Dan's mouth fell open. "The bus, I reckon. They run up and down Rover Road all night."

Or, thought Qwilleran, did she drive away with the owner of the light-colored convertible at three in the morning? . . . Then the dismal possibility flashed into his mind. It could be that his $750 had financed Joy's elopement with another man.

No! He refused to believe that! Still, his face felt hot and cold by turns, and he ran a hand over his forehead. Was he an accomplice or a victim, or both? He was a fool, he decided, either way. His first impulse was to stop payment on the check. As a newsman and a professional cynic he suspected he had been duped, but a better instinct told him to have faith in Joy — if he loved her, and he privately admitted it now: He had never really stopped loving Joy Wheatley.

I know Joy, he told himself. No matter how desperate she was, she would never do that to me. Then he remembered the scream.

"I don't want to alarm you, Dan," he said in a calm voice that belied his confusion, "but are you sure she left the premises voluntarily?"

Dan, who had been staring gloomily into his coffee cup, looked up sharply. "How do you mean?"

"I mean. . . I thought I heard a woman scream last night, and shortly after that, I heard a car drive away."

The potter gave a short, bitter laugh. "Did you hear that ruckus? Crazy woman! Tell you what happened. When I came home last night, it was sort of late. I know these guys downtown — all artists, more or less — we play poker, drink a few beers. Well, it was sort of late, and Joy was sitting up waiting. Miffed, I guess. There she was — sitting at the wheel and throwing a pot and looking daggers at me when I came in. And you know what? She was working at the wheel with her hair hanging down a mile! I've warned her about that, but she's cocky and never pays any attention to what I say."

Dan brooded over the situation, staring into his empty coffee cup until Qwilleran poured a refill and said, "Well, what happened?"

"Oh, we had the usual scrap about this and that, and she started tossing her head around — the way she does when she gets on her high horse. And then — dammit if she didn't get her hair caught in the wheel, just as I was afraid. Could've scalped her! Could've broken her neck if I hadn't been there to throw the switch and stop the thing. Crazy woman!"

"And you say she screamed?"

"Woke up the whole house, probably. I tell you it gave me a holy scare, too. I don't know what I'd do if anything happened to that old girl."

Qwilleran wore a frown that passed for sympathy, although it stemmed from his own dilemma.

"I'm not worried. She'll be back," Dan said. He pushed his chair away from the table and stood up, stretching and patting his diaphragm. "Gotta get to work now. Gotta start setting up the exhibition. See if you can do anything for me at the paper, will you?" He reached in his hip pocket and found his wallet, from which he carefully withdrew a folded clipping. He handed it to Qwilleran with poorly concealed pride. "Here's what the top-drawer critic in L.A. said about my one-man show. This guy really knew his onions, I'm not kidding."

It was a very old clipping, the newsprint yellow and disintegrating where it had been folded.

After Dan had left, patting the rear pocket where he had stowed the wallet and the worn clipping, Qwilleran asked the housekeeper, "Who drives a light-colored convertible around here?"

"Mr. Sorrel has a light car. Kind of — baby blue," she added with a catch in her voice.

"Have you seen him this morning?"

"No, he never gets up early. He works late every night."

"I think I'll take a stroll around the grounds," Qwilleran told her. "I want to put my cat on a leash and give him a little exercise. And if you'll tell me where to find the oilcan, I'll fix that garage door."

"You don't have to do that, Mr. Qwilleran. William is supposed to — "

"No trouble, Mrs. Marron. I'll oil the hinges, and William can cut the grass. It needs it."

"If you walk down to the river," she said in a shaking voice, "be careful of the boardwalk. There might be some loose boards."

Back in his apartment Qwilleran found the cats bedded down for their morning nap on the bunk, their legs and tails interwoven to make a single brown fur mat between them. He lifted the sleeping Koko, whose body had the limp weight of a sack of flour, and coaxed his yawning head through the collar of a blue leather harness. Then, using a piece of nylon cord as a leash, he led the reluctant cat out the door-still yawning, stretching and staggering.

They circled the balcony before going downstairs. Qwilleran wanted to read the nameplates on the doors. Adjoining his own was Rosemary Whiting's apartment from which he could hear the sound of music — then that of Max Sorrel, where guttural snoring could be heard behind the closed door. On the opposite side of the balcony were the nameplates of Hixie Rice, Charlotte Roop, and Robert Maus. Why nameplates? Qwilleran started to wonder, but he dropped the question; there were too many other things on his mind.

He led Koko down the stairs, across the slick brown tiles of the Great Hall, and out into the side yard of Maus Haus. For Koko, an apartment dweller all his life, grass was a rare treat. On the lawn, still wet from the night's rain, he tried to inspect each blade personally, rejecting one and snapping his jaws on the next, with a selectivity understood only by his species. After each moist step through the grass he shook his paws fastidiously.

There was an open carport on the east side of the building, obviously a new addition. It sheltered a dark blue compact and an old dust-colored Renault. The latter did indeed have a hole in the floor, large enough for a size 12 shoe, the newsman estimated.

From there a gravel path led down to the river, where two weathered benches stood on a rotting boardwalk. The water — brown as gravy in daylight and with an indefinable stench — riffled sluggishly against the old piling.

Koko did not care for it. He wanted nothing to do i with the river. He pulled away from the boardwalk and stayed on the wet grass until they started back up the path. Once he stopped to sniff a bright blue-green object on the edge of the gravel, and Qwilleran picked it up — a small glazed ceramic piece the size and shape of a beetle. Scratched on the underside were the initials J.G. He dropped it in his pocket, tugged on the leash, and led Koko back toward the house.

From the rear, the misshapen building looked like a grotesque bird with a topknot of chimneys, its carport and garage like awkward wings, its fire escapes and ledges like ruffled feathers. For eyes there were the two large staring windows of the Grahams' loft, and as Qwilleran looked up at them, he saw a figure inside move hastily away.

Coming to the three-stall garage, he opened the lift doors. Only one of them creaked, and only one of the stalls was occupied. The car was a light blue convertible. Closing the garage door, Qwilleran examined the car carefully, inside and out-the floor, the upholstery, the instrument panel. It was very clean.

"What about this, Koko?" he muttered. "It's almost too clean."

Koko was busy sniffing oil stains on the concrete floor.

When the two returned to Number Six, Koko allowed Yum Yum to wash his face and ears, and Qwilleran paced the floor, wondering where Joy had gone, whether she had gone alone, when (if ever) she would get in touch with him, and whether he would ever see his money again. He had been unemployed for so long, before being hired by the Daily Fluxion, that $750 was a small fortune.

He wondered if Kipper and Fine had started alterations on his new suit, and he was tempted to call them and cancel the order. Today he felt no desire for a new suit. It had been a short spring. And now — added to his mental discomforts — he realized that he was desperately hungry.