They parted at the corner, and Michael walked towards Westminster. He passed under the spikes of Buckingham Palace Gardens, and along the stables leading to Victoria Street. All this part had some very nice slums, though of late he knew the authorities had been ‘going for them.’ He passed an area where they had ‘gone’ for them to the extent of pulling down a congery of old houses. Michael stared up at the remnants of walls mosaicked by the unstripped wall papers. What had happened to the tribe outdriven from these ruins; whereto had they taken the tragic lives of which they made such cheerful comedy? He came to the broad river of Victoria Street and crossed it, and, taking a route that he knew was to be avoided, he was soon where women encrusted with age sat on doorsteps for a breath of air, and little alleys led off to unplumbed depths. Michael plumbed them in fancy, not in fact. He stood quite a while at the end of one, trying to imagine what it must be like to live there. Not succeeding, he walked briskly on, and turned into his own square, and to his own habitat with its bay-treed tubs, its Danish roof, and almost hopeless cleanliness. And he suffered from the feeling which besets those who are sensitive about their luck.

‘Fleur would say,’ he thought, perching on the coat-sarcophagus, for he, too, was tired, ‘that those people having no aesthetic sense and no tradition to wash up to, are at least as happy as we are. She’d say that they get as much pleasure out of living from hand to mouth (and not too much mouth), as we do from baths, jazz, poetry and cocktails; and she’s generally right.’ Only, what a confession of defeat! If that were really so, to what end were they all dancing? If life with bugs and flies were as good as life without bugs and flies, why Keating’s powder and all the other aspirations of the poets? Blake’s New Jerusalem was, surely, based on Keating, and Keating was based on a sensitive skin. To say, then, that civilisation was skin-deep, wasn’t cynical at all. People possibly had souls, but they certainly had skins, and progress was real only if thought of in terms of skin!

So ran the thoughts of Michael, perched on the coat-sarcophagus; and meditating on Fleur’s skin, so clear and smooth, he went upstairs.

She had just had her final bath, and was standing at her bedroom window. Thinking of—what? The moon over the square?

“Poor prisoner!” he said, and put his arm round her.

“What a queer sound the town makes at night, Michael. And, if you think, it’s made up of the seven million separate sounds of people going their own separate ways.”

“And yet—the whole lot are going one way.”

“We’re not going any way,” said Fleur, “there’s only pace.”

“There must be direction, my child, underneath.”

“Oh! Of course, change.”

“For better or worse; but that’s direction in itself.”

“Perhaps only to the edge, and over we go.”

“Gadarene swine!”

“Well, why not?”

“I admit,” said Michael unhappily, “it’s all hair-triggerish; but there’s always common-sense.”

“Common-sense—in face of passions!”

Michael slackened his embrace. “I thought you were always on the side of common-sense. Passion? The passion to have? Or the passion to know?”

“Both,” said Fleur. “That’s the present age, and I’m a child of it. You’re not, you know, Michael.”

“Query!” said Michael, letting go of her waist. “But if you want to have or know anything in particular, Fleur, I’d like to be told.”

There was a moment of stillness, before he felt her arm slipping through his, and her lips against his ear.

“Only the moon, my dear. Let’s go to bed.”

On the very day that Fleur was freed from her nursing she received a visit from the last person in her thoughts. If she had not altogether forgotten the existence of one indelibly associated with her wedding-day, she had never expected to see her again. To hear the words: “Miss June Forsyte, ma’am,” and find her in front of the Fragonard, was like experiencing a very slight earthquake.

The silvery little figure had turned at her entrance, extending a hand clad in a fabric glove.

“It’s a flimsy school, that,” she said, pointing her chin at the Fragonard; “but I like your room. Harold Blade’s pictures would look splendid here. Do you know his work?”

Fleur shook her head.

“Oh! I should have thought any—” The little lady stopped, as if she had seen a brink.

“Won’t you sit down?” said Fleur. “Have you still got your gallery off Cork Street?”

“That? Oh, no! It was a hopeless place. I sold it for half what my father gave for it.”

“And what became of that Polo–American—Boris Strumo something—you were so interested in?”

“He! Oh! Gone to pieces utterly. Married, and does purely commercial work. He gets big prices for his things—no good at all. So Jon and his wife—” Again she stopped, and Fleur tried to see the edge from which she had saved her foot.

“Yes,” she said, looking steadily into June’s eyes, which were moving from side to side, “Jon seems to have abandoned America for good. I can’t see his wife being happy over here.”

“Ah!” said June. “Holly told me you went to America, yourself. Did you see Jon over there?”

“Not quite.”

“Did you like America?”

“It’s very stimulating.”

June sniffed.

“Do they buy pictures? I mean, do you think there’d be a chance for Harold Blade’s work there?”

“Without knowing the work—”

“Of course, I forgot; it seems so impossible that you don’t know it.”

She leaned towards Fleur and her eyes shone.

“I do so want you to sit to him, you know; he’d make such a wonderful picture of you. Your father simply must arrange that. With your position in Society, Fleur, especially after that case last year,”—Fleur winced, if imperceptibly—“it would be the making of poor Harold. He’s such a genius,” she added, frowning; “you MUST come and see his work.”

“I should like to,” said Fleur. “Have you seen Jon yet?”

“No. They’re coming on Friday. I hope I shall like her. As a rule, I like all foreigners, except the Americans and the French. I mean—with exceptions, of course.”

“Naturally,” said Fleur. “What time are you generally in?”

“Every afternoon between five and seven are Harold’s hours for going out—he has my studio, you know. I can show you his work better without him; he’s so touchy—all real geniuses are. I want him to paint Jon’s wife, too. He’s extraordinary with women.”

“In that case, I think you should let Jon see him and his work first.”

June’s eyes stared up at her for a moment, and flew off to the Fragonard.

“When will your father come?” she asked.

“Perhaps it would be best for me to come first.”

“Soames naturally likes the wrong thing,” said June, thoughtfully; “but if you tell him you want to be painted—he’s sure to—he always spoils you—”

Fleur smiled.

“Well, I’ll come. Perhaps not this week.” And, in thought, she added: ‘And perhaps, yes—Friday.’

June rose. “I like your house, and your husband. Where is he?”

“Michael? Slumming, probably; he’s in the thick of a scheme for their conversion.”

“How splendid! Can I see your boy?”

“I’m afraid he’s only just over measles.”

June sighed. “It does seem long since I had measles. I remember Jon’s measles so well; I got him his first adventure books.” Suddenly she looked up at Fleur: “Do you like his wife? I think it’s ridiculous his being married so young. I tell Harold he must never marry; it’s the end of adventure.” Her eyes moved from side to side, as if she were adding: “Or the beginning, and I’ve never had it.” And suddenly she held out both hands.

“I shall expect you. I don’t know whether he’ll like your hair!”

Fleur smiled.

“I’m afraid I can’t grow it for him. Oh! Here’s my father coming in!” She had seen Soames pass the window.