It rang once, before being picked up by a machine. "I'm entertaining a guest right now," Dolces voice said, "so go away."

Stone hung up, angry, and tried to think of something else. He thought of Marc Blumberg and dialed his number.

"Mr. Blumberg's office," a woman said.

"My name is Stone Barrington; I'm calling Mr. Blumberg at the suggestion of Lou Regenstein."

"And how can Mr. Blumberg help you, Mr. Barrington?"

He obviously wasn't going to get past this woman without telling her the purpose of his call, and he had no intention of doing that. "Please ask Mr. Blumberg to call me at Centurion Studios." He gave her the number and hung up.

Betty Southard came into the office. "I was passing and heard you mention a Blumberg. Marc Blumberg?"

Stone nodded.

"Is Arrington in that much trouble?"

"It's just a precaution," Stone replied. "I think it's best to be ready for anything."

"I suppose so," she said. "How about some dinner tonight?"

"I'd like that," Stone said. He hadn't been looking forward to being sequestered at the Calder house, and Dolce's behavior had removed any guilt he might have felt about seeing another woman. "Book us at your favorite restaurant."

"Pick me up at seven-thirty?"

"Sure."

"You remember the address?"

"How could I forget?"

The phone rang, and Betty picked up the one on the desk "Mr. Calder's bungalow?" She handed the phone to Stone. "Marc Blumberg."

"Thank you for returning my call, Mr. Blumberg," Stone said. "Lou Regenstein has suggested we meet to discuss something very important."

"Of course," Blumberg said. "Tomorrow morning okay?"

Stone could hear diary pages turning. "Id rather not come to your office, for reasons I'll explain later. "Would it be possible for you to meet me at Centurion Studios after office hours?"

"I'll be finished here by five-thirty," Blumberg replied. "I could be there by six, but I'll only have about forty-five minutes; I have to get home and change for dinner."

"Six will be fine," Stone said. "I'll leave instructions for you at the gate." He hung up. "Betty," he said, "will you have a pass and directions to the bungalow at the main gate? Blumberg is coming here at six."

"Consider it done," she replied.

"Do you mind if I don't change for dinner?" he asked. "I won't have time to go back to Vance's."

"No problem. When is Arrington getting out of the hospital?"

"Tomorrow, I hope."

"Do you think you should be living at the house then?"

"You have a dirty mind."

"You bet I do; I have two suggestions."

"What?"

"The first is, move in with me. I managed to make you comfortable the last time you were here."

"I think it's best that I just move back to the Bel-Air," Stone said. "What's your second suggestion?"

"Vance has… had a place at Malibu; I think that might be enough distance between you and Arrington, and I've got the keys."

"That's a thought," Stone said. "I'll let you know."

Marc Blumberg bustled into the bungalow promptly at six, a small, fit-looking, deeply tanned man of fifty in a perfecdy cut suit and gleaming shoes.

Stone shook his hand. "Can I get you a drink?"

"I'm okay," Blumberg said, taking a seat on a leather sofa. "I believe I've heard of you, Stone. May I call you Stone?"

Stone sat down beside him. "Of course."

"And I'm Marc. I remember that business in St. Mark's a few years back, when you defended the woman on a murder charge. Saw it on 60 Minutes, I think."

"Yes, that was a difficult one."

"Pity she was hanged."

"Yes."

"I remember from Lou that you're a friend of Mrs… the Calders. I take it I'm here to talk about another murder trial."

"Let's call this a precautionary meeting."

"It's always wise to take precautions. Has Arrington talked to the police yet?"

"Earlier this afternoon."

"I should have been there for that," Blumberg said.

"I didn't want to appear to be running scared," Stone said. "You'd have been happy with the way it went." He gave Blumberg a detailed rundown of Arrington's questioning.

"That sounds okay," Blumberg said. "You handled it well."

"Thank you."

"Sounds as though they don't have another suspect."

"That's how I read it. They went through the drill the night of the murder, and they didn't come up with anything, and that disturbs them. Cops like early indications, and when they don't find them, they look at the household."

"Anybody in the house besides Arrington?"

"No. The butler and maid were in their quarters; the buder found Vance and called the police."

"What was the scene like?"

"Vance was dressed in tuxedo trousers and a pleated shirt, no tie. They were going to a black-tie dinner at Lou's house a little later. He was found lying face down in the central hallway of the house, one bullet here." Stone pointed at the spot.

"You used to be a cop didn't you?"

"Yes."

"Have you got a scenario for this that doesn't involve Arrington shooting Vance?"

"Here's how I read it," Stone said. "Arrington was in the bathtub; Vance was getting dressed. His safe was open, containing his jewelry box, a nine-millimeter automatic, and a box of cartridges. He either walked in on a burglary, or a burglar walked in on him, probably the former. The burglar took the jewelry box and the gun, walked Vance into the central hallway and shot him."

"Any struggle?"

"Looks like an execution to me. My guess is, Vance saw it coming and turned away. That's why the wound in the back of the head." Stone stood up, held out his hands in the "no, no" position, then half turned away from his imaginary assailant.

"Makes sense," Blumberg said.

"For Arrington to have done it, she would have to have gone to the safe, taken out the gun, cocked it, flipped off the safety, then either marched her husband out into the hall, or gone looking for him and found him there. That doesn't fit a domestic quarrel."

"It fits a cold-blooded, premeditated murder," Blumberg said. "How do you figure the chances of that?"

"Unlikely in the extreme."

"I'm glad to hear it. So what we've got is an innocent woman who loved her husband, who is a suspect only because the police haven't done their job and found the real killer."

"In a nutshell," Stone said. "A couple of other things you should know: I got the impression from the detectives that they might have other evidence we don't know about. They refused to disclose it to me, said they'd talk to a California lawyer."

"We'll get it, don't worry. What's the other thing?"

"The police talked to a woman named Beverly Walters, who told them Vance was screwing an actress named Charlene Joiner; they took that as Arrington's motive for the shooting."

"I know her; she's a complete bitch, and she could give us trouble at a trial. Charlene Joiner, huh? If it's true, Vance was a lucky guy."

"Yeah, I've seen some of her pictures."

"Tell me, Stone, what's your role in all this?" Blumberg asked. "Family friend?"

"That, and for the moment, Arrington's personal representative. I have her confidence and a power of attorney."

Blumberg looked Stone in the eye. "You and Arrington ever have a thing, Stone?"

"We were living together in New York when she suddenly married Vance."

"You want me to represent her?"

"If it becomes necessary."

"I think you're right about my presence being a red flag; the media would play that big. Here's what we do. I don't so much as even speak to Arrington, unless we find out she's going to be arrested."

"I might be able to get advance notice of that, if it happens."

"Good. If you do, I surrender her to the D.A. I can arrange that. From then on, I'm her lawyer, not you; I'm running the case."