The compartment was so solid with the reek of whisky that you could stand a walking-stick in it, Grant noticed. Automatically he picked up the newspaper that Yughourt’s shaking had dislodged on to the compartment floor, and straightened the man’s jacket.

‘Can’t you recognise a dead man when you see one?’ he said. Through the haze of his tiredness he heard his own voice say it: Can’t you recognise a dead man when you see one? As if it were a thing of no moment. Can’t you recognise a primrose when you see one? Can’t you recognise a Rubens when you see one? Can’t you recognise the Albert Memorial when—

‘Dead!’ said Yughourt in a kind of howl. ‘He can’t be! I’m due to go off.’

That, Grant noted from his far-away stance, was all that it meant to Mr Blast His Soul Gallacher. Someone had taken leave of life, had gone out from warmth and feeling and perception to nothingness, and all it meant to Damn His Eyes Gallacher was that he would be late in getting off duty.

‘What’ll I do?’ said Yughourt. ‘How was I to know anyone was drinking themselves to death in my coach! What’ll I do?’

‘Report to the police, of course,’ Grant said, and for the first time was conscious of life again as a place where one might have pleasure. It gave him a twisted macabre pleasure that Yughourt had at last met his match: the man who would get out of tipping him; and that that man should be the one to put him to more inconvenience than anyone had succeeded in doing in all his twenty years in the railway service.

He looked again at the young face under the rumpled dark hair, and went away down the corridor. Dead men were not his responsibility. He had had his fill of dead men in his time, and although he had never quite lost a heart-contraction at its irrevocability, death had no longer power to shock him.

The wheels ceased their clicking and instead came the long low hollow sound that a train makes coming into a railway station. Grant lowered the window and watched the grey ribbon of the platform run past. The cold struck him like a blow in the face and he began to shiver uncontrollably.

He dropped the two suitcases on the platform and stood there (chattering like a blasted monkey, he thought resentfully) and wished that it were possible to die temporarily. In some last dim recess of his mind he knew that to dither with cold and nerves on a station platform at six of a winter morning was in the final resort a privilege; a corollary to being alive; but oh, how wonderful it would be to achieve temporary death and pick up life again at some happier moment.

‘To the hotel, sir?’ the porter said. ‘Yes, I’ll take them over when I’ve seen to this barrow-load.’

He stumbled up the steps and across the bridge. The wood sounded drumlike and hollow under his tread, great bursts of steam billowed up round him from below, noises clanged and echoed from the dark vault about him. They were all wrong about hell, he thought. Hell wasn’t a nice cosy place where you fried. Hell was a great cold echoing cave where there was neither past nor future; a black, echoing desolation. Hell was concentrated essence of a winter morning after a sleepless night of self-distaste.

He stepped out into the empty courtyard, and the sudden quiet soothed him. The darkness was cold but clean. A hint of greyness in its quality spoke of morning, and a breath of snow in its cleanness spoke of the ‘high tops’. Presently, when it was daylight, Tommy would come to the hotel and pick him up and they would drive away into the great clean Highland country; away into the wide, unchanging, undemanding Highland world where people died only in their beds and no one bothered to shut a door anyhow because it was too much trouble.

In the hotel dining-room the lights were on only at one end, and into the gloom of the unlit spaces marched ranks of naked baize-topped tables. He had never before, now he came to think of it, seen restaurant tables undressed. They were really very humble shabby things stripped of their white armour. Like waiters without their shirt-fronts.

A child in a black uniform dress and a green jersey coat embroidered with flowers poked her head round a screen and seemed startled to see him. He asked what he might have for breakfast. She took a cruet from the sideboard and set it on the cloth in front of him with an air of ringing the curtain up.

‘I’ll send Mary to you,’ she said kindly, and went away behind the screen.

Service, he thought, had lost its starch and its high glaze. It had become what housewives call rough-dried. But now and then a promise to send Mary to one made up for embroidered jerseys and similar infelicities.

Mary was a plump calm creature who would inevitably have been a Nannie if Nannie’s were not out of fashion, and under her ministrations Grant felt himself relaxing as a child does in the presence of a benevolent authority. It was a fine state of affairs, he thought bitterly, when he needed reassurance so badly that a fat hotel waitress could provide it.

But he ate what she put in front of him and began to feel better. Presently she came back, removed the slices of cut bread, and put in their place a plate of morning rolls.

‘Here’s the baps to you,’ she said. ‘They’ve just this minute come. They’re poor things nowadays. No chew in them at all. But they’re better than that bread.’

She pushed the marmalade nearer to his hand, looked to see if he needed more milk, and went away again. Grant, who had had no intention of eating any more, buttered a bap and reached for one of the unread papers from last night’s store. What came to his hand was a London evening paper, and he looked at it with a puzzled lack of recognition. Had he bought an evening paper? Surely he had read the evening paper at the normal hour of four o’clock in the afternoon. Why buy another at seven o’clock in the evening? Had buying an evening paper become a reflex action; as automatic as brushing one’s teeth? Lighted bookstall: evening paper. Was that the way it worked?

The paper was a Signal; the afternoon voice of the morning Clarion. Grant looked again at the headlines which he had absorbed yesterday afternoon and thought how constant in kind they were. It was yesterday’s paper, but it might equally be last year’s or next month’s. The headlines would for ever be the ones that he was looking at now: the Cabinet row, the dead body of the blonde in Maida Vale, the Customs prosecution, the hold-up, the arrival of an American actor, the street accident. He pushed the thing away from him, but as he reached out a hand for the next in the pile he noticed that the blank space for the Stop Press news bore scribblings in pencil. He turned the paper round so that he could see what someone had been calculating. But it seemed that the scribble was not after all some newsboy’s hasty reckoning of the odds. It was someone’s attempt at verse. That it was an original work and not an attempt to remember some verse already known was apparent in the desultory writing and in the fact that the writer had filled the two missing lines by ticking in the required number of feet; a trick that Grant himself had used in the days when he had been the best sonnet-writer in the sixth form.

But this time the poem was none of his.

And suddenly he knew where the paper had come from. He had acquired it by an action much more automatic than buying an evening paper. He had put it under his arm with the others when he picked it up as it slipped to the floor of compartment B Seven. His conscious mind—or as much of it as was conscious after last night—was concerned with the disarray that Yughourt was making of a helpless man. His only deliberate action had been his reproof to Yughourt in his straightening of the man’s jacket, and for that he had needed a hand, and so the paper had gone under his arm with the rest.

So the young man with the tumbled black hair and the reckless eyebrows had been a poet, had he?