Grant watched a little longer and found that this melting process was continuous, both among the seated audience and among the males standing round the walls. The audience was melting away invisibly under Archie’s very nose. This was so unusual—a country audience will always wait to the end however boring an entertainment—that Grant turned to Mr Todd and whispered: ‘Why are they leaving?’

‘They’re going to watch the ballet.’

‘The ballet?’

‘Television. It’s their great treat. Everything else they see on television is just a version of something they’ve seen already. Plays, and singing, and what not. But ballet is something they’ve never seen before. They wouldn’t miss ballet for anything or anyone….What is so amusing about that?’

But Grant was not amused by Cladda’s passion for ballet. He was enjoying Archie’s so-unlikely disarming. Poor Archie. Poor wee deluded Archie. He had been overthrown by an arabesque, foiled by an entrechat, defeated by a plié. It was fantastically appropriate.

‘Have they gone for good?’

‘Oh, no, they’ll be back for the dance.’

And back they were, in force. Every soul on the island was at the dance; the ancients sitting round, and the active taking the roof off with their wild yelling. It was less agile dancing than Grant was used to on the mainland, less graceful; for Highland dancing one needed the kilt, and the soft thonged shoes that made no sound on the floor and let a man dance like a flame among the sword points. The Island dancing had much of the Irish in it; much of the sad Irish immobility that left the dancing a matter of foot-work only, and not an uprush of joy that filled a man to the last finger-tip of his up-flung hands. But if the dancing itself lacked art and gaiety there was a fine wholesale merriment in its stamping performance. There was room, with some squeezing, for three eightsomes, and sooner or later everyone, including the Swedes and the Hollanders, were dragged into this orgy of exercise. A fiddle and a piano gave out the lovely floating rhythm (for that one needed a regimental band, thought Grant as he swung Katie-Ann into the arms of a delighted Swede, one needed that double drum-beat and pause; it might not be purist but it certainly was effective) and the hands of those at rest beat time. The wind howled along the skylights on the roof, the dancers yelled, the fiddle sawed, and the piano thumped, and a wonderful time was had by all.

Including Alan Grant.

He swayed home through the stinging lash of hail wielded by a pitiless south-wester, and dropped into bed drunk with exercise and fresh air. It had been a delightful day.

It had also been a profitable one. He would have something to tell Ted Hanna when he got back to town. He knew now who Archie Brown’s ‘ravens’ were.

Tonight he did not look at the closed window with misgiving. Nor tonight did he forget it altogether. He looked at the closed window and was glad of it. He had absorbed the Island point of view that a window is there to keep out the weather.

He burrowed into his cotton-quilt nest, out of the wind and the weather, and fell into dreamless depths of sleep.

Wee Archie departed next morning when ‘the boat’ called, on his way to spread light throughout all the other dark places of the archipelago. He had been staying with the Reverend Mr MacKay, it transpired; and Grant wondered what that blameless padre to a Highland regiment would think if he knew what he had been sheltering under his roof. Or was the Reverend Mr MacKay, too, sick of Archie Brown’s disease?

On the whole Grant thought not.

Mr MacKay had all the authority that mortal man could crave; he had a satisfaction for his vanity every Sunday morning; he had seen the world, and life and death, and men’s souls in relation to both, and he was not likely to hanker after esoteric glories. He had merely been host to a Scottish celebrity. For in a small country like Scotland Archie ranked as a celebrity, and Mr MacKay was no doubt greatly pleased to entertain him.

So Grant had the island to himself, and for five days in the company of the whooping wind he quartered his bleak kingdom. It was rather like walking with a bad-mannered dog; a dog that rushes past you on narrow paths, leaps on you in ecstasy so that you are nearly knocked over, and drags you from the direction in which you want to go. He spent his evenings with his legs stretched out to the office fire listening to Mr Todd’s tales of pub-owning in the Lowlands. He ate enormously. He put on weight visibly. He slept as soon as his head touched the pillow and woke only when it was morning. And by the end of the fifth day he was ready to face a hundred air journeys rather than spend another twelve hours in the place.

So on the sixth morning he stood on the great flat of white sand waiting for the little plane to pick him up on its way back from Stornoway. And the small misgiving somewhere in the depths of him was nothing like the pervading apprehension with which he had expected to be filled at this moment. Mr Todd stood with him, and beside them on the sand was his small case. Up on the grass, where the road ended, was the Cladda Hotel car, the only one on the island and the only one of its class anywhere in the world. They stood there, four tiny dark objects in the shining waste, watching the small bird-like thing in the sky drop down to them.

This, Grant thought, was as near to the original idea of flight as one was likely to get nowadays. As someone had pointed out, when man first dreamed of flying he had seen himself rising on his own silver wings into the blue empyrean, but it hadn’t turned out at all like that. First he was trundled to a field, then he was shut in a box, then he was terrified, then he was sick, then he was in Paris. Being picked up from the sands on the sea-ward fringe of the world by a casual-alighting bird was as near as one would ever come to the free soaring of man’s original vision.

The great bird idled up to them along the sand, and for a moment Grant panicked. It was, when all was said, a box. A tight-closed trap of a thing. But the casualness of everything loosened his rigid muscles almost as soon as they had stiffened. In the clinical order of an airport, shepherded and compelled, panic might have conquered. But here, on the open sand, with the pilot draped about the top step as he gossiped with Mr Todd, and the crying of gulls and the smell of the sea, it was a thing one could take or leave. There was no compulsion to be afraid of.

So when the moment came he put his foot over the last step with nothing more than a slight heart-quickening. And before he could analyse his reaction to that closing door a nearer interest caught his mind. In front of him, on the other side of the gangway, was Wee Archie.

Wee Archie looked as if he had just got out of bed, and as if he had done that getting-out in some hurry. His dishevelled splendour looked more than ever as if they were someone’s else’s clothes altogether. He looked like a discarded armature with some studio props flung on top of it. He greeted Grant like an old friend, condescended to him about his ignorance of the Islands, recommended Gaelic to him as a language it would pay him to study, and went back to sleep. Grant sat and looked at him.

The little bastard, he thought. The vain, worthless little bastard.

Archie’s mouth had fallen open, and the strands of black hair no longer covered the thin patch. The knees above the fat brilliant socks were more like anatomical specimens than any mechanism designed for the propulsion of a living being. They weren’t knees; they were ‘the knee joint’. The articulation of the fibula was particularly interesting.

The vain vicious little bastard. He had had a profession that would give him his bread and butter, a profession that would have given him a certain standing, a profession that would have brought him spiritual reward. But that had not satisfied his egotistical soul. He had needed the limelight. And as long as he could strut in the light he did not care who paid for the illumination.