Carolyn was the last to appear.

“Where’s my wife?” asked Meyer of everybody at large. “It’s ten to. Time she was making an entrance.”

“Where’s Carolyn?” complained Gordon Palmer loudly.

“Where’s Madame?” shouted George Mason jovially.

Led by Meyer, they went to find out. Alleyn, who, with Mason, had joined Hambledon, wondered if she was instinctively or intentionally delaying her entrance. His previous experience of leading ladies had been a solitary professional one, and he had very nearly lost his heart. He wondered if by any chance he was going to do so again.

At last a terrific rumpus broke out in the passage that led to the dressing-rooms. Carolyn’s golden laugh, Carolyn saying “O-o-oh!” like a sort of musical train whistle, Carolyn sweeping along with three men in her wake. The double doors of the stage-set were thrown open by little Ackroyd, who announced like a serio-comic butler:

“Enter Madame!”

Carolyn curtsying to the floor and rising like a moth to greet guest after guest. She had indeed made an entrance, but she had done it so terrifically, so deliberately, with a kind of twinkle in her eye, that Alleyn found himself uncritical and caught up in the warmth of her famous “personality.” When at last she saw him, and he awaited that moment impatiently, she came towards him with both hands outstretched and eyes like stars. Alleyn rose to the occasion, bent his long back, and kissed each of the hands. The Forrest family goggled at this performance, and Miss Forrest looked more alert than ever.

“A-a-ah!” said Carolyn with another of her melodious hoots. “My distinguished friend. The famous—”

“No, no!” exclaimed Alleyn hastily.

“Why not! I insist on everybody knowing I’ve got a lion at my party.”

She spoke in her most ringing stage voice. Everybody turned to listen to her. In desperation Alleyn hurriedly lugged a small packet out of his pocket and, with another bow, put it into her hands. “I’m making a walloping great fool of myself,” he thought.

“A birthday card,” he said. “I hope you’ll allow me—

Carolyn who had already received an enormous number of expensive presents, instantly gazed about her with an air of flabbergasted delight that suggested the joy of a street waif receiving a five-pound note.

“It’s for me!” she cried. “For me, for me, for me.” She looked brilliantly at Alleyn and at her guests. “You’ll all have to wait. It must be opened now. Quick! Quick!” She wriggled her fingers and tore at the paper with excited squeaks.

“Good Lord,” thought Alleyn, “how does she get away with it? In any other woman it would be nauseating.”

His gift was at last freed from its wrappings. A small green object appeared. The surface was rounded and graven into the semblance of a squat figure with an enormous lolling head and curved arms and legs. The face was much formalised, but it had a certain expression of grinning malevolence. Carolyn gazed at it in delighted bewilderment.

“But what is it? It’s jade. It’s wonderful— but—?”

“It’s greenstone,” said Alleyn.

“It is a tiki, Miss Dacres,” said a deep voice. The Maori, Dr. Rangi Te Pokiha, came forward, smiling.

Carolyn turned to him.

“A tiki?”

“Yes. And a very beautiful one, if I may say so.” He glanced at Alleyn.

“Dr. Te Pokiha was good enough to find it for me,” explained Alleyn.

“I want to know about it — all about it,” insisted Carolyn.

Te Pokiha began to explain. He was gravely explicit, and the Forrests looked embarrassed. The tiki is a Maori symbol. It brings good fortune to its possessor. It represents a human embryo and is the symbol of fecundity. In the course of a conversation with Te Pokiha at the hotel Alleyn had learned that he had this tiki to dispose of for a pakeha a white man— who was hard up. Te Pokiha had said that if it had been his own possession he would never have parted with it, but the pakeha was very hard up. The tiki was deposited at the museum where the curator would vouch for its authenticity. Alleyn, on an impulse, had gone to look at it and had bought it. On another impulse he had decided to give it to Carolyn. She was enthralled by this story, and swept about showing the tiki to everybody. Gordon Palmer, who had sent up half a florist’s shop, glowered sulkily at Alleyn out of the corners of his eyes. Meyer, obviously delighted with Alleyn’s gift to his wife, took the tiki to a lamp to examine it more closely.

“It’s lucky, is it?” he asked eagerly.

“Well you heard that he said, governor,” said old Brandon Vernon. “A symbol of fertility, wasn’t it? If you call that luck!”

Meyer hastily put the tiki down, crossed his thumbs and began to bow to it.

“O tiki-tiki be good to little Alfie,” he chanted. “No funny business, now, no funny business.”

Ackroyd said something in an undertone. There was a guffaw from one or two of the men. Ackroyd, with a smirk, took the tiki from Meyer, Old Vernon and Mason joined the group.

Their faces coarsened into half-smiles. The tiki went from hand to hand, and there were many loud gusts of laughter. Alleyn looked at Te Pokiha who walked across to him.

“I half regret my impulse,” said Alleyn quietly.

“Oh,” said Te Pokiha pleasantly, “it seems amusing to them naturally.” He paused and then added: “So may my great grandparents have laughed over the first crucifix they saw.”

Carolyn began to relate the story of Meyer’s adventure on the train. Everybody turned to listen to her. The laughter changed its quality and became gay and then helpless. Meyer allowed himself to be her foil, protesting comically.

She suddenly commanded everyone to supper. There were place-cards on the table. Alleyn found himself on Carolyn’s right with Mrs. Forrest, for whom a place had been hurriedly made, on his other side.

Carolyn and Meyer sat opposite each other, halfway down the long trestle-table. The nest of maidenhair fern and exotic flowers was between them, and the long red cord ran down to Carolyn’s right and was fastened under the ledge of the table. She instantly asked what it was there for and little Meyer’s fat white face became pink with conspiracy and excitement.

It was really a very large party. Twelve members of the company, as many more guests, and the stage staff, whom Carolyn had insisted on having and who sat at a separate table, dressed in their best suits and staring self-consciously at each other. Candles had been lit all down the length of the tables and the lamps turned out. It was all very gay and festive.

When they were settled Meyer, beaming complacently, rose and looked round the table.

“Ladies and Gentlemen,” shouted little Ackroyd, “pray silence for His Royal Highness, Alfredo de Meyer.”

Much laughter from the guests who expected a comedian to be a comedian.

“Ladies and Gentlemen,” said Meyer. “I suppose this is quite the wrong place for a speech but we can’t have anything to drink till I’ve made it, so I don’t need to apologise.”

“Certainly not”—from Mason.

“In a minute or two I shall ask you to drink the health of the loveliest woman and the greatest actress of the century — my wife.”

“Golly!” thought Alleyn. Cheers from everybody.

“But before you do this we’ve got to find something for you to drink it in. There doesn’t appear to be anything on the table,” said Meyer, with elaborate nonchalance, “but we are told that the gods will provide so I propose to leave it to them. Our stage-manager tells me that something may happen if this red cord here is cut. I shall therefore ask my wife to cut it. She will find a pair of shears by her plate.”

“Darling!” said Carolyn. “What is all this? Too exciting. I shan’t cause it to rain fizz, shall I? Like Moses. Or was it Moses?”

She picked up the enormous scissors. Alfred Meyer bent his fat form over the table and stretched out his short arms to the nest of fern. A fraction of a second before Carolyn closed the blades of the scissors over the cord, her husband touched a hidden switch. Tiny red and green lights sprang up beneath the fern and flowers, into which the jeroboam was to fall and over which Meyer was bending.