He's not here-'

‘What are you doing in Lyme?'

‘Me? I dunno. Perhaps I'm looking for some lovely, lonely lady who wouldn't call me a liar even if she thought I was.'

'You deny it? You deny you're a copper?'

Morse shook his head. 'No. It's just that when you're on holiday, well. sometimes you want to get away from the work you do – and sometimes you tell a few lies, I suppose. Everyone tells a few lies occasionally.'

They do?

'Oh yes.'

'Everyone?'

Morse nodded. 'Including you.' He turned towards her again, but found himself unable to construe the confusing messages read there in her eyes.

'Go on,' she said quietly.

'I think you're a divorced woman having an affair with a married man who lives in Oxford. I think the pair of you occasionally get the opportunity of a weekend together. I think that when you do you need an accommodation address and that you use your own address, which is not in the Chalke Valley but in the Cathedra Close at Salisbury. I think you came here by coach on Friday afternoon and that your partner, who was probably at some conferance or other in the area, was scheduled to get here at the same time as you. But he didn't show up. And since you'd already booked your double room you registered and took your stuff up to your room, including a suitcase with the initials "C S O" on it. You suspected something had gone sadly wrong, but as yet you daren't use the phone to find out. You had no option but to wait. I think a call did come through eventually, explaining the situation and you were deeply disappointed and upset – upset enough to shed a tear or two. This morning you hired a taxi to take you to meet this fellow who had let you down, and I think you've spent the day together somewhere. You're back here now because you've booked the, weekend break anyway, and your partner probably gave you a cheque to cover the bill. You'll be leaving in the morning, hoping for better luck next time.'

Morse had finished – and there was a long silence between them during which he drained his whisky, she her brandy,

'Another?' asked Morse.

'Yes. But I'll get them. The cheque he gave me was more tha generous.' The voice was matter-of-fact, harder now, and Morse knew that the wonderful magic had faded. When she returned with the drinks, she changed her place and sat primly opposite him.

'Would you believe me if I said the suitcase I brought with me belongs to my mother, whose name is Cassandra Osborne?'

'No,' said Morse. For a few seconds he thought he saw a sign of a gentle amusement in her eyes, but it was soon gone.

'What about this – this "married man who lives in Oxford"?'

'Oh, I know all about him.'

You what?' Involuntarily her voice had risen to a falsetto squeak, and two or three heads had turned in her direction.

'I rang up the Thames Valley Police. If you put any car number through the computer there -‘

‘- you get the name and address of the owner in about ten seconds.'

'About two seconds,' amended Morse. 'And you did that?' 'I did that.'

'God! You're a regular shit, aren't you?' Her eyes blazed with anger now.

'S'funny, though,' said Morse, ignoring the hurt. 'I know his name – but I still don't know yours.' ‘Louisa, I told you.'

‘No. I think not. Once you'd got to play the part of Mrs Something Hardinge, you liked the idea of "Louisa". Why not? You may not know all that much about Coleridge. But about Hardy? That's different. You remembered that when Hardy was a youth he fell in love with a girl who was a bit above him in class and wealth and privilege, and so he tried to forget her. In fact he spent all the rest of his life trying to forget her.'

She was looking down at the table as Morse went gently on: ‘Hardy never really spoke to her. But when he was an old man he used to go and stand over her unmarked grave in Stinsford churchyard.'

It was Morse's turn now to look down at the table

‘Would you like some more coffee, madame?' The waiter smiled:ely and sounded a pleasant young chap. But 'madame' shook -~ nead, stood up, and prepared to leave

‘Claire – Claire Osborne – that's my name.'

‘Well, thanks again – for the paper, Claire.'

‘That's all right.' Her voice was trembling slightly and her eyes; suddenly moist with tears.

‘Shall I see you for breakfast?' asked Morse.

‘No. I'm leaving early.'

‘Like this morning.'

'Like this morning.'

‘I see,' said Morse.

'Perhaps you see too much.'

'Perhaps I don't see enough.'

'Goodnight – Morse.'

'Goodnight. Goodnight, Claire.'

When an hour and several drinks later Morse finally decided to retire, he found it difficult to concentrate on anything else except taking one slightly swaying stair at a time. On the second floor, Room 14 faced him at the landing; and if only a line of light had shown itself at the foot of that door, he told himself that he might have knocked gently and faced the prospect of the wrath to come. But there was no light.

Claire Osborne herself lay awake into the small hours, the duvet kicked aside, her hands behind her head, seeking to settle her restless eyes; seeking to fix them on some putative point about six inches in front of her nose. Half her thoughts were still with the conceited, civilized, ruthless, gentle, boozy, sensitive man with whom she had spent the earlier hours of that evening; the other half were with Alan Hardinge, Dr Alan Hardinge, fellow of Lonsdale College, Oxford, whose young daughter, Sarah, had been killed by an articulated lorry as she had cycled down Cumnor Hill on her way to school the previous morning.

chapter ten

Mrs Kidgerbury was the oldest inhabitant of Kentish Town, I believe, who went out charing, but was too feeble to execute her conceptions of that art

(Charles Dickens, David Copperfield)

With a sort of expectorant 'phoo', followed by a cushioned 'phlop', Chief Superintendent Strange sat his large self down opposite Chief Inspector Harold Johnson. It was certainly not that he enjoyed walking up the stairs, for he had no pronounced adaptability for such exertions; it was just that he had promised his very slim and very solicitous wife that he would try to get in a bit of exercise at office wherever possible. The trouble lay in the fact that he usually too feeble in both body and spirit to translate such resolve into execution. But not on the morning of Tuesday, 30 June 1992, four days before Morse had booked into the Bay Hotel…

THE Chief Constable had returned from a fortnight's furlough the previous day, and his first job had been to look through the correspondence which his very competent secretary had been unable, or unauthorized, to answer. The letter containing the ‘Swedish Maiden' verses had been in the in-tray (or so she thought) about a week. It had come (she thought she remembered) in a cheap brown envelope addressed (she did almost remember this) to 'Chief Constable Smith (?)'; but the cover had been thrown away – sorry! – and the stanzas themselves had lingered there, wasting as it were their sweetness on the desert air – until Monday the 29th.

The Chief Constable himself had felt unwilling to apportion blame: five stanzas by a minor poet named Austin were not exactly the pretext for declaring a state of national emergency, were they? yet the 'Swedish' of the first line combined with the 'maiden' of penultimate line had inevitably rung the bell, and so he had in turn rung Strange, who in turn had reminded the CC that it was DCI Johnson who had been – was – in charge of the earlier investigations.


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