"I don't really have much to tell them that would be helpful," I relented. "I guess we could wait until they find the body."

"They won't find it," Brother Knuckles said. "They ain't lookin' for a Brother Tim who's been murdered, the body hidden. What they're lookin' for is a Brother Tim somewhere who slashed his wrists or hung himself from a rafter."

I stared at him, not fully comprehending.

"It's only two years since Brother Constantine committed suicide," he reminded me.

Constantine is the dead monk who lingers in this world, and sometimes manifests as an energetic poltergeist in unexpected ways.

For reasons no one understands, he climbed into the church tower one night, while his brothers slept, tied one end of a rope around the mechanism that turns the three-bell carillon, knotted the other end around his neck, climbed onto the tower parapet, and jumped, ringing awake the entire community of St. Bartholomew's.

Among men of faith, perhaps self-destruction is the most damning of all transgressions. The effect on the brothers had been profound; time had not diminished it.

Knuckles said, "Sheriff thinks we're a rough crew, he can't trust us. He's the kind believes albino-monk assassins live here in secret catacombs, goin' out to murder in the night, all that old Ku Klux Klan anti-Catholic stuff, though maybe he don't know it's from the KKK. Funny how people that don't believe in nothin' are so quick to believe every crazy story about people like us."

"So they expect that Brother Timothy killed himself."

"Sheriff probably thinks we'll all kill ourselves before we're done. Like those Jim Jones Kool-Aid drinkers."

I thought wistfully of Bing Crosby and Barry Fitzgerald. "Saw an old movie the other night-Going My Way."

"That wasn't just another time, son. That was another planet."

The outer door of the parlor opened. A sheriff's deputy and four monks entered. They had come to search the guesthouse, though it was not likely that a suicidal brother would have repaired to this wing to drink a quart of Clorox.

Brother Knuckles recited the last few lines of a prayer and made the sign of the cross, and I followed his example, as though we had retreated here to pray together for Brother Timothy's safe return.

I don't know if this deception qualified as a half-step down the slippery slope. I had no sensation of sliding. But of course we never notice the descent until we're rocketing along at high velocity.

Knuckles had convinced me that I would find no friends among these authorities, that I must remain a free agent to discover the nature of the looming violence that drew the bodachs. Consequently, I preferred to avoid the deputies without appearing to be dodging them.

Brother Fletcher, the monastery's cantor and music director, one of the four monks with the deputy, asked for permission to search my suite. I gave it without hesitation.

For the benefit of the deputy, whose eyes were compressed to slits by the weight of his suspicion, Knuckles asked me to help search the pantries and storerooms that were his domain, as cellarer.

When we stepped out of the parlor, into the guesthouse cloister, where wind blustered among the columns, Elvis was waiting for me.

In my previous two manuscripts, I have recounted my experiences with the lingering spirit of Elvis Presley in Pico Mundo. When I left that desert town for a mountain monastery, he had come with me.

Instead of haunting a place, especially an appropriate place like Graceland, he haunts me. He thinks that, through me, he will in time find the courage to move on to a higher place.

I suppose I should be glad that I'm being haunted by Elvis instead of, say, by a punker like Sid Vicious. The King is an easy spirit with a sense of humor and with concern for me, though once in a while he weeps uncontrollably. Silently, of course, but copiously.

Because the dead don't talk or even carry text-messaging devices, I needed a long time to learn why Elvis hangs around our troubled world. At first I thought he was reluctant to leave here because this world had been so good to him.

The truth is, he's desperate to see his mother, Gladys, in the next world, but he's reluctant to cross over because he's filled with anxiety about the reunion.

Few men have loved their mothers more than Elvis loved Gladys. She died young, and he grieved for her until his death.

He fears, however, that his use of drugs and his other personal failures in the years that followed her passage must have shamed her. He is embarrassed by his ignominious death-overdosed on prescription medications, facedown in vomit-though this seems to be the preferred exit scene for a significant percentage of rock-and-roll royalty.

I have often assured him that there can be no shame, no anger, no disappointment where Gladys waits, only love and understanding. I tell him that she will open her arms to him on the Other Side.

Thus far my assurances have not convinced him. Of course there is no reason why they should. Remember: In Chapter Six, I admitted that I don't know anything.

So as we entered the passageway between the guest and the grand cloisters, I said to Brother Knuckles, "Elvis is here."

"Yeah? What movie's he in?"

This was Knuckles's way of asking how the King was dressed.

Other lingering spirits manifest only in the clothes they were wearing when they died. Donny Mosquith, a former mayor of Pico Mundo, had a heart attack during vigorous and kinky intimacy with a young woman. Cross-dressing in spike heels and women's underwear stimulated him. Hairy in lace, wobbling along the streets of a town that named a park after him when he was alive but later renamed it after a game-show host, Mayor Mosquith does not make a pretty ghost.

In death as in life, Elvis exudes cool. He appears in costumes from his movies and stage performances, as he chooses. Now he wore black boots, tight black tuxedo trousers, a tight and open black jacket that came only to the waistline, a red cummerbund, a ruffled white shirt, and an elaborate black foulard.

"It's the flamenco-dancer outfit from Fun in Acapulco," I told Knuckles.

"In a Sierra winter?"

"He can't feel the cold."

"Ain't exactly suitable to a monastery, neither."

"He didn't make any monk movies."

Walking at my side, as we neared the end of the passageway Elvis put an arm around my shoulders, as though to comfort me. It felt no less substantial than the arm of a living person.

I do not know why ghosts feel solid to me, why their touch is warm instead of cold, yet they walk through walls or dematerialize at will. It's a mystery that I most likely will never solve- like the popularity of aerosol cheese in a can or Mr. William Shatner's brief post-Star Trek turn as a lounge singer.

In the large courtyard of the grand cloister, wind rushed down the three-story walls, wielding lashes of brittle snow, whipping up clouds of the softer early snow from the cobblestone floor, thrashing between columns as we hurried along the colonnade toward the kitchen door in the south wing.

Like a crumbling ceiling shedding plaster, the sky lowered on St. Bart's, and the day seemed to be collapsing upon us, great white walls more formidable than the stone abbey, alabaster ruins burying all, soft and yet imprisoning.