It was then that she experienced an instant of unprecedented clarity, a moment of wholly unanticipated certainty that God was real. The sensation fled almost as quickly as it came but left in its wake the conviction that Emilio was right, that they were meant to be here, doing this impossible thing. She looked to him in astonishment, shaken, and was irrationally infuriated to see that he was asleep.
They had been up about two and half hours when Sofia floated by to make a navigational sighting. Turning her head to follow the movement was probably what did it. Anne's inner ears, not her guts, betrayed her. Without warning, her body revolted against its bizarre situation, and she spent the next few hours retching and blowing her nose. When it was over, she realized she was famished and, unfastening her straps, pushed off toward the cockpit, feeling like Mary Martin on a wire until she bumped into a bulkhead so hard that she exclaimed, "Ouch!" and then "Damn," without thinking. She glanced back at Emilio, hoping that she hadn't disturbed him, but he opened his eyes and grinned greenly at her, and she realized that he'd been awake all along and was just this side of blowing breakfast.
D.W. chose that moment to holler back to them, "Hey, anybody hungry?" The effect of the question was immediate and impressive.
At his own firm if garbled request, Anne left Emilio alone to cope with the revolting experience as she had, without a solicitous audience. She joined D.W. and Sofia for lunch, which featured an excellent vichys-soise, packaged in bags like toothpaste tubes. With her stomach settling and a surprisingly decent meal in her, Anne's spirits rose all the way up to okay. This was sufficient improvement for her to decide morosely that even while suffering from the Fat Face, Chicken Legs syndrome that was affecting them all in zero G, Sofia at thirty-two looked better than Anne had on her wedding day, fresh-faced and twenty. Not even a radical redistribution of blood plasma and lymph was able to dim Sofia's looks entirely, the fluid in her face smoothing it into an ivory oval, dark brows arched and tranquil over egg-shaped eyelids, the lips pursed in calm self-possession: an emotionless Byzantine portrait.
D.W., on the other hand, was even more unsightly than usual.
Beauty and the Beast, Anne thought, watching them work head to head over some navigational task. It was a friendship she found odd and pure and touching in a way she didn't quite understand. With Sofia, D.W. dropped most of his elaborate Good Ole Boy act and seemed to take up less of the oxygen in a room; Sofia, for her part, seemed less wary in D.W.'s company, more at home in her skin. Remarkable, Anne mused. Who'd have thunk it?
There had been resistance to the escalation in Sofia's involvement with the mission, not from the other crew members, but from the Father General's office, which had been willing to employ her as a contractor but balked at her inclusion in the crew. It had taken D. W. Yarbrough's direct intercession to bring her in and the Texan was pretty damned pleased with himself for pushing it through.
For one thing, Sofia had turned out to be a natural pilot; nerveless and precise, with a logical approach to complex systems, she picked up the skills from her instructors with the cool competence that once profited Jean-Claude Jaubert and now delighted D. W. Yarbrough. "Learning curve like a jump jet's flight path—all but straight up," D.W. declared to the Father General, and continued cheerfully, "I could drop dead any time now and she'd get 'em all up and down, no problem. 'S a load off my mind, I guarantee."
But there was more to it than that. D.W. made no claim to saintliness, only to a certain talent for bringing people into their own—for finding God in them. A master of disguise himself, Yarbrough knew when he was looking at a facade. If nothing else was accomplished on this crazy-ass mission, he told himself first and the Father General last, he intended to take a shot at helping this one soul patch itself up and make itself whole. Long ago, John F. Kennedy proposed that America go to the moon, not because it would be easy but because it would be difficult, and that was the gift D. W. Yarbrough offered Sofia Mendes: the opportunity to do something so difficult that she'd be stretched to her limits, feel her own possibilities, find something in herself to rejoice in.
And if it was a shock that Sofia was as wise to his ways as he was to hers, he reckoned that might be to the good. For all his folksy cowboy shtick, Yarbrough was, at fifty-nine, a careful, competent leader whose slipshod personal style masked a relentless, fastidious attention to detail. Once an air squadron commander, he knew there were many things one could not control when engaged in battle, and that knowledge dictated an iron-willed insistence that what could be controlled must be brought to perfection. And in this, Sofia was his match.
As the two generalists on the team, D. W. Yarbrough and Sofia Mendes had grappled with the coordination and supervision of the greatest voyage into the unknown since Magellan left Spain in 1519. Together, they had gone over every detail of the mission, collecting and absorbing the results of the work of several hundred independent task forces, reconciling differences, making command decisions, insisting on additional thought, better solutions, more thoroughly considered plans. They had to allow for every imaginable contingency: desert heat, tropical rain, arctic cold, plains, mountains, rivers, and do it with as much overlap in equipment as possible, to minimize bulk. They studied food-storage systems, considered possible means of overland transport, argued fiercely over whether they should bring coffee or learn to do without it, discussed the ecological impact of bringing seeds in hopes of establishing gardens, brainstormed about trade goods, shouted, fell out, made up, laughed a good deal and, despite the accumulated odds against such an outcome, came to be fond of each other.
Finally the day arrived when they were ready to begin loading the asteroid for the trip. D.W. and Sofia ferried George Edwards and Marc Robichaux up to the rock first, so they could inspect and fine-tune the life-support system onboard the asteroid and stow the first shipment of supplies.
Marc Robichaux, S.J., was a naturalist and watercolorist from Montreal. Blond hair graying at forty-three, he remained one of those perennially youthful looking men, soft-spoken and gentle-eyed. "The quintessential Shy, Cute Guy," Anne pegged him, the kind of boy who was simultaneously a high school heartthrob and a teacher's pet, adorable but with an obnoxious tendency to turn his papers in early and get A's on them. Marc was in charge of the Wolverton tube plant colony and the tilapia tank, which would produce fresh food to supplement the packaged stuff they were bringing. George Edwards was responsible for the software control of the Wolverton tube as well as for the software and mechanical aspects of the allied air- and water-extraction systems. The two men had spent the last year learning each other's specialties, Marc's quiet carefulness a good balance for George's exuberant try-anything approach to life.
Next up were James Connor Quinn, twenty-eight, mission specialist for navigation and communications, and the musicologist Alan Pace, S.J. At thirty-nine, Father Pace was a willowy Englishman who gave the sleepy-eyed impression of someone who had seen it all and who quite possibly knew it all as well. It was a trait that worried D.W.; Pace was a last-minute replacement for Andrej Jelacic, who'd suffered a heart attack during a stress test. Andrej, still mourned, was a hard act to follow. But Alan was well qualified—a remarkable musician, if kind of a pain in the ass. Like many musicians, he had a precise and orderly mind and had, in fact, minored in mathematics. He cross-trained with Jimmy Quinn, an amateur pianist, and they had spent the months of preparation studying the growing collection of alien song fragments, along with the technical skills needed to navigate the rock to Alpha Centauri.