As time went on, Anne heard pieces of Emilio's story, which seemed to involve a seriously screwed-up family and a fair bit of ugly commerce. Not terribly surprising, considering. As a member of a generation that spilled its guts in public with unedifying displays of Olympic-level whining, Anne had mixed feelings about Emilio's silence. Unexamined nastiness could fester and poison lives; on the other hand, she admired the ability to shut up and carry on. Emilio was certainly within his rights not to reveal the sordid details of his childhood even to his friends. Or perhaps especially to his friends, whose good opinion of him, he might feel, would not survive the revelations. So, while she was curious, Anne felt her interest was intrusive and never asked him about his family.

Of course, that didn't keep her from looking for people in the neighborhood who resembled him. To her anthropologist's eye, Emilio's face had a distinctive changeable quality. One minute, he could look like a Hollywood Spaniard—black beard and imperial eyes, his face vivid and alive with intelligence; the next, all she could see was the enigmatic structure hard beneath the skin, the Taino endurance bred in the bone. She saw the same qualities in a dignified woman at the flower market who could have been his older sister. But Emilio had never even mentioned if he had sisters or brothers, and Anne knew that when someone is that reticent about something so ordinary, there is usually good reason. So she was not completely unprepared for the way she found out that Emilio did indeed have a brother. What took her by surprise was her own response to the priest himself.

She was alone at the house that night, doing a literature search on clubfoot for one of her patients, when Emilio called and asked her to meet him at the clinic. His speech was slurred, and she could not believe him drunk. "Emilio, what's happened? What's wrong?" she asked, startled by how frightened she was.

"Splain when you get here. Hard to talk."

George was up at the Arecibo telescope for some kind of late-night shoot he was interested in. Anne phoned to let him know what was going on, not that she knew much herself, and asked him to come home right away. Then she hurried down the eighty stairs to the clinic. The office looked deserted when she got there, and she wondered if she'd misunderstood what Emilio had wanted her to do. But she found to her relief that the door was unlocked and Emilio was waiting inside, sitting alone in the dark.

Anne touched on the light, drew one breath at the sight of him and in the next, drew on clinical detachment as deliberately as she did her gown and gloves. "Well, Father," she commented dryly, taking his chin in her hand and inspecting his face from side to side, gentleness belying her tone, "I see you turned the other cheek. Repeatedly. Don't laugh. You'll split the lip open again."

She'd seen enough of this kind of thing to stoop down and check his knuckles for abrasions and broken bones. His hands were unmarked. She frowned up at him, still holding his hands, but his eyes slid away. Sighing, she stood and unlocked the supply room, where she opened a cabinet, getting out what she needed. His pupils had reacted properly and he had been able to call her; the slurred speech was not neurological in origin; there was no concussion, but his face was a mess. As she assembled the supplies, he spoke quietly from the next room.

"I think a rib broke. I heard something crack."

She hesitated a moment and then returned to him, loading the pressure-injection gun with a dose of an immune-system booster. "Because of the cuts," she told him, holding the gun up for him to see. "Can you unbutton your shirt or do you need help?"

He managed the buttons but couldn't pull the bloodied shirt out of his jeans. Maybe whoever beat him up didn't know he was a priest, she thought, wondering if it would have made a difference. She helped him with the shirt, pulling it down off his arms, careful not to touch him unnecessarily. He was the color of maple syrup, she decided, but she said merely, "You're right about the rib." She could see the bruise on his back where the blow had landed and popped the bone outward. Kicked him when he was down, whoever it was. Aiming for a kidney but a little high. The lungs sounded clear, but she helped him move to the portable imager and did a torso scan to check for internals. While she waited for the image, she used the injection gun on him and then sprayed anesthetic on the cut over his eye. "This is going to need stitches but I can do the rest with bioadhesive."

The scan looked okay. Greenstick fracture in the right sixth rib, hairline in the seventh. Painful, not dangerous. The anesthetic took hold quickly. He sat there silently, letting her clean his face up and pull the cuts together.

"Okay, here's the hard part. Put your arms up and let me get the ribs wrapped. Yeah, I know," she said softly, when he gasped. "This is going to be wicked for the next week or so. I don't recommend sneezing anytime soon."

She was honestly surprised at how difficult she found it, being so close to him. Until that moment, she'd have sworn that she had long ago come to terms with getting old, and being childless. This beautiful man made her reassess both assumptions. He kept going in and out of focus: son, lover. It was completely inappropriate. But Anne Edwards was not given to self-deception and she knew what she was feeling.

She finished taping him up and let him catch his breath while she reloaded the gun. Without asking permission, she pressed the nozzle against his arm for the second time and told him, "You can offer up your suffering tomorrow. Tonight, you're going to sleep. We've got about twenty minutes to get you into a bed." He didn't argue; it was too late, in any case. She put the gun back and helped him into his shirt, letting him button it himself while she put things away.

"Want to tell me about it?" she asked finally, perching on the edge of her desk. He looked up at her through the hair falling over his forehead, black against the bandages. The bruise on his cheek is going to be spectacular, Anne thought.

"No. I don't think so."

"Well," she said quietly, steadying him as he got to his feet, "I'll assume you didn't get into a fight over a girl in a bar, but I can come up with more lurid explanations if you don't want to indulge my vulgar curiosity."

"I went to see my brother," he said, glancing into her eyes.

So he has a brother, she thought. "And he said, Welcome back, Emilio, and beat the shit out of you?"

"Something like that." There was a silence. "I tried, Anne. I gave it an honest try."

"I'm sure you did, sweetheart. Come on, let's go home."

They left the clinic and started up the stairs, the priest already too dopey to be aware of the stares and questions that Anne shook her head at. George met them about halfway. Light as Emilio was, it took both the Edwardses to get him up the last flight of stairs and into the house. He stood swaying as Anne turned down the guest bed while George got him undressed. "Sheets?" he asked blurrily, apparently worried about getting blood on the linens.

"Nobody gives a damn about the sheets," George told him. "Just get into bed." He was asleep before the covers settled over him.

Anne closed the guest-room door and, in the dark hallway, she reached out for George's familiar arms. Neither of them was entirely surprised that she cried. He held her for a long time and then they went into the kitchen. While she heated up their supper, Anne told him about some of it, and he guessed more than she might have given him credit for.

They moved into the dining room, pushing the clutter on the table off to one side, and ate in silence for a while.

"Do you know what made me fall in love with you?" George asked suddenly. Anne shook her head, puzzled that he should ask her this now. "I heard you laugh, down the hall, just before I got to Spanish class that first day. I couldn't see you. I just heard this fabulous laugh, like a whole octave, top to bottom. And I had to hear it again."