'But you didn't work here, when you lived here?

'Nah, Chevette said, 'I was messin', soon as I could. Got myself a bike and I was all over town.

They made their way into the lower level, past boxes of fish on ice, until they came to a place Chevette remembered on the south side. It had food sometimes, sometimes music, and it had no name.

'They do good hot wings in here, Chevette said. 'You like hot wings?

'I'll let you know after I've had a beer. Tessa was looking around at the place, like she was trying to decide how interstitial it was.

It turned out they had an Australian beer Tessa really liked, called a Redback, came in a brown bottle with a red spider on it, and Tessa explained that these spiders were the Australian equivalent of a black widow, maybe worse. It was a good beer though, Chevette had to agree, and after they'd both had one, and ordered another, Tessa ordered a cheeseburger, and Chevette ordered a plate of hot wings and a side of fries.

This place really smelled like a bar: stale beer, smoke, fry grease, sweat. She remembered the first bars she'd ever gone into, places along rural highways back up in Oregon, and they'd smelled like this. The bars Carson had taken her to in LA hadn't smelled like anything much. Like aromatherapy candles, sort of.

There was a stage down at one end, just a low black platform raised about a foot above the floor, and there were musicians there, setting up, plugging things in. There was some kind of keyboard, drums, a mike stand. Chevette had never been that much into music, not any particular kind, although in her messenger days she'd gotten to like dancing in clubs, in San Francisco. Carson, though, he'd been very particular about what music he liked, and had tried to teach Chevette to appreciate it like he did, but she just hadn't gotten with it at all. He was into this twentieth-century stuff, a lot of it French, particularly this Serge Something, really creepy-ass, sounded like the guy was being slowly jerked off while he sang, but like it really wasn't even doing that much for him. She'd bought this new Chrome Koran, 'My War Is My War, sort of out of self-defense, but she hadn't even liked it that much herself, and the one time she'd put it on, when Carson was there, he'd looked at her like she'd shit on his broadloom or something.

These guys, now, setting up on the little stage, they weren't bridge people, but she knew that there were musicians, some of them famous, who'd come out and record on the bridge just so they could say they had.

There was a big man up there, with a white, stubbly face and a sort of mashed-up cowboy hat on the back of his head. He was fiddling with an unplugged guitar and listening to a smaller man in jeans, wearing a belt buckle like an engraved silver dinner platter.

'Hey, Chevette said, indicating the bottle-blonde man with the belt buckle, 'this girl gets molested in the dark, tells 'em it was a meshback did it. 'Well, they say, 'how you know it was, if it was dark? ''Cause he had a tiny little dick and a great big belt buckle!

'What's a meshback? Tessa tilted back the last of her beer.

'Redneck, Skinner called 'em, Chevette said. 'It's from those nylon baseball caps they used to wear, got black nylon mesh on the back, for ventilation? My mother used to call those 'gimme' hats.

'Why? Tessa asked her.

''Gimme one them hats. Give 'em away free with advertising on them.

'Country music, that sort of thing?

'Well, more like Dukes of Nuke 'Em and stuff. I don't think that's country music.

'It's the music of a disenfranchised, mostly white proletariat, Tessa said, 'barely hanging on in post-post-industrial America. Or that's what they'd say on Real One. But we have that joke about the big buckles in Australia, except it's about pilots and wristwatches.

Chevette thought the man with the belt buckle was staring back at her, so she looked in the other direction, at the crowd around the pool table, and here there actually were a couple of the meshbacked hats, so she pointed these out to Tessa by way of illustration.

'Excuse me, ladies, someone said, a woman, and Chevette turned to face directly into the line of fire of some very serious bosom, laced up into a shiny black top. Huge cloud of blowsy blonde hair a la Ashleigh Modine Carter, who Chevette thought of as a singer meshbacks would listen to, if they listened to women, which she wasn't certain they did. The woman put two freshly opened Redbacks down on their table. 'With Mr. Creedmore's compliments, she said, beaming at them.

'Mr. Creedmore? Tessa asked.

'Buell Creedmore, honey, the woman said. 'That's him over there getting ready to do the sound check with the legendary Randy Shoats.

'Is he a musician?

'He's a singer, honey, the woman said and seemed to look more closely at Tessa. 'You A&R?

'No, Chevette said.

'Damn, the woman said, and Chevette thought for a second she might take the beers back. 'I thought you might be from an alternative label.

'Alternative to what? Tessa asked.

The woman brightened. 'Buell's singing, honey. It isn't like what you probably think of as country. Well, actually, it's a 'roots' thing. Buell wants to take it back, back there past Waylon and Willie, to some kinda dark 'primal kinda heartland. Kinda. Thing. The woman beamed, eyes slightly unfocused. Chevette got the feeling that all of that had been memorized, and maybe not too well, but that it was her job to get it out.

'Randy, he was teaching Buell one earlier, called 'There Was Whiskey and Blood on the Highway, but I Didn't Hear Nobody Pray'. That's a hymn, honey. Very traditional. Give me goosebumps to hear it. I think it's called that, anyway. But tonight's set is going to be 'more upbeat, electric.

'Cheers, Tessa said, 'that for the lager.

The woman looked puzzled. 'Oh. You're welcome, honey. Please do stick around for the set. It's Buell's Northern California debut, and the first time he's actually sung with his Lower Companions.

'His what? Chevette asked.

'Buell Creedmore and his Lower Companions. I think it's a biblical reference, though I can't quote you chapter and verse. The woman pointed her straining bosom toward the stage and resolutely followed it in that direction.

Chevette didn't really want another beer. 'She bought us these because she thought we were A&R. She knew about that because of Carson. A&R were the people in the music business who found and developed talent. Tessa took a pull on her beer and watched the woman, who'd stopped to talk to one of the boys from the pool table, one of the ones who was actually wearing a meshbacked cap. 'Do people like her live here?

'No, Chevette said, 'there's clubs in the city for this kind of thing, or sort of like it, but I've never seen a crowd like this out here before.

The sound check consisted of the man with the squashed cowboy hat playing guitar and the man with the belt buckle singing. They stopped and started a few times, on the one song they did, for various twiddlings of knobs, but the guitarist could really play (Chevette got the feeling he wasn't really letting it out yet, what he could do) and the singer could sing. It was a song about being sad and being tired of being sad,

The bar, meanwhile, was starting to fill up, with what looked to be a bunch of locals, regulars, and a hunch who weren't, who were here to hear the hand. The locals tended to tattoos, facial piercings, and asymmetrical haircuts, while the visitors tended to hats (meshback and cowboy, mostly), jeans, and (on the men, anyway) guts. The guts tended to be the kind that looked as though they had moved in while their owners were unaware and had taken up residence on otherwise fat-free frames. The kind of gut that hangs over the top of a pair of jeans with a reasonably small waistband, swelling the front of a flannel shirt but cinched back in, below, with one of those big buckles.