"Where're you going?" Marty asked.

"Buy us some turpentine and steel wool. Can't go driving around looking like an ad for a funeral home."

Pellam said to Janine, the granny-dress woman, "You'd think they'd come up with some more money for that. It's going to represent something, it ought to have a little class."

He was looking at the tiny, overpainted black cannon, donated to the town by the Veterans of Foreign Wars. It didn't seem capable of lobbing a shell more than ten feet. They sat in the town square, where he'd been sitting, marking Polaroids, when she walked past casually and sat on the bench next to his. He'd smelled minty tea-what she'd been drinking yesterday in Marge's diner-and when he'd looked up she'd smiled at him. He'd scooted over four feet of bumpy wood and they'd struck up a conversation.

"Maybe it's valuable," Janine now said. "Looks can be deceiving."

Pellam liked her outfit today better than what she'd worn yesterday: a long skirt, boots, a big bulky-knit sweater. Her hair-in the sun you could see some red-was still parted in the middle. She was an easy forty, looking older straight-on, though she probably wasn't. That happened to a lot of these poor flower children; maybe they're limber and they live a long time, but sun and fresh air can do harsh things to your skin.

"Where's your boyish partner, with the cute little tush, the one who's probably a year or two under my limit?"

"He rented a car and went out to the hinterland, checking out some parks. We've got a lot of scenes left, so we split the troops."

She asked, "What company you work for?"

"Called Big Mountain Studios."

"Didn't they do Night Players! And Ganges… Oh, that was a great film. Did you go to India for that one?"

Pellam shook his head.

"Wow, do you know William Hurt? You ever meet him?"

"Saw him once in a restaurant."

"How about Willem Dafoe? Glenn Close?"

"No and no." Pellam's eyes were scanning the downtown, which almost shimmered in the heat. It was eleven a.m. The temperature was up by twenty degrees over yesterday. Indian Summer.

"Tell me about the film you're working on now."

"We don't like to give too much away."

She socked him playfully on the arm. "Excuse me? I mean, excuse me? I'm a spy? Like I'm going to sell the story to MGM?"

Pellam said, "It's called To Sleep in a Shallow Grave."

"Wild. Love the title. Who's in it?"

"It's not cast yet." It wasn't for location scouts to give away too much.

She said, "Come on now. I don't believe you." She tilted her head coyly and her hair fell straight across her face, leaving only her eyes exposed-like a veiled Islamic woman. "Give me a clue."

"A few supporting actors you couldn't possibly know." He sipped his coffee.

They always liked details. Who in Hollywood was playing musical beds. Which actresses had had implants. Who hit their wives. Or their husbands. Who liked boys. Who had orgies in Beverly Hills.

Some people even wanted to know about the films themselves.

He said, "It's about a woman who comes back to her home town for her father's funeral. But she finds out that he might not have been her father after all and maybe he killed the man who was her real father. It takes place in the fifties, a small town called Bolt's Crossing."

He stood up. She watched him toss the coffee carton into a trash basket painted with tulips, and she scolded, "You drink too much of that. Caffeine. Yuck. Don't you have trouble sleeping?"

"Which way's the cemetery? I want to get some more 'Roids."

"Some?…"

"Polaroids."

"Follow me." They turned east. As they walked along the road, Janine said, "Tell me more about the film."

"That's it for now."

She gave him a pout with her full lips. "Maybe I won't be your guide if you're not nice to me."

"Aw, I need a guide. I may never get back to civilization without one."

She grimaced dramatically and waved her arm around downtown. "Bad news, Charlie. This is civilization. It don't get no better than this."

They walked for a half hour and found themselves in the cemetery.

His reaction to the place was the same as on the day they'd arrived in Cleary, the day Marty had spotted the cemetery from the highway; it was perfect for the film. Tall black trees bordering a small clearing in which battered tombstones tilted at exotic angles. No big monuments, no mausoleums. Just hunks of stone, spilling right out of the forest.

Pellam pulled the camera out of his pocket, took three or four pictures. The cemetery was filled with an odd, shadowy light, which seemed to come from the underbelly of the low wispy clouds. The light accentuated contrasts: bark was blacker than in bright sun, grass and milkweed stalks paler, stone more bleached; it was white like old bones. Many of the tombstones were badly eroded. Pellam and Janine wove through the grass, toward the woods. A rusty barbed-wire fence of taut strands separated the cemetery from the underbrush.

Wait… What was that? Pellam stopped suddenly, stared into the trees. He was sure someone was watching him, but as he stepped to one side, the voyeur, if it was anybody at all, vanished.

Janine said, "All I'll say is, if it has Redford or Newman in it and you don't tell me I'll never speak to you again."

"It doesn't."

"I saw Butch Cassidy twelve times. I only saw Let It Be eight.

"Were you at Woodstock?"

She smiled, surprised. "Yeah, were you?"

"No. But I wanted to go. Tell me about the cemetery."

"What's to tell? Dead people buried here."

"What sort of dead people? Rich, poor, smugglers, farmers?"

She couldn't quite get a handle on what he was asking. "You mean, like what does it say about the history of the town?"

Pellam was looking at a grave.

Adam Gottlieb

1846-1899

A sailor on your ocean, Lord.

He said, "Man missed the century. Bummer. Yeah, that's basically it. The history of the place, the atmosphere."

She danced over a grave, girlish. "Can you imagine what Cleary was like a hundred years ago? Probably only five, six hundred people here, if that."

He snapped several Polaroids.

Janine took his arm and hooked it through hers. He felt the heavy pressure of her breast against his elbow. He wondered what her chest looked like. Was it dotted with freckles? Pellam really liked freckles.

They walked for a few minutes. He said, "I don't see any recent tombstones."

"Is that bad?"

"No. I'm just curious."

Janine said, "There's a new cemetery outside of town. But that's not the answer. The answer is that nobody ever dies in Cleary. They're dead already."

She now grew serious and started playing with the top of her tea carton. "First, there's something I have to tell you. I'm sort of married." She looked up. "But we're separated. We still groove okay, my old man and me, but it's not like on a physical level, you know? He's living with a bimbo runs a motorcycle repair shop near Fishkill. Her husband split too. He comes back now and then but mostly he's split."

Pellam tried to sort it out. There were two husbands, was that it? One of them kept coming back? To who?

Janine said, "Just want the facts out, you know. Like, in case you heard something… Well, you know how it is." She was looking at him. He felt the weight of her eyes on him, as heavy as her breasts. A response was in order.

"Sure do," he said.

This seemed to satisfy her. She kicked at some leaves. Pellam hoped she didn't want to go for a leaf fight. There was nothing worse than somebody on the threshold of middle age going zany.

"Tell me about Hollywood. The parties are pretty wild, huh?"