"You remember, I hope, Jherek," said the chronologist, "that you agreed to let me see that time-machine today. The new one?"
Jherek had forgotten entirely his hasty — and lying — conversation with Morphail the previous evening.
"The time machine?" he echoed. He tried to remember what he had said. "Oh, yes." He decided to make a clean breast of it. "I'm sorry to say that that was a joke, my dear Morphail. A joke with My Lady Charlotina. Did you not hear about it?"
"No. She seemed pensive when she returned, but I left soon afterward on account of her losing interest in me. What a pity." Brannart ran his fingers through his streaky, multi-hued beard and hair, but he had accepted the news philosophically enough. "I had hoped…"
"Of course you had, my crusty," said Lord Jagged, tactfully stepping in. "Of course, of course, my twisted, tattered love. But Jherek does have a time-traveller here."
"The Piltdown Man?"
"Not exactly. A slightly later specimen. 19th century isn't it, Jherek?" said Lord Jagged. "A lady."
"19th century England," said Jherek, a trifle pedantically, for he was proud of his thorough knowledge of the period.
But Brannart was disappointed. "Came in a conventional machine, eh? Did she? 19th — 20th — 21st century or thereabouts. The kind with the big wheels, was it?"
"I suppose so." Jherek had not thought to ask her. "I didn't see the machine. Have you seen it, Lord Jagged?"
Lord Jagged shrugged and shook his head.
"When did she arrive?" old Morphail asked.
"Two or three days ago."
"No time-machine has been recorded arriving then," Morphail said decisively. "None. We haven't had one through for more than a score of days. And even the last few barely stayed long enough to register on my chronographs. You must find out from your time-traveller, Jherek, what sort of machine she used. It could be important. You could help me, after all! A new kind of machine. Possibly not a machine at all. A mystery, eh?" His eyes were bright.
"If I can help, I'll be pleased to. I feel I have already brought you here on a fool's errand, Brannart," Jherek assured the scientist. "I will find out as soon as possible."
"You are very kind, Jherek." Brannart Morphail paused. "Well, I suppose…"
"You'll stay to lunch?"
"Ah. I don't lunch, really. And my experiments await. Await. Await." He waved a thin hand. "Good-bye for now, my dears."
They saw him to his ornithopter. It began to clank skyward after a few false starts. Jherek waved to it, but Lord Jagged was looking back at the house and frowning. "A mystery, eh?" said Jagged.
"A mystery?" Jherek turned.
"A mystery, too ," said Lord Jagged. He winked at Jherek.
Wearily, Jherek returned the wink.
9. Something of an Idyll: Something of a Tragedy
The days passed.
My Lady Charlotina took no vengeance.
Lord Jagged of Canaria disappeared upon an errand of his own and no longer visited Jherek.
Mongrove and Yusharisp became enormously good friends and Mongrove was determined to help Yusharisp (who was no engineer) build a new spaceship.
The Iron Orchid became involved with Werther de Goethe and took to wearing nothing but black. She even turned her blood a deep black. They slept together in a big black coffin in a huge tomb of black marble and ebony.
It was, it seemed, to be a season of gloom, of tragedy, of despair. For everyone had by now heard of Jherek's having fallen in love, of his hopeless passion for Mrs. Amelia Underwood, of his misery. He had set another fashion into which the world was plunging with even more enthusiasm than it had plunged into Flags.
Ironically, only Jherek Carnelian and Mrs. Amelia Underwood were largely untouched by the fashion. They were having a reasonably pleasant time together, as soon as Jherek realised that he was not to consummate his love for a while, and Mrs. Underwood understood that he was, in her expression, "more like a misguided nabob than a consciously evil Caesar." He did not really really know what she was talking about, but he was content to let the subject go since it meant she agreed to share his company during most of her waking hours.
They explored the world in his locomotive. They went for drives in a horse-drawn carriage. They punted on a river which Jherek made for her. She taught him the art of riding the bicycle and they cycled through lovely broadleaf woods which he built according to her instructions, taking packed lunches, a thermos of tea, the occasional bottle of hock. She relaxed (to a large extent) and consented to change her costume from time to time (though remaining faithful to the fashions of her own age). He made her a piano, after some false starts and peculiar mutations, and she sang hymns to him, or sometimes patriotic songs like Drake's Drum or There'll Always Be An England . At very rare moments she would sing a sentimental song, such as Come Into the Garden, Maud or If Those Lips Could Only Speak . For a short time he took up the banjo in order to accompany her, but she disapproved of the instrument, it seemed, so he abandoned it.
With a sunshade on her shoulder, with a wide-brimmed Gainsborough hat on her chestnut curls, wearing a frothy summer frock of white cotton trimmed with green lace, she would allow him to take a punt into the air and soar over the world, looking at Mongrove's mountains or the hot-springs of the Duke of Queens, Werther de Goethe's brooding black tomb, Mistress Christia's scented ocean. On the whole they tended to avoid Lake Billy the Kid and the territory of My Lady Charlotina. There was no point, said Mrs. Amelia Underwood, in tempting providence.
She described the English Lake District to him and he built her fells and lakes to her specifications, but she was never really happy with the environment.
"You are always inclined to overdo things. Mr. Carnelian," she explained, studying a copy of Lake Thirlmere which stretched for fifty miles in all directions. "Though you have got the peculiar shifting light right," she said consolingly. She sighed. "No. It won't do. I'm sorry."
And he destroyed it.
This was one of her few disappointments, however, although she had still to get him to understand the meaning of Virtue. She had given up the direct approach and hoped that he would learn by example and through conversations they had concerning various aspects of her own world.
Once, remembering Brannart Morphail's request, he asked her how she had been brought to his world.
"I was abducted," she told him simply.
"Abducted? By some passing time-traveller who fell in love with you?"
"I never discovered his feelings towards me. I was asleep in my own bed one night when this hooded figure appeared in my room. I tried to scream, but my vocal cords were frozen. He told me to dress. I refused. He told me again, insisting that I wear clothes 'typical of my period'. I refused and suddenly my clothes were on and I was standing up. He seized me. I fainted. The world spun and then I was in your world, wandering about and trying to find someone in authority, preferably the British Consul. I realise now, of course, that you don't have a British Consul here. That, naturally, is why I am inclined to despair of ever returning to 23 Collins Avenue, Bromley."
"It sounds very romantic," said Jherek. "I can see why you regret leaving."
"Romantic? Bromley? Well…" She let the subject go. She sat with her back straight and her knees together on the plush and ermine seat of his locomotive, peering out at the scenery floating past below. "However, I should very much like to go back, Mr. Carnelian."
"I fear that's not possible," he said.
"For technical reasons?" She had never pursued this subject very far before. He had always managed to give her the impression that it was totally impossible rather than simply very difficult to move backward in Time.