Thus did I obtain a foretaste of the views held by the peasant class upon the subject of Count Tolstoy's scheme of reformation, since this man was a peasant himself from one of the neighboring villages, and an average representative of their modes of thought.
At last we reached the stone gateposts which mark the entrance to the park of Yasnaya Polyana (Clearfield), and drove up the formerly splendid and still beautiful avenue of huge white birch-trees, from whose ranks many had fallen or been felled. The avenue terminated near the house in hedges of lilacs and acacias.
Most of the family were away in the fields, or bathing in the river. But we were cordially received, assured that our visit was well timed and that there were no guests, and were installed in the room of the count's eldest son, who was at his business in St. Petersburg.
Then I paid and dismissed the beaming Vanka, whose name chanced to be Alexei, adding liberal "tea-money" for his charming manners and conversation. My sympathy with the hardship of being unable to procure books had moved me so deeply that I had already asked the man for his address, and had promised to send him a complete set of the count's "Tales" from Moscow.
We parted with the highest opinion of each other. Alas! a day or two later one of the count's daughters happened to inquire how much I had paid for the carriage, probably in consequence of former experiences, and informed me that I had given just twice as much as any cabman in Tula would have been glad to take. (The boredom of those policemen must have been relieved by another smile-behind our backs.) Then I repeated my conversation with that delicately conscientious izvostchik, nurtured on the "Tales," and mentioned my promise. Even the grave count was forced to laugh, and I declared that I should be afraid to send the set of books, for fear of the consequences.
When we were ready, being unfamiliar with the house, we asked the maid to conduct us to the countess. She took this in its literal sense, and ushered us into the bedroom where the countess was dressing, an introduction to country life which was certainly informal enough.
We dined at a long table under the trees at a little distance from the house. The breeze sifted the tiny papery birch seeds into our soup and water. Clouds rolled up, and at every threat of the sky we grasped our plates, prepared to make a dash for the house.
The count, who had been mowing, appeared at dinner in a grayish blouse and trousers, and a soft white linen cap. He looked even more weather-beaten in complexion than he had in Moscow during the winter, if that were possible. His broad shoulders seemed to preserve in their enhanced stoop a memory of recent toil. His manner, a combination of gentle simplicity, awkward half-conquered consciousness, and half-discarded polish, was as cordial as ever. His piercing gray-green-blue eyes had lost none of their almost saturnine and withal melancholy expression. His sons were clad in the pretty blouse suits of coarse gray linen which are so common in Russia in the summer, and white linen caps.
After dinner, on that first evening, the countess invited us to go to the fields and see her husband at work. He had not observed the good old recipe, "After dinner, rest awhile," but had set off again immediately, and we had been eager to follow him. We hunted for him through several meadows, and finally came upon him in a sloping orchard lot, seated under the trees, in a violent perspiration. He had wasted no time, evidently. He was resting, and chatting with half a dozen peasants of assorted ages. It appeared that he had made a toilet for dinner, since he now wore a blue blouse faded with frequent washing, and ornamented with new dark blue patches on the shoulders. It was the same blouse with which Repin's portrait of him engaged in plowing had already made us familiar.
We talked with the peasants. They remained seated, and gave no greeting. I do not think they would have done so on any other estate in Russia. It is not that the count has inspired his humble neighbors with a higher personal sense of independence and the equality of man; all Russian peasants are pretty well advanced along that path already, and they possess a natural dignity which prevents their asserting themselves in an unpleasant manner except in rare cases. When they rise or salute, it is out of politeness, and with no more servility than the same act implies in an officer of the Guards in presence of a Court dame. The omission on this occasion interested me as significant.
The conversation turned upon the marriage of one of the younger men, which was to come off in a neighboring village two days later, at the conclusion of the fast of Saint Peter and Saint Paul. A middle-aged peasant took up the subject in a rather unpleasant and not very respectful manner, saying that he saw no use for priests, who had everything provided for them (na gatovayu ruku), and charged so high for baptizing and marrying.
"They demand seven rubles for marrying this fellow," said he. "I'll do it for a ruble, and be glad to."
"If it is so easy, go pass your examinations and become a priest at once," replied the countess.
"I don't know enough for that."
"Then go hire yourself out as a clown. You are always making bad jokes."
The man was subdued. The count took no part in this conversation, and looked somewhat disturbed when the other men joined disagreeably in the laugh against their comrade. He turned the subject.
"Look at the oldest of these men," he said to us in English. "He has lost the first joint of all the fingers on one hand from frost."
He was a weak-looking, withered little man, but when they began to mow again, at the count's suggestion, he grasped his scythe as well as any of them. The scythes were short, thick, straight, looked very heavy, and were set on very long, straight handles, so that it was not necessary to stoop in mowing.
We watched the party for a while. The count made good progress over the uneven ground and thin grass, as though he were used to the work which he has described so inimitably in "Anna Karenin." (Another reminder of this book is the old nurse of Levin, who still lives on the place, has charge of the dogs because she is fond of animals, and carries her mania to the extent of feeding and petting the black beetles. The grave of Karl Ivanovitch, the tutor in "Childhood, Boyhood, Youth," which lies in the cemetery a mile or two distant, is another memento of his writings.) As we strolled back to the house, we paused to look at the long white stables, the thatched granary with walls of wattled tree boughs, and other farm buildings. In the space between the house and the dining-table we found the children, with their cousins, the French tutor, and the English governess, engaged in a game of ball called wapta, which involves much running and some skill.
To this table the samovar was brought about half past seven, and the early tea, the children's tea, was served at twilight in the open air heavy with the perfume of the linden-trees. Late tea was always served in the house, in the large hall, accompanied by various viands, and by wild strawberries fetched by the peasant children.
That evening the count talked to me chiefly about the pamphlets on the Hopedale community and the peace doctrines advocated by Adin Ballou, which had been sent to him shortly before from America. He had then learned for the first time that his principles in that direction had been anticipated, and he seemed to be genuinely gratified to know that this was the case. He prophesied that this movement in favor of non-resistance would attract much more attention in the future than it has attracted in the past. The fate of Mr. Ballou's community did not seem to shake his faith.
Naturally, the house was the first point which engaged our attention. In 1860, Count Tolstoy, being then thirty-two years of age, made up his mind unalterably that he would never marry. All the world knows that when the count has irrevocably determined upon anything he immediately furnishes substantial proof of his convictions. On this occasion his demonstration took the form of selling the manor house, which was taken down and set up again on another estate in the same government by the purchaser. The wings of the former house alone remained, detached buildings, such as were used in the olden days to accommodate the embroiderers, weavers, peasant musicians and actors of the private troupes kept by wealthy grandees, as a theatre, or as extra apartments. The count occupied one of these wings.