“Poplar House” took some finding, and, when found, was a little house supporting a large studio with a north light. It stood, behind two poplar trees, tall, thin, white, like a ghost. A foreign woman opened to him. Yes. Miss Forsyte was in the studio with Mr. Blade! Michael sent up his card, and waited in a draught, extremely ill at ease; for now that he was here he could not imagine why he had come. How to get the information he wanted without seeming to have come for it, passed his comprehension; for it was the sort of knowledge that could only be arrived at by crude questioning.

Finding that he was to go up, he went, perfecting his first lie. On entering the studio, a large room with green-canvassed walls, pictures hung or stacked, the usual dais, a top light half curtained, and some cats, he was conscious of a fluttering movement. A little light lady in flowing green, with short silver hair, had risen from a footstool, and was coming towards him.

“How do you do? You know Harold Blade, of course?”

The young man, at whose feet she had been sitting, rose and stood before Michael, square, somewhat lowering, with a dun-coloured complexion and heavily charged eyes.

“You must know his wonderful Rafaelite work.”

“Oh, yes!” said Michael, whose conscience was saying: “Oh, no!”

The young man said, grimly: “He doesn’t know me from Adam.”

“No, really,” muttered Michael. “But do tell me, why Rafaelite? I’ve always wanted to know.”

“Why?” exclaimed June. “Because he’s the only man who’s giving us the old values; he’s rediscovered them.”

“Forgive me, I’m such a dud in art matters—I thought the academicians were still in perspective!”

“THEY!” cried June, and Michael winced at the passion in the word. “Oh, well—if you still believe in them—”

“But I don’t,” said Michael.

“Harold is the only Rafaelite; people are grouping round him, of course, but he’ll be the last, too. It’s always like that. A great painter makes a school, but the schools never amount to anything.”

Michael looked with added interest at the first and last Rafaelite. He did not like the face, but it had a certain epileptic quality.

“Might I look round? Does my father-inlaw know your work, I wonder? He’s a great collector, and always on the look-out.”

“Soames!” said June, and again Michael winced. “He’ll be collecting Harold when we’re all dead. Look at that!”

Michael turned from the Rafaelite, who was shrugging his thick shoulders. He saw what was clearly a portrait of June. It was entirely recognisable, very smooth, all green and silver, with a suggestion of halo round the head.

“Pure primary line and colour—d’you think they’d hang THAT in the Academy?”

‘Seems to me exactly what they would hang,’ thought Michael, careful to keep the conclusion out of his face.

“I like the suggestion of a halo,” he murmured.

The Rafaelite uttered a short, sharp laugh.

“I’m going for a walk,” he said; “I’ll be in to supper. Good-bye!”

“Good-bye!” said Michael, with a certain relief.

“Of course,” said June when they were alone, “he’s the ONLY person who could paint Fleur. He’d get her modern look so perfectly. Would she sit to him? With everybody against him, you know, he has SUCH a struggle.”

“I’ll ask her. But do tell me—why is everybody against him?”

“Because he’s been through all these empty modern crazes, and come back to pure form and colour. They think he’s a traitor, and call him academic. It’s always the way when a man has the grit to fly against fashion and follow his own genius. I can see exactly what he’d do with Fleur. It would be a great chance for him, because he’s very proud, and this would be a proper commission from Soames. Splendid for her, too, of course. She ought to jump at it—in ten years’ time he’ll be THE man.”

Michael, who doubted if Fleur would “jump at it,” or Soames give the commission, replied cautiously: “I’ll sound her… By the way, your sister Holly and your young brother and his wife were lunching with us today.”

“Oh!” said June, “I haven’t seen Jon yet.” And, looking at Michael with her straight blue eyes, she added:

“Why did you come to see me?”

Under that challenging stare Michael’s diplomacy wilted.

“Well,” he said, “frankly, I want you to tell me why Fleur and your young brother came to an end with each other.”

“Sit down,” said June, and resting her pointed chin on her hand, she looked at him with eyes moving a little from side to side, as might a cat’s.

“I’m glad you asked me straight out; I hate people who beat about the bush. Don’t you know about Jon’s mother? She was Soames’ first wife, of course.”

“Oh!” said Michael.

“Irene,” and, as she spoke the name, Michael was aware of something deep and primitive stirring in that little figure. “Very beautiful—they didn’t get on; she left him—and years later she married my father, and Soames divorced her. I mean Soames divorced her and she married my father. They had Jon. And then, when Jon and Fleur fell in love, Irene and my father were terribly upset, and so was Soames—at least, he ought to have been.”

“And then?” asked Michael, for she was silent.

“The children were told; and my father died in the middle of it all; and Jon sacrificed himself and took his mother away, and Fleur married you.”

So that was it! In spite of the short, sharp method of the telling, he could feel tragic human emotion heavy in the tale. Poor little devils!

“I always thought it was too bad,” said June, suddenly. “Irene ought to have put up with it. Only—only—” and she stared at Michael, “they wouldn’t have been happy. Fleur’s too selfish. I expect she saw that.”

Michael raised an indignant voice.

“Yes,” said June; “you’re a good sort, I know—too good for her.”

“I’m not,” said Michael, sharply.

“Oh, yes, you are. She isn’t bad, but she’s a selfish little creature.”

“I wish you’d remember—”

“Sit down! Don’t mind what I say. I only speak the truth, you know. Of course, it was all horrible; Soames and my father were first cousins. And those children were awfully in love.”

Again Michael was conscious of the deep and private feeling within the little figure; conscious, too, of something deep and private stirring within himself.

“Painful!” he said.

“I don’t know,” June went on, abruptly, “I don’t know; perhaps it was all for the best. You’re happy, aren’t you?”

With that pistol to his head, he stood and delivered.

“I am. But is she?”

The little green-and-silver figure straightened up. She caught his hand and gave it a squeeze. There was something almost terribly warmhearted about the action, and Michael was touched. He had only seen her twice before!

“After all, Jon’s married. What’s his wife like?”

“Looks charming—nice, I think.”

“An American!” said June, deeply. “Well, Fleur’s half French. I’m glad you’ve got a boy.”

Never had Michael known anyone whose words conveyed so much unintended potency of discomfort! Why was she glad he had a boy? Because it was an insurance—against what?

“Well,” he mumbled, “I’m very glad to know at last what it was all about.”

“You ought to have been told before; but you don’t know still. Nobody can know what family feuds and feelings are like, who hasn’t had them. Though I was angry about those children, I admit that. You see, I was the first to back Irene against Soames in the old days. I wanted her to leave him at the beginning of everything. She had a beastly time; he was such a—such a slug about his precious rights, and no proper pride either. Fancy forcing yourself on a woman who didn’t want you!”

“Ah!” Michael muttered. “Fancy!”

“People in the ‘eighties and ‘nineties didn’t understand how disgusting it was. Thank goodness, they do now!”

“Do they?” murmured Michael. “I wonder!”