Boom! Boom! Boom! There were three of them. They fell a couple of hundred yards behind the battery of field guns. The noise from the explosions smote Featherston like a thunderclap. Clouds of smoke and dust rose, but the bombs didn't seem to have done any damage.

Jethro Bixler looked back at where they'd blown up, then shook his fist at the aeroplane, which was now flying away toward the Yankee lines. But then he grinned and shrugged. "That wasn't so much of a much," he said. "By the sound of those things, they weren't a whole lot bigger'n what our three-inchers throw. An' we can put 'em just where we want 'em, and put a whole bunch of 'em there, 'stead o' droppin' a couple an' runnin' for home."

"They can put 'em back of our lines farther than artillery can reach," Featherston said, giving such credit as he could: the Confederacy had bombing aeroplanes of its own, after all, and he didn't want to think they were useless. But he also took pride in what he did: "Reckon you're right, though. Set alongside these here guns, I don't figure aerial bombs'll ever amount to much."

****

As George Enos came into his house, his wife Sylvia greeted him with bad news: "They're going to cut the coal ration this month, and it looks like it's going to stay cut."

"That's not good," he said, an understatement if ever there was one. He took off his cap and set it on the head of four-year-old George, Jr. Naturally, it fell down over his son's eyes. The boy squealed with glee. The fisherman went on, "Hard enough cooking if they cut the ration any further. But winter's coming, and this is Boston. How will we keep warm if we can't get as much coal as we need?"

"Mr. Peterson at the Coal Board office, he didn't say anything about that, and you can bet there were a lot of people asking him, too." Sylvia Enos' thin face was angry and tired and frustrated. She often looked that way when she got home from a couple of hours of fighting Coal Board paperwork, but more so today than usual. "All he said was, the factories have to have coal if they're going to make all the things we need to fight the war, and everybody else gets what's left over. The surtax is going up another penny a hundredweight, too."

"I already knew that much," George Enos said. "Some company bigwig was grousing about it when we coaled up Ripple before we went out last Monday."

"Well, sit down and rest a bit," Sylvia told him. "I haven't seen you since then, you know, and little George and Mary Jane haven't, either. It's hard for them, their father gone days at a time. Supper'll be about twenty minutes more."

"All right," Enos said. The pleasant smells of clam chowder and potatoes fried in lard wafted into the living room from the kitchen.

Sylvia started to head back into the kitchen, then turned with hands on her hips. "I swear to goodness, the forms they give you to fill out before you can even get a speck of coal now are worse than they ever used to be."

"Maybe we should burn all the forms," Enos said. "Then we wouldn't need so much coal."

"You think you're making a joke," Sylvia said. "It's not funny. When Mrs. Coneval's mother came over yesterday, she was complaining about them, too. She remembers back before the Second Mexican War, and she says there didn't hardly used to be any forms like there are now."

"That was a long time ago," George answered, which got him a dirty look from Sylvia. After a moment, he realized he'd pretty much called her friend's mother an old woman. Defensively, he went on, "Well, it was. From what people say, things haven't been the same since."

His wife nodded sadly. "Always the war scares. I don't know how many from then till now, but a lot of them. And all the factories busy all the time, making guns and shells and ships and I don't know what all else to use if the war came. And now it's come. But we'd have had so much more for ourselves if we hadn't been worrying about the war all the time."

"But we'd probably have lost it, too, because the Rebs have been building every bit as hard as we have," he said. "Harder, maybe; if they use their niggers in their factories, they don't have to pay 'em anything to speak of. Same with the Canadians, except they don't have niggers."

Talking about niggers made him think of Charlie White. But the Cookie was somebody he worked with, a friend, who just happened to have dark brown skin and hair that grew in tight curls. It wasn't the same, though he couldn't have put his finger on why it wasn't.

Sylvia said, "The Canadians, they have Frenchies instead of niggers." She sniffed loudly, but not on account of French Canadians. "I have to turn those potatoes, or they'll burn. And I'll start frying the fish with them in a couple of minutes, too."

"All right." George Enos sat down and lighted a cigar. He wondered how long he'd be able to keep doing that. Most tobacco came from the Confederate States, and they weren't going to be shipping any up north, not while they and the United States were shooting at each other.

George, Jr., came over and hugged one of his legs. Seeing that, Mary Jane toddled up and hugged the other one. She tried to imitate everything her older brother did, which often made her the most absurd creature George had ever seen. "Dadadada!" she said enthusiastically. She was a year and a half old now, and sometimes said "Daddy," but when she got excited-as she always did when her father first came home from the sea-she went back to baby talk.

Fresh sizzling noises from the kitchen said the fish had gone into the frying pan. The Enoses, like any other fisher folk, ate a lot of fish: nobody begrudged George's bringing home enough to feed his family. He didn't have to fill out any forms to get it, either. Through the sizzle, Sylvia called, "When do you think you'll be going out again?"

"Don't know exactly," he answered. "Soon as Captain O'Donnell or somebody from the company can lay hold of more coal, I expect. Business is good, prices are up, and so they're sending us out as often as they can. Might be the day after tomorrow, might be-"

Somebody knocked on the front door, hard.

"Might be tomorrow morning," Enos said, heaving himself up out of his chair. In the kitchen, Sylvia groaned, but softly. He understood what she was feeling, because he was feeling all the same things himself. Getting to see his family once in a while mattered a lot. But he'd brought home a lot of money in the weeks since the war started. Prices were up, too, but as long as he stayed busy, he stayed ahead of them.

He opened the door. Sure enough, there stood Fred Butcher. "Hate to do this to you, George," the mate said, "but we've swung a deal for some fuel. We sail at half past five tomorrow morning."

"I'll be there," Enos said-what else could he say?

Butcher nodded. "I know you will. You and Cookie, we can always count on the two of you. Some of the others, I'm going to have to pry 'em out of the saloons and sober 'em up-if I can find 'em." He touched a finger to the bill of his cap. "See you on the wharf. Tell your missus I'm sorry." He hurried off, a busy man with more work ahead of him.

George Enos shut the door. "Supper's on the table," Sylvia called at the same moment. As he walked into the kitchen, she went on, "I can guess what that was all about. Nice I get to give you one meal before Charlie White gets his hands on you again. You eat more of his cooking than you do of mine, seems like."

"Maybe I do," Enos said, "but I like yours better." That made Sylvia smile; for a moment, she didn't look so tired. George wasn't sure he'd told her the truth, but he'd made her happy, which counted, too.

Sylvia cut up bits of fish and potato for the children. George, Jr., handled his fork pretty well; one day soon, he'd start using a knife. With Mary Jane, Sylvia had to make sure she ate more than she threw from the high chair onto the floor. It was about an even-money bet.


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