Grateful that at last he had done something to meet with her approval, he decided to make his announcement. Gathering his robes around him, he went carefully down on one knee upon the curtains of fresh flowers which covered the floor. He placed his two hands upon his heart. He raised his eyes to heaven in a gaze of adoration.

"Mrs. Amelia Underwood!"

She took a startled step backward and bumped against a wine tank. It made a faint sloshing.

"I am Jherek Carnelian," he continued. "I was born. I love you!"

"Good heavens!"

"I love you more than I love life, dignity, or deities," he went on. "I shall love you until the cows come home, until the pigs cease to fly. I, Jherek Carnelian…"

"Mr. Carnelian!" She was stunned, it seemed, by his devotion. But why should she be stunned? After all, everyone was always declaring their love to everyone else in her time! "Get up, sir, please. I am a respectable woman. I believe that perhaps you are under some misunderstanding considering the position I hold in society. That is, Mr. Carnelian — I am a housewife. A housewife from, in fact, Bromley, in Kent, near London. I have no — no other occupation, sir."

"Housewife?"

He looked imploringly at her for an explanation. "Misunderstanding?"

"I have, I emphasise — no — other — calling."

He was puzzled. "You must explain."

"Mr. Carnelian. Earlier I was trying to hint — to touch upon a rather delicate matter concerning the, ah, appointments. I cannot find them."

"Appointments?" Still on one knee he glanced around the cellar, at the great tanks of wine, the jacaranda trees, the sarcophagi, the stuffed alligators and bears, the mangles, the wurlitzer. "I'm afraid I do not follow…"

"Mr. Carnelian." She coughed and lowered her eyes to the floor, murmuring: "The bathroom ."

"But Mrs. Amelia Underwood, if you wish to bathe, there are the tanks of wine. Or I can bring aphid's milk, if you prefer."

Evidently in some embarrassment, but with her manner becoming increasingly insistent, she said: "I do not wish to bathe, Mr. Carnelian. I am referring" — she took a deep breath — "to the water closet."

Realisation dawned. How obtuse he was. He smiled helpfully. "I suppose it could be arranged. I can easily fill a closet with water. And we can make love. Oh, in water. Liquid!"

Her lip trembled. She was plainly in distress. Had he again misinterpreted her? Helplessly he stared up at her. "I love you," he said.

Her hands leapt to her face. Her shoulders began to heave. "You must hate me dreadfully." Her voice was muffled. "I cannot believe that you do not understand me. As another human being … Oh, how you must hate me!"

"No!" He rose with a cry. "No! I love you. Your every desire will be met by me. Whatever is in my power to do I shall do. It is simply, Mrs. Amelia Underwood, that you have not made your request explicit. I do not understand you." He spread his arms to indicate everything in the room. "I have carefully reconstructed a whole house in the fashion of your own time. I have done everything, I hope, to suit you. If you will only explain further, I will be happy to make what you ask." He paused. She was lowering her hands from her face and offering him a peculiar, searching look. "Perhaps a sketch?" he suggested.

She covered her face again. Again her shoulders began to heave.

It took some time before he could discover from her what she wanted. She told him in halting, nervous tones. She blushed deep scarlet.

He laughed delightedly when he understood.

"Such functions have long since been dispensed with by our people. I could restructure your body slightly and you would not need…"

"I will not be interfered with!"

"If that is your desire."

At last he had manufactured her "bathroom," according to her instructions and put it in one corner of the cellar. Then, at her further request, he boxed it in, adding a touch or two of his own, the vermilion marble, the green baize.

The moment it was finished, she ran inside and closed the door with a slam. He was reminded of a small, nervous animal. He wondered if the box offered her a sense of security which the cellar could not. How long would she remain in the appointment? Forever, like a menagerie specimen which refused to leave its environment? How long could she stay there, hidden behind the marble door, refusing to see him? After all, she must fall in love with him soon.

He waited for what seemed to him to be a very long time indeed. Then he weakened and called:

"Mrs. Amelia Underwood?"

Her voice came sharply from the other side of the door. "Mr. Carnelian, you have no tact! I may have mistaken your intentions, but I cannot ignore the fact that your manners are abominable!"

"Oh!" He was offended. "Mrs. Amelia Underwood! I am known for my tact. I am famous for it. I was born!"

"So was I, Mr. Carnelian. I cannot understand why you keep harping on the fact. I am reminded of some tribesmen we had the misfortune to meet when my father, my mother and myself were in South America. They had some similar phrase…"

"They were impolite?"

"It does not matter. Let us say that yours is not the kind of tact an English gentlewoman recognises. One moment."

There came a gurgling noise and at last she emerged. She looked a little fresher, but she gave him a glance of puzzled displeasure.

Jherek Carnelian had never experienced anything particularly close to misery before, but he was beginning to understand the meaning of the word as he sighed with frustration at his inability to communicate with Mrs. Underwood. She was forever misunderstanding his intentions. According to his original calculations they should at this moment be together in the ottoman exchanging kisses and so forth and pledging eternal love to each other. It was all extremely upsetting. He determined to try again.

"I want to make love to you," he said reasonably. "Does that mean nothing? I am sure that people constantly made love to each other in your age. I know they did. Everything I have studied shows that it was one of the chief obsessions of the time!"

"It is not something we speak about, Mr. Carnelian."

"I want to — to — What do you say instead?"

"There is, Mr. Carnelian, such a thing as the institution of Christian marriage." Her tone, while softening, also became rather patronising. "Such love as you speak of is sanctioned by society only if the two people involved are married. I believe you might not be the monster I thought you. You have, in your fashion, behaved in an almost gentlemanly way. I must conclude, therefore, that you are merely misguided. If you wish to learn proper behaviour, then I shall not stand in the way of your learning it. I will do my best to teach you all I can of civilised comportment."

"Yes?" He brightened. "This marriage. Shall we do that, then?"

"You wish to marry me?" She gave a tiny, icy laugh.

"Yes." He began to lower himself to his knees again.

"I am already married," she explained. "To Mr. Underwood."

"I have married, too," he said, unable to interpret the significance of her last statement.

"Then we cannot marry, Mr. Carnelian." She laughed again. "People who are already married must remain married to those people to whom they are — ah — already married. To whom are you married?"

"Oh," he smiled and shrugged, "I have been married to many people. To my mother, of course, the Iron Orchid. She was the first, I think, being the closest to hand at the time. And then (second, if not first) Mistress Christia, the Everlasting Concubine. And My Lady Charlotina. And to Werther de Goethe, but that came to very little as I recall. And most recently to Lord Jagged of Canaria, my old friend. And perhaps a hundred others in between."

"A — a hundred others?" She sat down suddenly upon the ottoman. "A hundred?" She gave him a queer look. "Do you understand me correctly, Mr. Carnelian, when I speak of marriage. Your mother? A male friend? Oh dear!"