At half-past two they arrived at Greengages. It was a converted Edwardian mansion approached by an avenue, sheltered by a stand of conifers and surrounded by ample lawns in which flower-beds had been cut like graves.

There were a number of residents strolling about with visitors or sitting under brilliant umbrellas on exterior furnishers’ contraptions.

“She does know we’re coming, doesnt she?” Verity asked. She had begun to feel apprehensive.

“You and me, she knows,” said Prunella. “I didn’t mention Gideon. Actually.”

“Oh, Prue!”

“I thought you might sort of ease him in,” Prue whispered.

“I really don’t think—”

“Nor do I,” said Gideon. “Darling, why can’t we just—”

“There she is!” cried Verity. “Over there beyond the calceolarias and lobelia under an orange brolly. She’s waving. She’s seen us.”

“Godma V, please. Gideon and I’ll sit in the car and when you wave we’ll come. Please.”

Verity thought: “I’ve eaten their astronomical luncheon and drunk their champagne so now I turn plug-ugly and refuse?”

“All right,” she said, “but don’t blame me if it goes hay-wire.”

She set off across the lawn.

Nobody has invented a really satisfactory technique for the gradual approach of people who have already exchanged greetings from afar. Continue to grin while a grin dwindles into a grimace? Assume a sudden absorption in the surroundings? Make as if sunk in meditation? Break into a joyous earner? Shout? Whistle? Burst, even, into song?

Verity tried none of these methods. She walked fast and when she got within hailing distance cried: “There you are!”

Sybil had the advantage in so far as she wore enormous dark sunglasses. She waved and smiled and pointed, as if in mock astonishment or admiration at Verity and when she arrived extended her arms for an embrace.

“Darling Verry!” she cried. “You’ve come after all.” She waved Verity into a canvas chair, seemed to gaze at her fixedly for an uneasy moment or two and then said with a change of voice: “Whose car’s that? Don’t tell me. It’s Gideon Markos’s. He’s driven you both over. You needn’t say anything. They’re engaged!”

This, in a way, was a relief. Verity, for once, was pleased by Sybil’s prescience. “Well, yes,” she said, “they are. And honestly, Syb, there doesn’t seem to me to be anything against it.”

“In that case,” said Sybil, all cordiality spent, “why are they going on like this? Skulking in the car and sending you to soften me up: If you call that the behaviour of a civilized young man! Prue would never be like that on her own initiative. He’s persuaded her.”

“The boot’s on the other foot. He was all for tackling you himself.”

“Cheek! Thick-skinned push. One knows where he got that from.”

“Where?”

“God knows.”

“You’ve just said you do.”

“Don’t quibble, darling,” said Sybil.

“I can’t make out what, apart from instinctive promptings, sets you against Gideon. He’s intelligent, eminently presentable, obviously rich—”

“Yes, and where does it come from?”

“—and, which is the only basically important bit, he seems to be a young man of good character and in love with Prue.”

“John Swingletree’s devoted to her. Utterly devoted. And she was—” Sybil boggled for a moment and then said loudly, “she was getting to be very fond of him.”

“The Lord Swingletree, would that be?”

“Yes, it would and you needn’t say it like that.”

“I’m not saying it like anything. Syb, they’re over there waiting to come to you. Do be kind. You won’t get anywhere by being anything else.”

“She’s under age.”

“I think she’ll wait until she’s not or else do a bunk. Really.”

Sybil was silent for a moment and then said: “Do you know what I think? I think it’s a put-up job between him and his father. They want to get their hands on Quintern.”

“Oh, my dear old Syb!”

“All right. You wait. Just you wait.”

This was said with all her old vigour and obstinacy and yet with a very slight drag, a kind of flatness in her utterance. Was it because of this that Verity had the impression that Sybil did not really mind all that much about her daughter’s engagement? There was an extraordinary suggestion of hesitancy and yet of suppressed excitement — almost of jubilation.

The pampered little hand she raised to her sunglasses quivered. It removed the glasses and for Verity the afternoon turned cold.

Sybil’s face was blankly smooth as if it had been ironed. It had no expression. Her great china-blue eyes really might have been those of a doll.

“All right,” she said. “On your own head be it. Let them come. I won’t make scenes. But I warn you I’ll never come round. Never.”

A sudden wave of compassion visited Verity.

“Would you rather wait a bit?” she asked. “How are you, Syb? You haven’t told me. Are you better?”

“Much, much better. Basil Schramm is fantastic. I’ve never had a doctor like him. Truly. He so understands. I expect,” Sybil’s voice luxuriated, “he’ll be livid when he hears about this visit. He won’t let me be upset. I told him about Charmless Claude and he said I must on no account see him. He’s given orders. Verry, he’s quite fantastic,” said Sybil. The warmth of these eulogies found no complementary expression in her face or voice. She wandered on, gossiping about Schramm and her treatment and his nurse. Sister Jackson, who, she said complacently, resented his taking so much trouble over her. “My dear,” said Sybil, “jealous! Don’t you worry, I’ve got that one buttoned up.”

“Well,” Verity said, swallowing her disquietude, “perhaps you’d better let me tell these two that you’ll see Prue by herself for a moment. How would that be?”

“I’ll see them both,” said Sybil. “Now.”

“Shall I fetch them, then?”

“Can’t you just wave?” she asked fretfully.

As there seemed to be nothing else for it, Verity walked into the sunlight and waved. Prunella’s hand answered from the car. She got out, followed by Gideon, and they came quickly across the lawn. Verity knew Sybil would be on the watch for any signs of a conference however brief and waited instead of going to meet them. When they came up with her she said under her breath: “It’s tricky. Don’t upset her.”

Prunella broke into a run. She knelt by her mother and looked into her face. There was a moment’s hesitation and then she kissed her.

“Darling Mummy,” she said.

Verity turned to the car.

There she sat and watched the group of three under the orange canopy. They might have been placed there for a painter like Troy Alleyn. The afternoon light, broken and diffused, made nebulous figures of them so that they seemed to shimmer and swim a little. Sybil had put her sunglasses on again so perhaps, thought Verity, Prue won’t notice anything.

Now Gideon had moved. He stood by Sybil’s chair and raised her hand to his lips. “She ought to like that,” Verity thought. “That ought to mean she’s yielding but I don’t think it does.”

She found it intolerable to sit in the car and decided to stroll back toward the gates. She would be in full view. If she was wanted Gideon could come and get her.

A bus had drawn up outside the main gates. A number of people got out and began to walk up the drive. Among them were two men, one of whom carried a great basket of lilies. He wore a countrified tweed suit and hat and looked rather distinguished. It came as quite a shock to recognize him as Bruce Gardener in his best clothes. Sybil would have said he was “perfectly presentable.”

And a greater and much more disquieting shock to realize that his shambling, ramshackle companion was Claude Carter.

vi

When Verity was a girl there had been a brief craze for what were known as rhymes of impending disaster — facetious couplets usually on the lines of: “Auntie Maude’s mislaid her glasses and thinks the burglar’s making passes,” accompanied by a childish drawing of a simpering lady being man-handled by a masked thug.