"I learn to play those parts that please me," Polly said. "And it does not please me to play the mistress of servants." She spoke with firm purpose. "I do not mean to be disobliging, Nicholas, and I am sure you intend only to be kind, but it would not suit me at all."

Nick drew his snuffbox out of the deep pocket of his coat and flicked it open with a deft thumbnail. He took a pinch, thoughtful and deliberate. This was obviously one of those issues on which Polly was like to prove intractable; nothing would be gained by pushing the point to animosity.

"Why do you not try the shoes?" he suggested affably.

Polly had noticed that when Nick dropped a potentially contentious subject as abruptly as he had just done this one, it usually meant that he had decided to choose different ground on some other occasion. The subject was certainly not closed. It was a tactic that left the opposition in an uneasy position, since one could not continue to press a point when no argument was offered, yet dropping the issue, under even such passive compulsion, smacked uncomfortably of concession. But there was nothing to be done. She turned her attention to the high-heeled shoes.

"They require practice," Nicholas comforted as she teetered precariously around the room. "In ten minutes I guarantee that you will be quite at ease."

Polly muttered doubtfully, but found to her surprise that Nick was right. Practice did make, if not perfect, then a fair approximation of that happy state.

She was demonstrating a very creditable turn in the parlor,

managing to control the volume of her skirts as they swung around her, when the knocker sounded from below. Nick glanced surreptitiously at the watch at his waist. Thomas Killigrew was punctual to the minute. Goodman Benson's voice came from the hall, adjuring the visitor to mind the turn at the corner of the stairs.

"Is it a visitor?" Without thinking, Polly moved into the light from the window. The knowledge that the shaft of afternoon sun would catch the golden tints hidden in the honeyed curls clustering on her shoulders was a subliminal one, yet she possessed it nevertheless.

Kincaid smiled to himself. She was standing very erect, the elegance of her attire set off by the natural grace of her posture. The exciting prospect of an audience other than himself had deepened the glow of her complexion, made, if such a thing were possible, the forest pools of her eyes even more lustrous. Her lips were slightly parted over those even white teeth, and she radiated her own special inner energy that defied all resistance.

It was this latter quality that Killigrew noticed the minute he walked into the parlor. No damsel with die-away airs here, but a young woman with her eyes set upon a prize; every inch of her absorbing her surroundings; intent on ensuring that no opportunity evaded her watchfulness, on ensuring that her responses were those to make the most of every eventuality. It was only after he had assimilated this that the full impact of that extraordinary beauty struck him.

He looked at Lord Kincaid, who had been watching the visitor's reactions with a tiny smile beneath arched eyebrows. "It would be too much to hope that she might have some aptitude, also," Thomas murmured. "God is too sparing of his gifts-and those he has already bestowed…!" He raised his hands in a gesture of one rendered speechless.

Polly had been listening to this exchange in some puzzlement. Now she cast an imperative glance at Nick, and one foot tapped with unconscious impatience.

"Your pardon, Polly." He bowed slightly. "Pray permit me to introduce Master Thomas Killigrew. Thomas, Mistress

Polly Wyat." Then he stood back and prepared to enjoy the play.

Polly was thrown off balance for no more than a second. Then she was sinking into a curtsy, murmuring how delighted she was to make Master Killigrew's acquaintance. Her salutation was answered in kind; then the manager of the Theatre Royal said, "Make your curtsy again, but this time you are making it to one whom you would have as lover if your husband can be successfully deceived."

Polly thought for a minute. This was not how she had imagined her first meeting with this man. Somehow she had thought there would be ceremony, that it would all take place in the hushed glory of the theatre, which she had never yet entered, investing the meeting with all the magic of fantasy. But if this was the way it was to be, then she must adapt.

She imagined herself in a crowded drawing room, her husband standing to one side, Nick, as the prospective lover, bowing before her. Master Killigrew was clearly the audience, so she must ensure that he had the full benefit of her decolletage, the curve of hip when she pointed one delicate toe, and allowed her rear to sink onto her bent back leg. It was a very slow descent, her eyes lowered modestly as she dipped. But once in position, she raised her eyes and looked directly at Lord Kincaid. It was no more than the merest whisper of a glance, since to hold his gaze would bespeak an effrontery that would draw unwelcome notice from those around her. She had no fan, but it was not difficult to mime the unfurling as she fixed melting yet mischievous, inviting eyes upon the chosen one, while she held the position of subjection just long enough to underscore the invitation, and to allow both men full appreciation of her bare shoulders, artlessly tumbled curls, the rise and fall of her semiexposed bosom. Then she was swimming upward, turning her eyes discreetly to one side as if to deny that the exchange had taken place, gliding sideways as if she were moving on to another guest.

"Superlative!" breathed Killigrew. "You have had no experience of the stage?"

"To quote the bard, as far as Polly is concerned: All the world's a stage," laughed Nick. "She rarely loses an opportunity to perform."

Polly colored, imagining a note of reproof beneath the laughter. He had made it clear often enough that it was one of her habits which tended to displease him. "I have not served you such a trick for this age, my lord," she said with frigid dignity. "It is ungallant to refer to matters that I had thought were past."

"You misunderstand, moppet. I was but paying you a compliment on this occasion."

The flush of annoyance faded, the stiffness left her shoulders. "I beg your pardon, sir. I did not mean to jump to conclusions."

Killigrew listened, fascinated. She had the prettiest voice, light and musical, and was giving rein to her emotions quite without artifice, as if there were no one but herself and Kincaid in the chamber. A lack of selfconsciousness was a great gift for an actor as long as it could be channeled. If she was impatient of counsel and direction, however, it would not matter how beautiful her face and form, how natural her talent-and meek and submissive she most definitely was not.

Where had Kincaid found her? he wondered. There was a naivete about her, a curious innocence that belied her position as a kept woman. She was very young, of course, and her speech and manners were not those of one who had been bred in Covent Garden or its equivalent. But the name was unknown to him, so presumably she was not the scion of some impoverished noble family, either. A merchant's daughter, maybe, willing to exchange her virtue for social and financial advancement. Impoverished nobility, genteel tradesmen's daughters, Covent Garden whores, had all found their way to the stage in the last few years, all in search of material or social advancement. Both were available for such a beauty as this one along the path she had chosen, and

indeed, it would be a crying shame to leave such a paragon to the mediocre destiny of a merchant's wife.

"Do you care to accompany me to the playhouse, Mistress Wyat?" Killigrew said now. "I'd like you to read something for me, if you would be so kind."